What do you think of the ranking of Chinese painters and oil painters?

The content of each painter's painting is different, some are realistic, some are expressive.

And art is a bad thing to rank, and everybody has a ranking in mind, and a lot of artists have different high points, and those high points are not compared.

If there is a ranking, art is a very vulgar thing.

There is no official evaluation, so use your own brains and votes to rank.

The top 10 Chinese oil painters are as follows:

1. Pan Yuliang, a famous Chinese female painter and sculptor. In 1921, he went to France to study at the official expense, and successively entered the Sino-French University of Lyon and the National Academy of Fine Arts, where he was a classmate with Xu Beihong, and in 1923, he entered the National Academy of Fine Arts in Paris.

2. Sha Qi, in 1937, he learned painting from Mr. Xu Beihong, and in the same year, he was introduced by Xu Beihong to study at the Royal Academy of Fine Arts of Belgium and studied from the painter Bai Sitian. Sha Qi studied painting at the Changming Art School in Shanghai, the Shanghai Art School, the Hangzhou Art School and the Art Department of ** University for nine years in his early years, and in 1937, he was recommended by Xu Beihong to study at the Royal Academy of Fine Arts in Belgium.

3. Lu Sibai, born in Jiangyin, Jiangsu Province on October 15, 1905, died in Nanjing on January 14, 1973. When he first entered the Art Department of Southeast University, he was appreciated by Xu Beihong, and in 1928, he was recommended to study in France, at the Lyon Higher School of Fine Arts.

4. Min Xiwen, born in September 918 in Changshu, Jiangsu. In the autumn of 1934, he entered the engraving department of Suzhou Academy of Fine Arts, and in the autumn of 1935, he studied at the National Hangzhou Art College, where he studied under Fang Ganmin, Wu Dayu, Cai William, etc. In 1982, 1987 and 1990, he held three solo exhibitions at the ** Academy of Fine Arts.

5. Mo Pu, who joined the New Fourth Army in Huainan in 1940, successively taught at Lu Xun Institute of Literature and Art, North China United University and other schools. Since 1949, he has served as a professor and director of the painting department of the National Art College, and later served as the vice president of the East China Branch of the ** Academy of Fine Arts, the president of the Zhejiang Academy of Fine Arts, the executive director of the Chinese Artists Association, and the vice chairman of the Zhejiang Federation of Literary and Art Circles.

6, Ni Yide, pen name Nit. A native of Hangzhou, Zhejiang. In 1919, he was admitted to the Shanghai Academy of Fine Arts to study painting, and stayed on to teach after graduation.

He is the author of literary works such as "Autumn of Xuanwu Lake" and "The Coast of the East China Sea"."Creation Society"。In 1927, he studied in Japan and entered the Kawabata School of Painting in Tokyo.

7, Pang Xunqin, pen name Guxuan, Jiangsu Chang acquaintance. China's famous painter, arts and crafts artist, arts and crafts educator. He is the author of "Research on Chinese Decorative Painting in the Past Dynasties", "Arts and Crafts Design", "Research on Pattern Problems" and "Pang Xunqin's Paintings".

He used to be the vice president of the ** Academy of Arts and Crafts and the director of the China Artists Association.

8. Qin Xuanfu, a famous painter, art historian, art educator, and a native of Guilin, Guangxi. He graduated from the Department of Foreign Languages of Tsinghua University in 1929. In 1930, he was admitted to the French École Supérieure des Beaux-Arts and entered the studio of Professor Lucien Simon to study oil painting.

9, Song Buyun, Ming Xiaochu, from Weifang, Shandong. Song Buyun is a famous Chinese artist, art educator and art activist, a leading figure in early Chinese oil painting and watercolor painting, and one of the pioneers in spreading Western painting art to China.

10. Yan Ke, a native of Wuxi, Jiangsu. In September 1944, he graduated from the Department of Fine Arts, Nihon University, Tokyo, Japan. He has successively served as a professor at Shanghai Academy of Fine Arts and Suzhou Academy of Fine Arts (Shanghai School), a professor and director of the art department of National Anhui University, and a professor of the Department of Fine Arts of Nanjing Normal University.

1.Qi Baishi: Born in 1863 and died in 1957, he is an outstanding modern painter, calligrapher, and seal carver.

The original name is Qi Huang, Chunzhi, the word Weiqing, No. Baishi, Endangered, Azhi, the owner of the Borrowing Mountain Yin Pavilion, the old man of Jiping, etc. A native of Xiangtan, Hunan. The works are full of love for life.

Its seal carving is simple and powerful, the calligraphy is strong and calm, and the poetry and painting theory are also unique. He is a member of the presidium of the Chinese Federation of Literary and Art Circles and the chairman of the Artists Association. In 1953, he was awarded the title of "People's Artist" by the Ministry of Culture.

2.Xu Beihong: Born in 1895 and died in 1953, he was a native of Jiting, Yixing, Jiangsu.

His father was a poor painter. Beihong studied painting with his father at an early age, and sold paintings in Shanghai at the age of 20. In 1918, he served as a tutor at the Painting Research Society of Peking University, and was later admitted to the National School of Fine Arts in Paris, France, during which he went to Berlin and Belgium.

3.Liu Haili is an outstanding artist, educator, art historian and painter.

He is a native of Wujin County, Jiangsu Province. In November 1912, he founded the first art school in modern China, Shanghai Zhapu Road, and served as the principal of the Shanghai Academy of Chinese Painting, recruiting Xu Beihong, Wang Jiyuan and other high-achieving students, and breaking through the feudal power.

Strictly speaking, contemporary painting, whether oil painting orChinese paintingNone of them follow a certain genre, because the contemporary era is an era that advocates the blooming of a hundred flowers, and the painters are no longer fixed in a certain type of painting method and technique, but continue to try from a variety of genres formed in the past, and finally find the most suitable Zheng Jue painting method for themselves.

Many painters have been looking for a lifetime, but they still can't break through, they can only follow others, whether it is technique, composition, or thinking and perspective, they can't get rid of the fixed routine, so in the end, he is just a parroting painter. Only a very small number of painters, through continuous exploration, finally painted different paintings from others, established their own style, and they may also leave a great name in the history of painting.

On the whole, most of the contemporary oil painters still follow the modernist painting method, that is, Picasso.

Abstraction created by painters such as Dalí at the beginning of the last century.

and Cubism. This kind of painting method is mainly to express the painter's personality and thoughts, and does not pay much attention to external forms such as shape, color, light and shadow, composition, etc., so it is not easy for ordinary viewers to understand what these paintings want to express.

Contemporary Chinese oil painters prefer realistic oil paintings, such as the representative Leng Jun.

Yang Yunfei, Li Zhuangping, and even earlier Chen Yifei, Luo Zhongli.

Li Jian and other oil painters are all painting methods in this way. To put it simply, they only want to make the work realistic, and the closer they get to the object, the more successful they think it is.

This is a typical classical painting method in the West hundreds of years ago, Western painters have long been tired of playing these painting methods, while Chinese oil painters have just begun to be popular, it can be seen that Western oil painting is more than Chinese oil painting in terms of expression techniques and artistic concepts, more than hundreds of years. At the level of Chinese painting, I think that most painters still follow the tradition and start with the tradition first and seek breakthroughs.

Like the Shaanxi painting circle where the author works, most painters attach great importance to tradition. The tradition of Shaanxi painting is the "Chang'an School" produced in the 60s of the last century, which has a profound influence on Shaanxi painters and even painters in the northwest and the whole country. To put it simply, it is to use painting to explore and embody the farming culture.

The elements of the show are a kind of farming life.

Of course, in their creation, the painters will also absorb the Jinling School, the Beijing-Tianjin School, and the Lingnan School.

Shanghai School and other painting styles, and even integrated some oil painting techniques, so as to enrich their own painting connotation. Therefore, on the whole, due to the profound tradition of Chinese painting in China, it is difficult for painters to get rid of the influence of tradition in their actual creation, and it also witnesses that painting is a root of national culture and has a good corrective effect on artists.