What personal style does Isle of Dogs embody?

I would say that political stories give rise to simpler stories. Most of the film is about the little boy, the five dogs who help him, the dogs he's looking for, and his mayor's uncle, and a group of students who are trying to help him. That's pretty much the whole story.

It's not about thousands of other dogs, it's not about thousands of other people, or whatever. That's really not the point of the story. But I think some movies will probably throw out the big problems first, and this approach is probably okay.

This is not a typical Wes Anderson (Wes

If Anderson's films in the past were sweet and bitter, then "Isle of Dogs" puts the bitterness in front of the audience from the beginning, the island full of garbage, the abandoned, forgotten dogs, the ugly faces of politicians, this is not the romantic New Penzans Island or the Budapest Hotel, this is a projection of realpolitik. But it's also a Wes Anderson work, with obsessive-compulsive symmetrical compositions, a narrative rhythm that flows like a stream, and a chatterboxy dialogue, and he seems to have the magic that he can tell any story in the Wes Anderson way.

Isle of Dogs, on the other hand, puts bitterness in front of the audience as soon as it comes up, the island full of garbage, the abandoned and forgotten dogs, the ugly faces of politicians, this is not the romantic New Penzance Island or the Budapest Hotel, this is a projection of realpolitik.

Isle of Dogs embodies the director's creativity and imagination.

It reflects the director's pursuit of perfection and perfection.

The director's creativity and imagination are still relatively high.

I wonder if the director likes dogs very much.

The movie "Isle of Dogs" tells the story of a young boy who embarks on a long journey to find his beloved pet dog somewhere in the future, where all the dogs are exiled to a desert island.

Due to the "canine flu" raging, ** sent all the dogs in the city to the garbage island. "Chief", "Sovereign", "King", "Boss" and "Duke", five dogs with different personalities and backgrounds have struggled to survive together on the garbage island. In this situation, they met Attari, a 12-year-old boy who came to the garbage island alone to look for his dog, and experienced a series of hardships and encounters with Attari, staging a warm, interesting and touching story.

This film is the first film to be imported into China by director Wes Anderson. As the "master of dreaming" in the hearts of movie fans, Wes Anderson's works are full of dream-like charm. This stop-motion animation "Isle of Dogs" not only has a wonderful and touching story, but also a detailed and beautiful picture.

In the original footage released today, the dogs' expressions are very vivid, and the delicate production of the film can be glimpsed. The film's creative telling of the story from the perspective of a dog gives the audience an unprecedented experience. In the original footage, the little boy Attari quietly leads the way in front, and the picture of the five dogs behind him discussing passionately is unbearable.

It is worth mentioning that the film's dubbing lineup is very strong, with Brian Cranston, Edward Norton, Jeff Goldblum, Bill Murray, and Bob Balaban dubbing the five protagonist dogs respectively, in addition to bringing together Scarlett Johansson, Tilda Swinton, Harvey Keitel, Greta Gerwig, and Francis McDormand, who just won the Oscar for Best Actress for "Three Billboards". Such a configuration also makes the film more fun to listen to and recognize people.

The film won the Best Director Award at the 68th Berlin Film Festival.

"Isle of Dogs" is an animated film released by Fox Searchlight and directed by Wes Anderson, dubbed by Edward Norton, Brian Cranston, etc., and was released as the opening film at the Berlin Film Festival on February 15, 2018.

The film tells the story of a young boy who embarks on a long journey to find his beloved pet dog somewhere in the future, where all the dogs are exiled to a desert island.

Twenty years later, in the future, the number of dogs has exploded, and the canine flu is raging, Mayor Kobayashi and his staff have issued a decree to turn a garbage island into an "island of dogs" and banish all dogs to the island. A 12-year-old boy, Masaharu Kobayashi, flew to this island of dogs alone in order to find his dog "Diandian". On that island, the monarch, the chief, the boss, the duke, and the king were fed up with living in isolation.

The little boy was supported and protected by the five dogs and was being tracked by the Japanese authorities.

The film won the Best Director Award at the 68th Berlin Film Festival.

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Wes Anderson and the writers had been thinking about the film for a long time, and at first they wanted to make a story about a group of dogs living in a garbage dump, but at the same time they were also thinking about another story, set in Japan, which had to do with the director and the production team's shared love for Japanese cinema.

Later, they realized that dog stories could take place anywhere, so they simply combined the two stories and placed the dogs' stories in a fantastical Japanese setting.

Isle of Dogs, a post-apocalyptic wasteland setting in Japan and the future, is in perfect tune with Wes Anderson's grotesque temperament, allowing him to go further on his maverick creative path. Anderson's insistence on self and tribute to the classics can be seen everywhere in the film. The film adopts the same chapter-like structure and time node narration as the director's previous work "The Grand Budapest Hotel", presenting the unique freedom and rhythm of Wei.

Those dizzying fast-moving shots, comic opening and closing credits, and suddenly some off-topic plots seem very reasonable under Anderson's lens.

The film is undoubtedly a benefit for the dog party. The main characters have different personalities, can not only be cute, but also tell bad jokes, which is very likable. In addition to cute dogs, careful composition and scheduling, beautiful soundtracks, and "obsessive-compulsive" aesthetics are all a feast for the eyes (ears).

Although the plot twist in the latter part of the movie feels a bit forced and abrupt, the audience will still be moved by the sincere emotions between humans and dogs.