Tao Yuanming s poetic thoughts and poetic style

Tao Yuanming is the first pastoral poet in China, known as the "Sect of Ancient and Modern Hidden Poets", and has "Tao Yuanming Collection".

Tao Yuanming's poetry style characteristics:

1.The artistic style is tranquil and natural, mellow and timeless.

Tao Yuanming is good at poetry and rhetoric, and his poems mostly depict natural scenery and the scene of life in the countryside, and this pastoral life is also the main theme of Tao Yuanming's poems, among which the excellent works convey the boredom of officialdom and secular society, showing his self-cleanliness and reluctance to bend to meet the aspiration, but also promote "life is impermanent", "happy destiny" and other negative thoughts. Its artistic characteristics are both plain and hearty, the language is simple and natural, and it is extremely refined, with a unique style. Tao Yuanming is the first pastoral poet in China, and his poems focus on lyricism and speech.

The lyricism, scene writing, and argumentation are closely integrated, and the scenes are blended, which reflects the author's personality, his self-appreciation and his non-cohabitation with the world.

2.The language is natural, concise and expressive.

The language of Tao Yuanming's works is plain, but this plainness is to express Tao Yuanming's deep feelings and rich thoughts in simple and easy language; The ideology is easy to read, and its connotation needs to be savored, but it is also full of emotion and fun. Liang Shiqiu said: "The extreme of splendor is bland, but the blandness is not the mediocre flat, the blandness is not the light and tasteless light, the blandness is an artistic charm that does not show the traces of the axe and chisel."

It is like the colloquial language of a farmer, but the artistic image created is vivid and vivid. Su Shiyun: "Yuanming's poems seem to be slow at first glance, and they are interesting to read.

Such as belching distant villages, smoke in the ruins. The dog barks in the deep alley, and the rooster cries in the mulberry tree. And he said:

Picking chrysanthemums under the east fence, leisurely see the South Mountain. 'If the great rate is high-minded, then the meaning is wonderful, so that it can be so, like a master craftsman, there is no axe chisel marks, and those who do not know are tired and do not realize until death. It embodies an ingenious idea of "seemingly ordinary and the most bizarre, as easy as it is difficult to achieve" (Wang Anshi's words).

3.In terms of writing techniques, he is good at white drawing and freehand techniques.

He is good at sketching and freehand techniques to outline the scenery and dye the environment, and the artistic conception is harmonious and lofty, and rich in rationality. The language is fine, simple and honest, the tone is sparse, and the charm is profound. Zen Feng Cong but Tao poems are not only elegant, leisurely, natural dilution of a style, but also the generosity and boldness of King Kong's angry eyes, such as "He Ying Yongjing Ke", "Reading the Classic of Mountains and Seas" of "Jingwei Rank Micro Wood" and so on.

Tao Shi is also good at blending Xingji and natural beauty. The scenery he paints is not only a symbolic scene in his mind, but also a real scene in life. For example, "Moon in the Clouds" and "Ye Zhonghua" written in its seventh "Sunset and Cloudless Sky" in "Quasi-Ancient" are not only the spring scenery of the moonlit night, but also the metaphor of the most beautiful and hearty short time in life.

Tao Yuanming's landscapes are often personified, such as green pines, chrysanthemums, returning birds, and lonely clouds, which are common scenes in daily life and symbols of the poet's noble character.