What is the relationship between artistic reception and the essence of art?

1) When art is accepted, it constitutes an important part of the integrity of artistic activities, and art is not only an ideology, but also a mode of activity in human social life. The reception and consumption of art occupies an important position: the reception and consumption of art are the completion of artistic activities in their reality.

The reception and consumption of art is at the same time the conceptual and motivational starting point of the whole artistic activity. The acceptance and consumption of art must also constitute the starting point and beginning of artistic activities with conceptual motives and goals. The reception and consumption of art permeate the entire art production activity.

2) The way in which a work of art is received plays an important role in the essence of art. (The essence of art: the artist, the work of art, the way in which art is received.)

The most fundamental reason why art is art is that it is associated with the reception and consumption of art; The creative subject and the work constitute a specific object relationship with the receiving and consuming subjects. When art exists as an object in human life, it can actually be received from many angles and in different ways, and the nature of the work of art is different depending on the way of acceptance and attitude. Art must not only be distinguished from other things in society by its own mode of existence, but also require a specific aesthetic reception in the way it is received—an aesthetic attitude that adapts to it, so that a work of art becomes a work of art in its reality.

3) The acceptance of art is the only way for art to return to social life. Art is a form of reflection of social life, but artists do not engage in artistic creation simply for the purpose of reflecting life, their ultimate goal is to intervene, participate in, and even reconstruct our social life through the reflection of life. The return of art to social life is intrinsic to the form of artistic reception and consumption.

The acceptance and consumption of art make art return to social life, which is also manifested in its influence on social life and the construction of a new social life.

Introduction to Art Studies" should have something to say.

Everyone is different, so our imagination is different, and I think we can understand the differences in this way; Re-creativity means that when we are making art, we form vitality to a certain extent because of our own and our reality and our differences from others.

In the history of Chinese and foreign art, there are three main representative views on the essence of art: "objective spiritual theory", "subjective spiritual theory", and "imitation theory" ("representation theory").

The objective spirit theory "holds that art is the embodiment of an "idea" or an objective "cosmic spirit". The ancient Greek philosopher Plato believed that the rational world is the first nature, the sensual world is the second nature, and the art world is only the third nature, that is, only the rational world is real, and the real world is only a copy of the rational world, so the art world is of course even more unreal. During the Northern and Southern Dynasties, Liu Xian's "Wenxin Carving Dragon" believed that the text was the manifestation of the Tao and the Tao was the origin of the text.

Zhu Xi, a Song scholar, went to the extreme in the relationship between literature and Taoism, believing that "literature" is just a simple tool for carrying "Tao", that is, "the carrying of a car".

The subjective spirit theory "holds that art is "an expression of self-consciousness" and "the impulse of life itself". Immanuel Kant, the founder of German classical aesthetics, built his aesthetic system on the basis of subjective idealism. This kind of "free art" is considered to be purely the genius creation of writers and artists, and that this "free art" has no stakes at stake and no purpose involved.

Immanuel Kant saw freedom as the essence of art, and he believed that art and play were interconnected. The era of the Northern and Southern Dynasties in China was a period of increasing prosperity of literature, and the characteristics of literary and artistic lyricism were emphasized. Some literary and art critics attribute "feelings" and "aspirations" to the expression of the hearts and desires of writers and artists, and fundamentally deny the connection between literature and art and social reality.

The theory of reproduction advocates that literature and art are the best in life, which is an imitation and reproduction of the life of liquid hunger. In the West, the theory of imitation, which has existed since the ancient Greek period, is a typical concept of representation and literature. Before Socrates, Greek thinkers believed that literature and art imitate nature, such as Heraclitus, who put forward the idea that art imitates nature and appears as nature.

The essence of art is a high degree of unity between spirit and material, understanding and practice, repetition and expression, rationality and sensibility, abstraction and image. In the contemporary real world, there is a high degree of unity between Chinese and Western art essentialism.

When talking about the essence of art, it is necessary to make a simple comparison between Chinese and Western theories on the essence of art. Although the essence of Chinese and Western art theories have their own characteristics and theoretical supports, there is a consensus that the starting point of their understanding is the same or the same. The original meaning of the word "art" in Chinese art has three meanings:

Skills, techniques, planting.

With the changes in the living environment, the changes in history, and the influence of political, economic, and cultural development and changes, the practical theory of the essence of art as a common starting point has also changed, and the essence of Chinese and Western art has also diverged due to many factors, resulting in their own cognitive processes. In the West, the famous Greek philosopher Democritus regarded the essence of art as an activity of human beings imitating nature, and analyzed art in his theoretical work "Fragments of Works": "In many important things, we are schoolchildren who imitate birds and beasts, from spiders we learn to weave and sew, from swallows to build houses, from swans and yellow warblers and other singing songs to learn to pick up and sing."

In his "Poetics", he also describes the essence of art in this way: "Generally speaking, the origin of poetry seems to have two reasons, both of which are due to nature. Man has an instinct to imitate from childhood.

One of the differences between man and beast is that man is the best at imitation, and their first knowledge is derived from imitation)." It is in our nature to imitate, and it is also in our nature to have a sense of tone and rhythm, which at first those who are most naturally endowed with this aptitude develop step by step, and then from the temporary oral hymn to poetry. In the West, modern art tends to express the emotions of the subject, believing that "art is the form of human life, and the expression is to show whether life is happy or not."

The famous modern philosopher Croce believed that the essence of art is people's intuition of nature - that is, the expression of nature. The essence of British art is a high degree of unity between spirit and material, understanding and practice, repetition and expression, rationality and sensibility, abstraction and image. In the contemporary real world, there is a high degree of unity between Chinese and Western art essentialism.

1."Objective Spirit Theory". Art is considered to be the embodiment of an "idea" or an objective "cosmic spirit".

The ancient Greek philosopher Plato was one of the earliest scholars to philosophize the nature of art. According to Plato, the rational world is primary, the sensual world is secondary, and the art world is only third.

2.Hegel, the master of German classical aesthetics, also built his understanding of the essence of art on the philosophical system of objective idealism. Liu Xian, of the Northern and Southern Dynasties of China, believed that the text was the manifestation of the Tao and that the Tao was the origin of the text.

3.Zhu Xi, a scholar of the Song Dynasty, believes that "Wen" is just a simple tool for carrying "Tao", that is, "the carrying of a car". In this way, "Dao" is not only the essence of literature and art, but also the content of literature and art, and "Wen" is only used as a tool of "Dao".

Obviously, this theory of "carrying the Tao through literature" also reduces the essence of art to a certain objective spirit.

4."Subjective spirit theory". He believes that art is "an expression of self-consciousness" and "the impulse of the essence of life".

5.Immanuel Kant, the founder of German classical aesthetics, believed that art is purely the genius creation of writers and artists, and that this "free art" does not involve any interests at all and does not involve any purpose. He emphasized that in artistic creation, the imagination and originality of genius can make art reach the realm of beauty.

6.Kant's theory of freedom of will became one of the later voluntarist ideas. The German philosopher Friedrich Nietzsche, who was at a turning point in the 19th and 20th centuries, pushed it to the extreme.

7.Nietzsche believed that man's subjective will is the master of everything in the world and the fundamental driving force for the development of history. For Nietzsche, the subjective will is said to be an independent entity that dominates everything, and instinctive desires are exaggerated as having infinite agency.

Nietzsche began his philosophical activity with aesthetic questions.

The aesthetic education of art can improve a person's aesthetics, and it is of great significance to improve a person's art appreciation ability, which can allow you to get a high degree of artistic edification! The nature of artistic reception is to receive a work of art from within; The characteristic is that if you don't look at a thing, you start from the concept of art and look at a thing!

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