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Briefly analyze the image of Zhao Botao.
Zhao Botao is the image of a comprador capitalist. He was a Chinese comprador of a certain American consortium and had a deep relationship with the Chiang Kai-shek regime. His character is characterized by arrogance, arrogance, cruelty and cunning.
With his special political and economic status, he made waves in Shanghai and was the devil in the public bond market. ** also describes Zhao Botao's erosive life, he picks up all kinds of public debts, but also picks up all kinds of women, showing the extreme decay of the spirit of this class.
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Feng Yunqing was a rural landlord who made his fortune by defrauding peasants of land for one acre, but the bankruptcy of the countryside and the peasant rebellion forced him to flee to Shanghai to become a public residence.
At first, he won repeatedly, but later lost in the short bull war directed by Zhao Botao. After the failure of speculation in public bonds, in order to spy on trade secrets, he used beauty tricks and did not hesitate to instigate his daughter to seduce Zhao Botao. In the end, because her daughter forgot to spy on secrets, she failed completely, and all her land and property were discounted in the public bond market.
Feng Yunqing was a "soil spider who ate the fields" who fled to Shanghai under the storm of the agrarian revolution. He exchanged the blood and sweat of the peasants for a "public life" in the metropolis. His failure is a testament to the vulnerability of China's traditional economic model (relying on land for profit) to the onslaught of foreign financial capital.
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Wu Sunfu is the protagonist of Mao Dun** "Midnight", and he is the representative of the national capitalists at that time.
The character of Wu Sunfu is essentially two-sided.
Second, he was attached to the competition in the capital market, and although he was dissatisfied with the comprador class such as Zhao Botao and others, he was far inferior to Zhao Botao in terms of financial resources, and the property in his hands eventually had to go down the road of being annexed by the comprador bourgeoisie represented by Zhao Botao.
Mao Dun's portrayal of Wu Sunfu is intended to show that China's economy did not embark on the capitalist road at that time, and was still economically invaded by foreign capital.
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Wu Sunfu (the protagonist of Mao Dun's long "Midnight") is an artistic image with complex contradictions and flesh and blood. The duality of the Chinese national bourgeoisie is very clearly manifested in Wu Sunfu.
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In the creation of Mao Dun's characters, the focus is on the characteristics of the times they embody, and the imprint engraved on the characters by the times, class and political ideological struggles.
Midnight has successfully portrayed Wu Sunfu, a typical national capitalist who has never been portrayed in the history of Chinese literature, in him, he not only has a strong and heavy atmosphere of the times and historical depth, embodies the turmoil and trend of the historical trend, but also constitutes an independent and complete art world with his own distinctive personality.
Mao Dun called him "the hero, knight and prince of the 20th century machinery industry era", he has the development of China's independent national industry of the eloquent strategy, has an active vitality, fortitude, tenacity, decisive iron fist and courage, but also modern scientific management of the management talent, he should indeed be the hero of the era of the legend of the protagonist of course.
Wu Sunfu was a hero born at an untimely time, he was a semi-feudal and semi-colonial Chinese society, and he was also a national capitalist in Chinese society in the 30s when the imperialist economy invaded China on a large scale under the impact of the world economic crisis, and he felt that he was politically and economically weak. This formed his essentially weak side, behind the surface of decisiveness is his doubt, behind the self-confidence is pessimistic and desperate, behind the confidence is Zhang Huang is at a loss, and finally leads to a mental breakdown.
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Wu Sunpu was the image of a national capitalist in old Shanghai in the 30s who was interested in developing China's national capitalism. He co-founded the Yizhong Company, a lot of public property, in an attempt to establish a strong "industrial kingdom". However, the financial capitalist Zhao Botao tried his best to squeeze him out, attacked him, and the warlords fought in a melee, and the countryside went bankrupt, and Wu Sunpu finally failed completely.
** It has created many characters headed by Wu Sunpu and Zhao Botao, reflecting the struggle between the Chinese national bourgeoisie and the comprador bourgeoisie and its historical fate, revealing the broad life picture of China's semi-colonial and semi-feudal society, and showing the social tragedy of national industrial capital.
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