What is the first key solf ge? What is the first key solf ge method?

Fixed roll-call lawThe pitch of the note is fixed, and the roll call of each note is fixed no matter what key is sung. Always sing do with c, re, re, mi with e, fa with f, so with g, la and si with b, and sing high semitones whenever they encounter a rising note on a key sign in the score, and sing a low semitone when they encounter a flat sign, and the roll call is always fixed.

The first key of the solfègeThe pitch of the is not fixed, the roll call moves with the key, and the lead note of the key is there in **do.

For example, if the key signature of G is a sharp sign (F sharp), then G sings do, A sings re, B sings mi, C sings fa, d sings so, e sings la, and f sings si;

F key signature is a flat (b), then f sings do, g sings re, a sings mi, b-flat sings fa, c sings so, d sings la, e sings si

Although the position of the solfège on the staff is not fixed, as long as the position of the roll call do is found according to the key signature, the solfège of other notes can be calculated.

There are no sharp or flat keys in the key of C, and its solfège is the same as the fixed solfège mentioned above.

For example, G major. sol.Just sing do

F major fa sings do

Title call. It refers to the main note in the key as do and the notes arranged according to the series number: re, mifasol

Lasi's roll-call method. In China, the most popular Ling Zheng Bo brief score generally adopts this kind of solfège method. It is characterized by the fact that do is a solfège that changes in pitch with different keys.

To put it bluntly, the first key of the solfège is based on the key signature.

With a roll-call (doremi

fasollasi) to represent each note; The fixed solfège method is to use the roll call in C key (C tone to sing do, D tone to re) to indicate each tone, no matter how the key signature changes.

The difference between the first key and the fixed key is that the singing tone is different.

The first tone is the initial pronunciation, there is a basic tone, and the first tone is generally used as the basic tone. As the name suggests, it is fixed, and we also call it C major. It is easy to identify a fixed key in the composition, because it has a fixed beginning, and if you want to change it, you can only change the height of the tone by raising and lowering it, but not the key of the tone.

When notating, it is usually written in the first key, which is also called C notation. Moreover, in the simple notation, the first key is also used, and there is no fixed key to remember, and there are relatively few. When singing the score, it is sung in the first key, in fact, it is sung in the key of C, but it is sung in a fixed pitch.

Generally, beginners will learn the first tone when they start learning, because it is easy to learn and quick to get started. Moreover, it is also very convenient to switch between compositions, and it is very easy to cultivate your own sense of rhythm.

Methods of differentiation:

The first note is translated in simplified notation, with the first note as the standard, and the person who interprets it flexibly decides the first note. The fixed key is written on the staff, and all the pitches are prescribed, and the player cannot change them at will, and when playing or singing, he must follow the prescribed standard pitch.

The solfège is absolutely fixed, the pitch concept is clear, and the solfège is not changed due to the change of key, which is more convenient for reading music and playing instruments in the staves. Especially at the end of the nineteenth century, Western modernity developed on the basis of the gradual dilution of the major and minor key system. The application of fixed-key solfège method in the teaching of solfeggio ear training is more prominent within a certain range.

In the teaching of solfeggio in various professional colleges, the fixed solfège method occupies a relatively dominant position.

G major is a major with 1 sharp sign and 1 sharp sign with 4 sharp (fa).

If the method of playing G major on the piano is fixed, the roll call of each number of states in the scale is fixed. Always sing with C do, D sing re, e sing mi, f sing fa, g sing sol, a sing la, b sing si, in the score whenever you encounter a rising note on the key sign will sing a high semitone, where you encounter a flat note at the beginning of the album will sing a low semitone, the roll call will always be fixed. Therefore, the F note (fa) in A major needs to be raised by a semitone.

The pitch of the first key solfège is not fixed, the solfège moves with the different keys, and the main tone of the key or balance is there in **do. Since the key signature in G major is a sharp (F), then G sings do, A sings re, B sings mi, C sings fa, D sings so, e sings la, and F sings si.

The position of the first key solfège G major keyboard is shown in the figure below

1.The key with the first solfège do as the main tone is called the ionian key. Its scale relationship is:

Wholetone, Tone, Semitone, Tone, Tone, Tone, Tone, Tone. On the surface, it has the same scale structure as the natural major key and the Chinese seven-tone Qingle Palace key, so it belongs to the major key type.

2.The key with the first key of the solfège re as the main tone is called the dorian key. Its scale relationship is:

Wholetone, semitone, tone, tone, tone, tone. The peculiarity of this key is that there is a major sixth above the main note compared to the natural minor key, and this sixth is called the sixth of Doria.

On the surface, it has the same scale structure as the Chinese seven-tone Qingle quotient key, so it belongs to the minor key type.

3.The key with the first solfège mi as the main tone is called Phrygian. Its scale relationship is:

Semitone, tone, tone, tone, tone, tone. This mode is characterized by a minor second above the main note, called a Phrygian second, compared to a natural minor key.

On the surface, it is identical to the scale structure of the Chinese seven-tone Qingle horn scale. Therefore it belongs to the minor key class.

4.The key with the first solfège as the main tone is called the Lydian mode. Its scale relationship is:

Wholetone, tone, tone, tone, tone, tone, tone, tone. This mode is characterized by a fourth-in-depth above the main note, called a Lydian fourth, compared to the natural major.

The increase in fourth is the interval of the tritone, which gives this key a special, mysterious flavor. It belongs to the major tonal mode.

5.The key with the first sol as the main tone is called mixed Lydiadian (mixolydian). Its scale relationship is:

Wholetone, Tone, Semitone, Tone, Tone, Tone, Tone, Tone. The peculiarity of this key is that there is a minor seventh above the main note compared to the natural major, which we call the mixed Lydian seventh.

On the surface, it has the exact same scale structure as the Chinese seven-tone Qingle key, and it is also a major key.

6.The key with the first solfège la as the main tone is called the aeolian key. Its scale relationship is:

Wholetone, semitone, tone, tone, tone, tone. The characteristic of this key is that its scale structure is exactly the same as that of the natural minor key and the Chinese seven-tone Qingle Yu key, so it belongs to the minor key mode.

7.The key with the first solfège si, is called locrian. Its scale relationship is:

semitone, tone, tone, tone, tone, tone. The peculiarity of this key is that there is a minor second and a minus fifth above the main note compared to the natural minor key, which we call the Lokria fifth.

Like an increasing fourth, a decreasing fifth is also a tritonic interval. It is the most characteristic minor key.

1. Definitions: 1The first key of the solfège

It is based on the key of singing, it sings the major key (graded tone) as do, and the others are sung in turn as re, mi, fa, sol, la, si, it sings the minor key (graded tone) as la, and the others are sung in turn as si, do, re, mi, fa, sol.

2.Fixed roll-call law

It is a solfège method in which C, D, E, F, G, A, B and their variations on the staff are sung as dol, re, mi, fa, sol, la, and si accordingly.

2. Features: 1The first key of the solfège

The correspondence between the solfège and the note name is not fixed, and the correspondence between the roll call and the notes on the piano is also not fixed, and the solfège of each note name is also different in different keys.

2.Fixed roll-call law

In the score, no matter how the seven cardinal scales rise and fall, the solfège is always fixed.