Why does Chinese painting emphasize the need to achieve the three uniques of poetry, calligraphy and

Question 1: What does it mean to have no pants in poetry, calligraphy and painting Poetry, calligraphy and painting are very good in all three aspects. Unprecedented, reaching the pinnacle.

Question 2: The meaning of "absolute" in "Three Uniques of Poetry, Calligraphy and Painting" is: broken; End, end; Superb, rare; At all costs. The meaning of "absolute" in the "Three Uniques of Poetry, Calligraphy and Painting" is:

Superb, rare;

Question 3: What does it mean to be absolutely true that the three unique poems and calligraphy and painting mean "unique, rare, and no one can catch up".

See the dictionary for details. Question 4: What is the meaning of the three absolute poems and calligraphy and painting The absolute here is the meaning of reaching the peak after the unprecedented eradication of the dry reed.

Question 5: What is the meaning of poetry, calligraphy and painting The uniqueness of the three uniques is unique and no one can catch up.

Question 6: What does it mean to not buy and poetry, calligraphy and painting Don't buy: don't agree, don't recognize, ignore it, don't care.

Poetry, calligraphy, and painting: poetry, calligraphy, and painting, these three skills are very good, and few people can compare with them.

Chinese painting is a traditional form of Chinese painting, and I feel that those who have higher attainments in Chinese painting are Gu Kaizhi, Zhang Daqian and Qi Baishi.

1, Gu Kaizhi.

Gu Kaizhi of the Eastern Jin Dynasty is one of the three major painters of the Six Dynasties, his "Female History Zhentu" and "Luo Shen Futu" are the originators of figure painting, but because the landscape painting was not mature at that time, from the early copy, the characters are depicted vividly, and the landscape is very naïve, and the people are larger than the mountain, and the proportion of the whole picture scroll is not appropriate, even so it is still a heavyweight cultural relic in the history of collection.

2, Zhang Daqian.

Zhang Daqian is an all-round painter, whose creations are "the length of the body and the richness of the two sects of the north and the south", integrating literati paintings, writers' paintings, court paintings and folk art. In Chinese painting, figures, landscapes, flowers and birds, fish, insects, and animals, all of them are fine, omnipotent, and refined. The poems are frank and bold, and the calligraphy is vigorous and elegant, soft on the outside and rigid on the inside, and has a unique style.

Zhang Daqian has traveled all over the world and gained great international fame, and has been praised by the Western art world as "the pen of the East".

3, Qi Baishi.

Qi Baishi's painting path inherited the way of literati painting, but he created a new form. Sketch first and then freehand, freehand and then sketch again, so that after the turn to achieve both form and spirit. What's more, on the same painting, he used freehand flowers with extremely fine grass insects, which became his original worker insect flowers.

Looking at Bai Shi's paintings, you must see the earthiness of his brushwork, the connection with the soil, and the complete respect for the life of a grass, a tree, a flower and an insect.

The style of the times is a product of certain historical conditions, therefore, it has a dominant force in art, and any calligrapher and painter is influenced and restricted by it. In addition, the multifaceted artistic characteristics formed by calligraphers and painters in their long-term artistic practice. For example:

Qiu Ying's characters in the Ming Dynasty have very small eyes; In the Qing Dynasty, Gao Qipei painted Zhong Kui without eyebrows; In modern times, Zhang Daqian's paintings of ladies and ladies have the style of Dunhuang murals; The famous painter Huang Zhou is stationed in Xinjiang all the year round, so he has a strong wind of the Tianshan Mountains. Calligraphers and painters of all dynasties have their own faces, and the style of the times is a summary of the personal styles of calligraphers and painters of each era.

Gu Kaizhi's attainments are the highest, because Luo Shen Futu is one of his representative works, and the characters described in it are particularly vivid.

I think it's Gu Kaizhi, he is a painter in the Eastern Jin Dynasty, my favorite is "Luo Shen Futu", this picture is the originator of character portraits, quite good-looking.

I think it's Qi Baishi, because his paintings are very famous, and his works are very popular.

The three realms of ancient poetry reading are determination, selflessness and return, and as a companion to reading often in terms of calligraphy and painting, it also has three realms. There are some differences in the views on the three realms of calligraphy and painting throughout the ages, but on the whole, it is a gradual process from form to artistic conception, and then from artistic conception to avenue. <>

1. The first realm of calligraphy and painting is to describe the actual state The ancients understood that whether it was writing or painting, the first thing was to see what to write, what to paint. This is the reason why our Chinese characters started with the pictographs oracle bone inscriptions. When it comes to painting, it also starts with the very beginning of copying flowers, birds, fish and insects.

Therefore, the first realm of calligraphy and painting, which is to seek truth from facts, first outline the basic things roughly, and then can it really be regarded as entering the door of calligraphy and painting. <>

Second, the second realm is to express emotions, if calligraphy and painting are just mechanical copying, then it must not reach the realm of elegance pursued by the ancients. Therefore, if the speech is to be further improved, it must express the author's own emotions. At the beginning, regular script is similar to learning words, the font to be written at the beginning, but the line of writing is a kind of heroic righteousness, and cursive expression is a kind of free and bold.

The same is true of Huahua, from the beginning of the character is just a simple portrait, to the end it is placed in a large background, through the fusion with the background to express the author's emotions, landscapes, flowers and birds, etc. <>

3. The highest state is to return to the avenue of all things in the world, no matter which one they are, they will return to the original state in the end, so calligraphy and painting, as an art, it originates from life and must return to life. Then the highest state of calligraphy and painting is to return to the avenue. The so-called avenue is a simple expression of the original meaning of the image.

To do this, you need to be very familiar with life, and you also need a certain amount of life experience. In the end, no matter what kind of realm of calligraphy and painting, as long as you do it with your heart, some people will appreciate it and live up to this era of pen and ink.

1. "Technique". That is, calligraphy and painting skills. 2. "Environment". That is, the artistic conception. Calligraphy and painting give people enjoyment. 3. "The Way". Heaven and man are one, calligraphy and painting are at your fingertips, I don't care what I paint, I just feel the nature and spirit in the painting.

First, the first realm is to describe the actual form of the object, to reflect the real appearance of the thing realistically, and to outline the actual thing, then it can be regarded as the doorway; Second, the second realm is to express the author's thoughts and emotions, to express the feelings in the object, to support the feelings in the painting, and to integrate the landscape, flowers and birds with their own emotions; Third, to take the road of return, to return to life, to return to the original meaning of objects, you need life experience and a certain life experience.

The threefold realm of Chinese calligraphy and painting is that looking at the mountain is the mountain and the water is the water, looking at the mountain is not the mountain and seeing the water is not the water, and finally returning to the mountain is the mountain and the water is the water.

Hello Collapse, I'm glad to answer for you, the Chinese literati group pays attention to poetry and painting, this sentence is correct. Literati painting pays attention to poetry and painting, "poetry in painting, painting in poetry" is the consistent pursuit of literati painting, and takes vividness as the aesthetic ideal, and it has become a cultural symbol by integrating poetry, calligraphy, painting, and printing branches.

Zheng Banqiao only painted orchids, bamboos, and stones throughout his life, and called himself "the orchid that is not thanked at four times, the bamboo that is evergreen in a hundred sections, the stone that is invincible through the ages, and the person who remains unchanged for thousands of years". His poems, calligraphy and paintings, known as the "Three Uniques", were more representative literati painters of the Qing Dynasty. His representative works include "Bamboo Repair New Fence Map", "Qingguang Lingering Picture", "Orchid Bamboo Fangxin Map", "Gangu Juquan Map", "Conglan Thorn Map", etc., and he is the author of "Zheng Banqiao Collection".

Poetry, calligraphy, and painting are combined into one to form an inseparable aesthetic conception, creating a unique precedent for the combination of literature and visual art in the history of world aesthetics. It is impossible for a painter to be without a poetic background, and the pursuit of literature from the theme metaphor to the content of the poem inscription is not something that the traditional painter who only pays attention to the technique can cope. Under the dominance of the aesthetics of literati painting, "craftsmanship" became the lowest quality and became the object of ridicule of literati.

For literati, calligraphy is a basic skill to exercise from an early age. "Horizontal", "vertical", "point", "pinch", "apostrophe" and "磔" are calligraphy lines and painting elements. "The same origin of calligraphy and painting" has once again been given a new meaning of combination.