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Juexin is a character who mixes the old and the new, he accepts the orthodox ideas of feudalism, but he is also dissatisfied with the corruption of the feudal family, and has a more prominent duality in his character: he is a dull young master in the old family; When he was with young people such as Juehui and Juemin, he was also a young man who longed for a new life. Because he bears the heavy burden of the old culture, he is unable to extricate himself from the oppression of feudal consciousness and the pain of self-ideological contradictions.

His longing in the plum forest, his solitary sigh under the moon outside the cave room, and his wine to express his nostalgia when he came to take refuge in the face of the plum blossom, bit by bit presents us with a flesh and blood, understands customs, has learning, and can think and have an aura of Juexin's image. And it is such a character who makes a lot of incomprehensible choices. This choice is also the result of careful consideration.

The meaning of this tragedy is even more intriguing, in fact, the result of Juexin's thinking is often from the so-called "responsibility" of the eldest grandson of the long house, in such an era, "responsibility" is often an invisible tool of the feudal system, and its unreasonable part makes Juexin feel sad and suffer from vicissitudes repeatedly. And it is also driven by this sense of responsibility, when the younger brother wants to leave this "home" and run to the light, he takes out the entanglement that he prepared for the third brother with the dead Ruijue. Don't underestimate the treatment of this brushstroke, he makes the entire Gao Juexin's thought trajectory clearly presented, so that the layers of the characters become rich and unified.

No wonder when the third brother angrily scolded the eldest brother for being incompetent, Rui Jue stepped forward and said, "He is not like this." Gao Jue's new image is a unique creation and discovery of Ba Jin.

This image has an extremely profound and typical significance. Gao Juexin is a typical image of a painful soul established by Ba Jin in the history of modern Chinese literature, and he shows the complexity, twists and turns and arduousness of the alternating transformation of the old and new societies. It exposed the extreme decay, cruelty and hypocrisy of the feudal system, feudal etiquette, feudal morality, and feudal culture.

Gao Juexin is a victim, and at the same time, he indirectly damages and destroys the people he loves. His tragic fate showed that in the anti-feudal struggle, there was absolutely no way out for compromise, conciliation, and subservience, thus declaring the complete bankruptcy of the doctrine of subordination and non-resistance.

Jue Shin He is a typical dual personality.

It's a contradictory person.

As the eldest son, he is responsible for the family business, and he maintains feudal etiquette, so he accepts everything that has been arranged, even if he likes his cousin Mei, he has to accept the marriage arranged by the adult.

But later helping Juemin run away from home shows that he accepts the influence of new ideas.

Juexin is the most important character in the work, and he is also the most successful character. He is full of contradictions in his personality and is a "man with two personalities". Juexin is kind and sincere, and he is a person who has a strong traditional concept cultivated by the old system.

Because he is in the position of the eldest grandson of the eldest house, in order to maintain the "peaceful coexistence" of this big family of four generations, he adopts the "non-resistance doctrine" in everything, and is obedient and compromised. He loves his cousin Mei, but when this beautiful relationship was unreasonably stifled by the elders, he did not resist, and also expressed obedience to his father's marriage with the Li family for him, and then went back to the room to cover his head and cry, and finished his marriage with Ruijue. After the death of her grandfather, Aunt Chen used the "blood disaster" as an excuse for no reason to allow Ruijue to give birth to a child at home.

Although Juexin felt that this was like a "bolt from the blue", she still accepted it and sent Ruijue to a thatched hut in the deserted suburbs outside the city, and as a result, feudal superstition swallowed her life. Although Juexin has a very serious shackle of old ideas, he is also a person who has been influenced by new ideas, so in his heart, there is a clear boundary between good and evil. He also had a beautiful yearning, and his love with his cousin Mei was his pursuit of love; At the same time, he also sympathized with the oppressed youth, such as secretly helping Juemin escape marriage and helping Juehui run away from home.

Although the new ideas touched his heart, the old feudal ideas weighed down him like heavy shackles, and made him often in extreme mental pain. He hated the old things, and he himself was a victim of the old rites and religions, a martyr of the feudal big family system; However, because he was deeply poisoned by feudal traditional concepts and lost the ability to resist, he compromised everywhere under the domination of "non-resistance" and unconsciously played the role of the defender of the old things. In short, Juexin is a tragic character with a "dual personality".

This contradiction in his character truly reflects certain characteristics of the times at that time. By portraying this typical character, the author criticizes "non-resistance" and points out that for the old feudal system and old concepts, resistance is the only way to avoid tragedy.

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