Drum kit single jump, double jump how to play

Updated on technology 2024-03-03
9 answers
  1. Anonymous users2024-02-06

    It is to play four consecutive sounds, and it rings four times at a time.

  2. Anonymous users2024-02-05

    You first slowly hammer it and then put on the metronome to put it on this way.

  3. Anonymous users2024-02-04

    1. Press rrll (or llrr) to practice sixteenth notes.

    quadruplet), conscientiously complete each blow. Use a metronome.

    Start at 60 beats per minute or slower, increase the speed by 5 beats when you feel that there is no problem, too much will feel that the span is too big, too little and it will be difficult to feel the obvious difference, when there is no problem, continue to increase the speed by 5 beats, and so on.

    2. A one-measure exercise, in which the eighth note is played alternately by pressing RL (or LR) on the beat.

    Diplet), and on the 4th beat press rrll (or rubber return llrr) to play a quadruple. Start with a tempo that you can play correctly, and when you feel that there is no problem, change the 3rd beat to a quadruple, and finally until the 2nd beat is also a quadruple that can be done well.

    Do the exercise of adjusting it to two bars.

    3. Press rrll (or llrr) to hit the double jump, start from slow and gradually accelerate, reach your own limit speed, hold for a few seconds, try to feel relaxed, and then gradually slow down back to the original speed, take a break, move your hands, and then continue. Note that in the process of getting faster and slower, the force should also produce the effect of gradual progression, such as the line of weak and crescendo, the basic principle is that the faster the speed, the weaker the force.

    Drum kitNotes on double hopping:

    1. When playing, rely on the wrist to control the drumstick, and the action of holding the hammer should be natural and comfortable.

    2. It is very important to hold the mallet too tightly, otherwise the natural rebound of the mallet will be limited.

    3. In order to achieve the speed and control of these exercises, try to raise your wrists as much as possible so that the drumsticks will rebound naturally.

  4. Anonymous users2024-02-03

    Because the single jump and double jump are the most basic and important kung fu in drum kit playing.

    The better you control them, the better your skills will be. The first stage of the exercise consists of acceleration, strength and control exercises for single and double jumps.

    The drum kit, also known as the jazz drum, is a very important percussion instrument in a jazz band, which usually consists of a bass drum (also known as a "kick drum"), a snare, two or more tom drums, one or two crash cymbals, a ride cymbal and a ca-hat with pedals.

    Of course, sometimes due to the need for performance, some such as cowbells, wooden fish, sand mallets, triangles, and sound trees will be added, no matter how many devices are added, they are all played by one person. The drummer hits the parts with a drumstick to make it sound. Commonly used drumsticks in jazz include wooden drum sticks, drum brushes made of steel wire, and bundle sticks made of thin wooden strips.

  5. Anonymous users2024-02-02

    Hand part. meinl-tour 2003: johnny rabb - marco minnemann - thomas lang

    April 28, 2000.

    Johnny Rabb placed an order of 1026 in one minute.

    This is equivalent to breaking the Boo McAfee one-minute 986 order points (equivalent to the original world record) two days ago.

    He was also the first person in history to break the 1,000 mark.

    Later on May 27.

    He rewrote the record with 1,071 points per minute.

    This means that both of the above are certified by Guinness World Records.

    In the year 2001 WFD (WORLD's fastest drummer) finals.

    The winner's Art Verdi score is 1116 points per minute.

    Equivalent to 279bpm!!

    And the WFD final on January 22 this year.

    20-year-old New Yorker Jotan Afanador won the Battle of the Hands with 1081 points in one minute.

    It is equivalent to the well-known Mike Mangini

    Set a record of 1079 single points per minute with bare hands (like playing conga).

    In the equivalent of the World Fastest Drummer Contest (WFD) held at the 2005 Winter NAMM Show, Mike Mangini set a new world record of 1,203 consecutive hits in 60 seconds per person, an astonishing record!

    The German Marco Minnemann, who has been very popular in recent years

    It also set an unofficial record of 1080 single points in one minute.

    Equivalent to 270bpm

    As for the part in the feet.

    Tim Waterson is in this year's WFD final.

    Hyochi set a double-point record with 1407 in one minute.

    Equivalent to amazing!

    And on June 10, 2000.

    He also set a single-point record of 1100 times a minute.

    Equivalent to 275bpm

    This year's WFD Final Battle of the Feet

    It was Doug Peller who won the championship with 874 points in one minute.

    Equivalent to ..

  6. Anonymous users2024-02-01

    Start with your left hand for 8 beats, then beat 8 beats with your right hand, and slowly become 2 beats, and the metronome will be turned on until 80 and then slowly lifted up.

  7. Anonymous users2024-01-31

    Summary. Drum kit double pedaling 200 refers to running the kick drum while stepping on the hi-hat and making a sound, which requires a high level of drumming skills and coordination. It takes a long time of practice and experience to reach this level, so it can be said to be a very powerful skill.

    However, people's aesthetic and evaluation criteria vary from person to person, with some people believing that this technique is powerful and others disagreeing. All in all, the process of composing and playing should focus primarily on personal interest and intellectual curiosity, rather than striving for technical improvement for the sake of competition.

    The 200 drum drum drum is a kick drum drum that is accompanied by a hi-hat and a sound, which requires a high level of drumming and coordination. It takes a long time of practice and experience to reach this level, so it can be said to be a very powerful skill. However, people's aesthetic and evaluation criteria vary from person to person, with some people believing that this technique is powerful and others disagreeing.

    All in all, the process of creating and playing should focus mainly on personal interest and intellectual curiosity, rather than striving for technical skills for the sake of competition.

    Can you add, I don't quite understand it.

    For drummers, it's very important to have a good reputation, but that's not all. **It's more about expressing emotions and conveying information, and technology is just one of the means to make expression more fluent and free. Therefore, when playing, a drummer should pay attention to the expression of ** and the volume, rhythm, tempo of the drum beat, etc., rather than overemphasizing technique and speed.

    In short, the drum kit double pedal 200 is a very good drum skill, but it does not mean that high skills are high quality. At the same time, when practicing various drum skills, you need to do a good job of exercising and preventing injuries to ensure your health and fluency in playing.

  8. Anonymous users2024-01-30

    A single jump is a hit on both sides of the right and left hands, and a double jump is a hit on the right and left hands, two hits on each side. If you play a four-beat rhythm, then the single jump is "right, left, right, left", and the double jump is "right, right, left, right, left", and of course every beat is even. When practicing, start from slow to fast, starting with 60 beats per minute, and when you first start practicing, don't always think about speed, but pay attention to the cooperation of the right and left hands.

    If the right and left hands don't work well together, then the drum sound will not be even. In addition, if you pay a little attention to the snare drum kit, you will find that many drummers have different timbre when playing the drums, when they are playing slowly and when they are playing fast: when they are playing slowly, the drum sound is like "big, big, big, big", and when they are playing fast, they are like "gotcha, gotchago, gotcha".

    Especially in the case of double jumps, there is a greater difference between the fast and slow drum sounds. However, if you want to play the effect of "get it, get it, get it", then you have to practice both the right and left hands very easily, and the right and left hands are well coordinated with the judgment and the Chang Chop. [There is also a special case:

    The right hand is more proficient in single and double jumps, but the left hand is very stiff, so you can put a towel next to it and use the drum stick of the right hand to beat the towel, and the left hand to beat the snare drum, and your attention is focused on the left hand, so that you can also practice the coordination of the right and left hands. In middle school, we learned a poem such as "big beads and small beads falling on jade plates", which means that in ancient times, when pipa players played the pipa, the sound of playing slowly was like "the sound of the big beads falling", and the sound of playing fast was like "the sound of small beads falling". However, it's the same with snare drumming, if you're nervous, it's always a "big, big, big, big" sound, even if it's a little faster, it's "big, big, big, big", which means that you can tell from the sound of the drum whether you are proficient or not.

    If you are proficient in single or double jumps, you should be able to easily play the sound of "get it, get it, get it". It's definitely not just a matter of speed, it's a matter of proficiency.

  9. Anonymous users2024-01-29

    You have to practice the single jump well. Then practice the double jump slowly.

    028-[Drummer Teaching] Single and Double Jump Practice.

    Once mastered, the single and double jumps can be used as a daily warm-up exercise.

    1、asingle

    stroke

    exercise

    Single-hop exercises. Start slowly, then gradually increase to your fastest speed, continue playing at this speed for a few seconds, and gradually slow down to the starting tempo. In this way, all the speeds have been practiced. While the drumstick springs naturally, be careful to relax your wrist as much as possible.

    2、repeat

    theprocedure

    withdouble

    strokes

    Repeat the exercise with a double jump.

    3、achanging

    speedexercise

    Shift practice. Still start slowly and gradually speed up. This exercise should be carried out according to the beat, with the kick drum and hi-hats to play the beat, and the kick drum should be stepped on four beats per measure.

    2. Four-shot cymbals. Be careful not to accentuate the first note of the triplet.

    4、repeat

    thepreceding

    exercise

    usingdouble

    strokes

    Repeat the exercise with a double jump, starting slowly, gradually increasing to your limit, and then slowing down to the starting speed.

    5. Choose a comfortable and steady rhythm and play practice (single jump) and exercise 4 (double jump) on the drum kit. Play according to the drum sheet and practice the drums.

    6. Practice rolling without changing the movements of your hands.

    Play the following single jump exercises, pay attention to the wrist movements to be coherent and relaxed, try to raise the wrist, when playing the double jump, the wrist movement remains the same, let the drumstick come back to produce a double jump. Perform the following exercises at various speeds. The movement of the hand remains the same.

    7、thethree

    stroke

    bounce

    exercise

    Triple jump exercises. Each drumstick should be jumped three times in a row. Once you've mastered this triple jump, you'll be able to control the drumsticks' jumps very well. Start at a slow pace and gradually accelerate (you can beat the beat with a kick drum or hi-hats).

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