Taking the Olympic art design as an example, this paper discusses the national nature and the newnes

The similarities are as follows:They are two branches of industrial design with the same roots, each developing in its own direction, both in the industrial era when machines replaced manual labor, and in both aspects of design, both are Art Nouveau.

The result and inevitability of development was also a rebellion against Art Nouveau.

Differences:Although Art Deco is geometric, it still has a strong decorative character, the colors are bright and bright, and the modernist Tremor movement opposed decoration and put forward the famous saying that decoration is sin, neutral colors.

Modernist architecture:

In the elitism of the elite for the magnates who have monopolized the building for a long time.

A serious reaction. For a long time, architectural design was designed to serve a very small number of powerful people.

Saying: The poor have no design, which refers to this phenomenon.

Modernist architecture and design, on the other hand, strongly opposed design that served the elite. Among the pioneers of modern design in Qindong, many people hope to change the target audience of design and provide basic design services for the broad masses of laborers.

The Arts and Crafts Movement refers to a movement that emerged in Europe from the late 19th century to the early 20th century, aiming to restore the value and application of traditional handicraft arts and oppose the mechanization and standardized products brought about by large-scale industrial production. The emergence of this movement is a reflection on the decline of manual art caused by the mass production of machines in the past few hundred years, and it is also an exploration of the industrial production mode of the future.

The Craft and Hire Art Movement advocates handmade high-quality products in the field of design, focusing on the designer's control of materials, craftsmanship, composition, color and other details, while emphasizing aesthetics, practicality, technological innovation and social responsibility. These ideas and principles are still alive and well in modern design.

The Arts and Crafts movement had a profound impact, merging industrial design and the arts and crafts to lay the foundation for modern design. It emphasizes the designer's attention and control to the details of the model, and attaches importance to practicality and aesthetics, injecting new ideas and inspiration into modern design. Therefore, the Arts and Crafts Debate Movement is considered one of the germs of modern design.

The modernist design movement was indeed greatly influenced and inspired by technological developments, but it was not exactly the same as the impact of technology on art.

The core concept of the modernist design movement was that form follows function, emphasizing the use of cleansing design to simplify design, which was closely related to the progress and development of science and technology and industry at that time. For example, the Bauhaus School of Design advocates technical aesthetics, industrialization and standardized design.

However, modernist design also has its own aesthetic pursuits, such as simplicity, straight lines, geometric figures and other style characteristics, which is more of the influence of modernist art on design, rather than a simple technical product. Modernist designers also deliberately avoided the possible effects of certain technologies.

It can be said that technological progress has opened up many possibilities and provided inspiration for modernist design, but the designers themselves have transformed technical advantages into designs with aesthetic value through creative thinking, so technology is only one of the many influencing factors of modernist design. Technology is not everything.

Which designer from the Art Nouveau to the period of the Decorative Movement period of the design style design type of design, philosophy.

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The pro-Austrian Art Nouveau representative Sischu Hoffmann was not only an active participant in the Austrian Art Nouveau movement, but also an innovator who sought innovation and change. Art Nouveau period art design style: architectural decoration design style 1.

The aesthetic of natural curves in the decorative style "Art Nouveau" is characterized by smooth curves like tendrils of plants and slanting smoke in the wind. As a result, simplicity and minimal relief were pursued in architectural decoration, and the interior and exterior walls, balustrades, window roots, and furniture were mainly decorated in spiral, wavy, and twisted shapes, with extensive use of wrought iron structures, which contrasted sharply with the orderly structure of classicism and the rigid forms of the neo-Gothic style. 2。

The extreme formalist style of "Art Nouveau" was in full swing in Spain, and the architectural decoration showed a strong extremist style. This style was created by the famous architect Antoni Gaudí. From 1900 to 1910, Gaudí was inspired by the Art Nouveau style, and his designs had a distinctive formalist style.

For example, he designed the Spanish Mira apartment to avoid straight lines and planes as much as possible, and even the decorative walls on the exterior of the building were processed into a sense of karst geology, while the balcony was like a kelp dancing in the waves, and the overall building was like an ice cream when it melted. 3。Conveying the breath of modernism, the design of the architecture in this period pursued the formal tendency of simple vertical and horizontal lines, using simple three-dimensional geometric forms, and slightly decorating the interior, so that the sense of building volume is very strong, which can be said to be an architectural exploration of cubism.

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