The main manifestations of the development of poetry in the Tang Dynasty, what was the style of poet

1. Early Tang Dynasty: from the first year of Gaozu Wude (618) to the first year of Xuanzong Kaiyuan (713), about 100 years.

2. The poetry of the first 50 years was basically the formalism of the Southern Dynasties.

The continuation of the poetic style.

3. In the poems of the last 50 years, there are "Four Masters of the Early Tang Dynasty" (Wang Bo, Yang Jiong, Lu Zhaolin.

Luo Bingwang), broke through the shackles of palace poetry; Succeeded by Chen Ziang.

Hold high the banner of innovation, with their own theories and creations.

4. It reversed the atmosphere of the poetry circle at that time, showed a strong backbone, and opened the way for the health of Tang poetry.

The style of poetry in the Middle and Tang Dynasty began to change, the ideal color and romantic mood of the Tang Dynasty faded, and an innovative atmosphere appeared in the poetry arena. Manifested in:

1) In terms of themes and techniques, Du Fu's poems are very different from those of the Tang Dynasty, and a new era of poetry creation has begun.

2) Han Mengheng's Xianfeng poetry school developed Du Fu's strange side and pursued the strange in art;

3) The Yuanbai poetry school inherited the realism of Du Fu's poetry, and advocated a new music house that satirized current affairs;

4) Liu Yuxi and Liu Zongyuan's creations are in their own right.

The prosperity of poetry in the Tang Dynasty was reflected in the Tang Dynasty, when both the ruling class and the common people were proud to recite and write poetry, and poetry became the most important means of literary expression at that time.

The Tang Dynasty was the first era in the history of Chinese poetry, and there are nearly 50,000 poems by more than 2,000 poets that have been circulated to this day. Tang poetry reflects the rich content of social life in the Tang Dynasty, has a perfect art form, and is a wonderful flower of the splendid culture of China's feudal society.

The development of poetry in the Tang Dynasty was divided into four periods: the early Tang Dynasty, the prosperous Tang Dynasty, the Middle Tang Dynasty, and the Late Tang Dynasty.

Among the poets of the early Tang Dynasty, Chen Ziang and others were creative, who emphasized the ideological content of poetry, and his representative work was "Song of Dengyouzhou". During the Tang Dynasty, poetry had a new development, and talented poets came out one after another. Wang Wei is famous for his beautiful landscapes and idyllic landscapes.

At this time, the great poet with the highest poetry achievement was Li Bai, and Du Fu's poems were heroic and unrestrained, fresh and elegant, rich in imagination, and light in language, and were called "poets"; Du Fu's poems reflect the complex and turbulent historical era of the Tang Dynasty, and later generations call his poems "poetry history" and "poetry saint".

In the late Tang Dynasty, state affairs were declining day by day, and it was an eventful autumn. Li Shangyin and Du Mu were the two walls in the literary world at this time, and their poems expressed the emotions of worrying about the country and the people.

The development of poetry in the Tang Dynasty was consistent with the division of state status.

By time:

The period of the early Tang Dynasty (618-712), from 712 to 762 AD is called the Prosperous Tang Dynasty, the Middle Tang Dynasty (762-827), and the Late Tang Dynasty from 827 to 859 AD.

From the point of view of the emperor's accession to the throne:

Early Tang Dynasty - the first year of Gaozu Wude (618 AD) to the first year of Xuanzong Xiantian (712 AD), the Tang Dynasty - the first year of Xuanzong Kaiyuan (713 AD) to the second year of Yongtai (766 AD) of Daizong, the Middle Tang Dynasty - the first year of the Great Calendar of Daizong (766 AD) to the ninth year of Wenzong Dahe (835 AD), the late Tang Dynasty - the first year of Wenzong Kaicheng (836 AD) to the fourth year of Aizong Tianqi (9o 7 AD).

1. Early Tang Dynasty.

In terms of literary style, the works of the poets of the early Tang Dynasty were full of weather and majestic, and they had gradually come out of the narrow palace style poems of the Northern and Southern Dynasties, and opened up a new world.

2. The Tang Dynasty.

The economy was prosperous, the national strength was strong, and the Tang poetry developed to its peak, with a wide range of themes and many genres, such as the "Biansai Poetry School" and the "Pastoral Poetry School".

3. The Middle Tang Dynasty.

In the Middle and Tang dynasties, it was divided into the early and late periods, the early period was at a low ebb, and the later period was prosperous.

4. Late Tang Dynasty.

The late Tang Dynasty was the period of sunset, and the poets of the late Tang Dynasty were more famous: Wen Tingyun, Li Shangyin, Du Mu, Wei Zhuang, etc. Among them, Li Shangyin and Du Mu are known as "Little Li Du".

The main genres of Tang poetry are ancient style (five ancient and seven ancient), quatrain (five unique, seven unique), and legal poetry (five laws, seven laws). Six-character poems are also often written by poets.

Tang Dynasty poet Liu Changqing's Six Laws "Tiaoxi Pays Liang Geng to See You After Farewell": "The sunset in Qingxi is low at the beginning, and the melancholy lonely boat is relieved." Birds are far and near, and people follow the flowing water.

The white clouds are thousands of miles away, and the stream before the bright moon is back. Hate Changsha alone, and the river and pond are full of grass. "The scene, lyricism, allusion and flat stickiness are all wonderful, and can be called the best work in the six laws.

Six-character poetry is a special style of classical Chinese poetry, although it is not the mainstream, but from the Han and Wei dynasties to the Qing Dynasty, many famous artists have six-character poems handed down. Moreover, the six-character poems of the Tang Dynasty also had an influence on later generations, and in the Song Dynasty, Wang Anshi, Huang Tingjian, Su Shi and other people all had masterpieces of six-character poems.

Wang Anshi is a big name among the poets of the Song Dynasty, and there is his six-character quatrain in "Three Hundred Song Poems" "Title West Taiyi Palace Wall (Two Preferred One)": The willow leaves are green and dark, and the lotus sunset is red. Thirty-six spring waters, white-headed want to see Jiangnan.

Interestingly, Qi Baishi wrote this poem many times when he was writing seal characters for others, in order to express his homesickness for living in Beijing after a long absence from Hunan.

A brief introduction to the development of Tang poetryTang poetry was developed on the basis of inheriting the traditions of the past. Since the 300 poems and Chu Ci, China's poetry has experienced a long-term development process of the Han and Wei dynasties. A rich heritage has been accumulated in this regard.

For example, the establishment and development of the glorious traditions of realism and romanticism, the development of different subject areas, the continuous formation of various genres, the use of sound and rhythm, the creation of language styles, the innovation of techniques and techniques, and the summary of creative experience have all provided valuable references for the development of poetry in the Tang Dynasty. What is more worthy of attention is the critical inheritance and innovation attitude adopted by the writers of the Tang Dynasty towards the poetic heritage, which made it change with each passing day and reached a peak. Of course, the political and economic prosperity of the Tang Dynasty, the strength of the country, the vitality of thought, the imperial examination system of using poetry to obtain scholars, and the cultural exchanges between China and foreign countries were all the social foundation and historical conditions that promoted the development and prosperity of poetry.

During the three hundred years of the Tang Dynasty, there were four stages of the development of poetry, namely, the beginning, the flourishing, the middle and the late periods. The first period was from the first year of Gaozu Wude (618 AD) to the first year of Ruizong Xiantian (712 AD). The poets at the beginning of the Tang Dynasty were all influential figures at that time, they had a deep literary cultivation, and they were all influenced by Qi Liang's literary style, but their poems also exuded some fresh breath.

When Zhenguan and Yonghui were in place, Yu and Wei Zhugong were slightly away from the old habits. (Tang Poetry Collection.)

Sprouting, developing, rising, flourishing, to being suppressed, and then a new stage of development.