The situation and similarities of the development of literature in the centenary of the Tang, Song,

Such as architecture, street aspects, etc.

The Eight Great Masters were the central figures who presided over the Tang and Song Dynasty Ancient Literature Movement, and they advocated prose with substance, opposing the flamboyant style of Zheng Qi of the Six Dynasties, which had a great influence on the literary circles of that time and later generations. The eight families of the Tang and Song dynasties, also known as"Eight masters of Tang and Song Dynasty prose", we have studied about their introduction and main works in textbooks in school, and it is worth emphasizing that "Li Bai."

Although he became famous in the Tang Dynasty, he was not one of them. Li Bai is good at writing poetry, so he is among them.

1. The eight families of the Tang and Song dynasties.

The Eight Great Masters of the Tang and Song Dynasty is the collective name of the eight essayists of the Tang and Song dynasties, namely Liu Zongyuan, Han Yu, Ouyang Xiu, Su Xun, and Su Shi.

Su Zhe, Wang Anshi, Zeng Gong eight. Among them, Han Yu and Liu Zongyuan were the leaders of the ancient literature movement in the Tang Dynasty, Ouyang Xiu and Sansu were the core figures of the ancient literature movement in the Song Dynasty, and Wang Anshi and Zeng Gong were the representatives of Linchuan literature. They set off the ancient Cultural Revolution one after another.

Second, the main style.

These Tang and Song Dynasty masters mainly advocated the simplicity of prose, image, close to life, and abandoned the literary disadvantages of beautiful carvings and decorations since the Six Dynasties, specializing in flashy literature, which is a very famous "ancient literature movement" in history. Whether it is prose or poetry, it is based on reality as the main means of expression, if you conjecture, fabricate facts and things that do not exist, then it will inevitably make people "laugh and be generous". For example:

Liu Zongyuan's "Shouting Chain Gao Xiao Shitan".

Through the image description of stones and pools of water, the author seems to put people in the scene at that time, making people "immersive".

3. Major works.

Han Yu's works mainly include "The Original Dao" and "On the Table of Buddha's Bones".

Su Shi "Jiangchengzi".

Butterfly Loves Flowers", Ouyang Xiu's "The Story of the Drunkard Pavilion".

Song Cicada Fu", Wang Anshi's "Journey to Bao Zen Mountain".

Hurt Zhongyong" and so on. Through reading these works, we seem to have experienced the feelings of the ancients who were either attached to the mountains and rivers or drank under the fence, or the clouds called and swam in the mountains and rivers, which cannot but make people yearn for and admire.

In the Tang and Song dynasties, there are many classic works that have been handed down, such as "Original Nature", "Miscellaneous Sayings", "On the Table of Buddha's Bones", etc., which have made great contributions to the development of prose and have also led to the cultural development of the trend of the times.

The Tang and Song dynasties promoted the development of literature, promoted the development of culture, and made people's thoughts and thoughts more open-minded.

He has made a lot of contributions, left many excellent works, promoted the development of literature, and promoted the progress of culture.

It has made great contributions, enriched Chinese culture, and promoted cultural development.

A change in the literary form after the Tang Dynasty and later, in fact, should be related to a change in the entire social culture at that time, which should be reflected in the development of a market culture at that time, which has a great relationship with the popularization of culture at that time. At that time, people's demand for culture should still be quite a lot, so this will also cause some impact, these people are not too high in terms of cultural cultivation, so they prefer some stories and other things, which also provides a basis for the development of some ** at that time, said that the late Tang Dynasty changed the text, until the Ming and Qing dynasties, this should be reflected, a development of market culture at that time, this should be the main one, a part is also a part worth paying attention to, it can be said, It has a far-reaching impact on the development of Chinese history and Chinese culture.

Song: Song Ci.

A literary genre of Han nationality that prevailed in the Song Dynasty, Song Ci is one of the new styles of poetry relative to ancient style poetry, marking the highest achievement of Song Dynasty literature. Song words and sentences are long and short, which is easy to sing. Because it is the lyrics of the ensemble, it is also called the lyrics of the song, the music house, the movement, the long and short sentences, the poems, the piano and so on.

It began in the Liang Dynasty, formed in the Tang Dynasty and flourished in the Song Dynasty. According to the "Old Tang Book": "Since the Kaiyuan Dynasty (the year of Xuanzong of the Tang Dynasty), singers have used the songs of Huyili Lane.

Song Ci is the glorious pearl in the crown of ancient Chinese Han literature, and in the Lang Yuan of ancient Han literature, she is a fragrant and gorgeous garden. With her charm of purple and red, she competes with Tang poetry and Yuan Qu, and has always been known as a double masterpiece with Tang poetry, both representing the prosperity of a generation of literature. Later, there was a book of the same name, "Song Ci".

The representative figures of Song Ci mainly include Su Shi, Xin Qiji (bold faction) Liu Yong, and Li Qingzhao. (Graceful).

Yuan: Yuanqu. Yuan qu, also known as sandwich, was a form of literature and art that prevailed in the Yuan Dynasty, including miscellaneous operas and loose operas, and sometimes specifically referred to miscellaneous operas. Miscellaneous opera, a form of performance in the Song Dynasty characterized by being funny and funny. In the Yuan Dynasty, it developed into the form of opera, and each book was mainly composed of four folds, with a wedge at the beginning or between the folds.

Each fold is composed of the same palace tune and rhyme of the northern song suite and binbai. Such as Guan Hanqing's "Dou E's Injustice" and so on. It was popular in the Dadu (now Beijing) area.

There were also miscellaneous dramas in the Ming and Qing dynasties, but each book was not limited to four folds. Sanqu was a form of music that prevailed in the Yuan, Ming and Qing dynasties without binbai. The content is mainly lyrical, and there are two kinds of small orders and loose sets.

Ming and Qing Dynasties: Chapter Hui**.

Chapter Hui is a kind of classical long story in China, which is the vernacular of chapter back narrative, and is the main form of classical Chinese history. It was developed from the Song and Yuan Dynasty historical texts. Telling history is about the rise and fall of history and war stories, such as "Five Kinds of Jin Xiangping", "Five Dynasties of Shiping", "Xuanhe Legacy" and so on.

The speaker cannot finish each story in one or two ends, but must tell it several times in a row, and each time it is equal to a later one. Before each speech, the main content should be revealed to the audience with the title, which is the origin of the purpose of the chapter. From the words "words", "watch the official" and "listen to the next decomposition" that often appear in the chapter back**, it can be seen that the inheritance relationship between it and the script can be seen.

The long story of the Song and Yuan dynasties already has the prototype of chapter back. The length of the book is larger, for the convenience of the narration, the implementation of the volume of subheading, each section marked the title, order, this is the earliest form of the return. After a long period of evolution and improvement, by the end of the Ming Dynasty, the style of chapter back ** was formally formed.

The ** created during this period uses neat even sentences (there are also single sentences) as a review to summarize the basic content of this paragraph. "Romance of the Three Kingdoms" is a typical chapter back**. From the Ming and Qing dynasties to modern times, China's medium and long chapters generally adopted the form of chapter hui style.

Some modern and contemporary popular ** are still using this form.

Song Ci: Prose and poetry by Sansu, Xin Qiji, Li Qingzhao, Ouyang Xiu, etc.

Ming and Qing Dynasties**: Four famous works, Confucian Biography, Chat Zhai Zhiwei.

Step by step, breaking through the fixed format and rigid thinking, the artistic achievements of Jin Zhumei are enough to be comparable to the four famous novels (provided that there are some chapters of river crabs). I think that the highest achievement is the gradual emancipation of the mind.

Tang Jianguo to the middle of the five-word, seven-word poems are the most popular, after the middle of the Tang Dynasty to Liu Zongyuan, Han Yu and others rise up "remember, fu, preface, etc." style, after the Song Dynasty and the rise of "fill in the word (Song word) composition", Song words reached the peak in the Song Dynasty, at this time "remember, fu, preface, etc." Although the ancient text has a certain status, but its popularity is far less than that of the Song song, the Song song's "lyrics and composition" is followed by the Yuan song, and the Yuan song is largely inherited from the way and style of the Song song, but in the Yuan Dynasty it was the Yuan song that dominated the position.

In the Ming and Qing dynasties, it was **.