Southbound Plot Introduction 1 56 Episode Finale!

The main story is that when the Huaihai Battle was about to end, the chief of the organization section of a county in Luzhou led a team of migrant workers to support, and after the battle, he returned to the county party committee, and the secretary of the county party committee at that time returned from a meeting in Xibaipo.

The work of organizing a large number of cadres to go south is fast.,And the male owner heard that his old mother was seriously ill on the way south.,Want to sneak home.,But on the way to realize his mistake.,And was punished for it.。 On the way south, I got to know the heroine, and in the process of getting along, the two gradually developed a very pure and beautiful relationship.

Later, although the male protagonist often makes mistakes repeatedly, he has been constantly learning and gradually maturing. In the end, the two staged a touching story of legend.

The Huaihai Battle is coming to an end, and Meng Siyuan (played by Du Chun), the head of the organization section of a county in Luzhong, led a book of Shen team of migrant workers to support the front. After the battle, Meng Siyuan returned to the county party committee, and Tang Zhixian (played by Liu Zhibing), who was the secretary of the prefectural party committee at the time, came back from a meeting in Xibaipo and organized a large number of cadres to go south quickly. On the way south, Siyuan wanted to sneak home quietly because he heard his mother's sick weight, but on the way he realized his mistake and was punished for it.

In the process of going south, Siyuan got acquainted with Zhou Yu (played by Li Xiaoran), and the two gradually developed a very pure and beautiful relationship in getting along. Since then, although Siyuan has repeatedly made mistakes, he has continued to learn and grow in the process, and gradually matured. Siyuan, Zhou Yu and others used great enthusiasm to establish political power in the newly liberated areas, expand the armed forces, suppress bandits and oppose hegemony, support the front line, and develop the economy, and performed legendary and touching stories.

"Southward to South" allows the audience to feel the loyalty of the southbound cadres to the party and the people and their dedication to the construction of New China, among which Su Yan and Yu Zhen, a couple who came together because of the same belief and firm revolutionary enthusiasm, are even more infectious. It's a pity that from a practical point of view, although Wei Jiujin is an out-and-out good party member, in terms of his workplace experience, it can be said to be a typical negative teaching material in the current workplace (Tencent Entertainment Review).

"Southward South" is generally a passing TV series, mainly because the character settings are better, the war scenes of the show are average, and the stories such as economic work are also a little bit of water, only the emotional drama is more brilliant, it is a love + family ethics drama wearing the coat of the main theme (Netease Entertainment Review).

"Southward Southward" gets rid of the embarrassing situation that similar works are easy to fall into dull and lengthy, there is no preaching, no slogans, and more attention is paid to the fate of the characters, the emotions of the characters, and human nature. In addition to showing the history of going south, the play also shows the living state and survival consciousness of people in this history, and the heroism of Wei Jiujin's "who else can I be"; Zinger's legendary experience of "doing my own thing"; Pu Xingtian's revolutionary courage of "always persistent" has penetrated into the hearts of the audience, greatly expanding the watchable elements of the play (Sina Entertainment Review).

"Going South, Going South" does not deliberately elevate or avoid the shortcomings of human nature, it is very close to life, and avoids being superficial with ingenious character settings and rich and delicate emotional dramas. The reasonable character setting also makes the lines of this drama not feel too slogan-oriented to the audience (Sanqin *** comment).

"Southward Southward" is very weak in the performance of war scenes, but it is indeed much more handy in controlling economic warfare, thanks to the handling of details (Yangtze River ** Review).

The Huaihai Battle at the beginning of "Southward Journey" has a strong lineup, and the scene of the battle for the demolition of the sedan chair is shocking. This play skillfully integrates the cruelty of war and the tenacity and tenderness of the men of Bishan Mountain, and a red scarf in the smoke of gunpowder has become the beginning of a memory, which will also lead the hearts of all audiences, through the smoke of war into the "war without gunsmoke", in the process of the protagonist's continuous improvement of himself and continuous maturity, to appreciate the tenacity, righteousness, simplicity and tenderness of the Shandong man. (Sina Entertainment Review).

"Going South" is actually more important to embody a spirit, which is the selfless and fearless dedication of our nation. The protagonist Meng Siyuan left his hometown and relatives, ate and slept in the dew, fought bravely in the thrilling struggle against bandits, and grew rapidly, returned to Shanghai as a higher-level cadre to participate in economic construction, and was even more hard-working, honest and honest, and in him he condensed the strength of our nation to stand firm. "Going South", a never-fading memorial.