Based on Dong Chou s Blue and White Porcelain , write a poignant love story

Legend has it that before the Yuan Dynasty, the patterns on the porcelain were carved with a special iron knife, and the process was complicated.

There was a young man named Zhao Xiaobao in Jingdezhen in the Yuan Dynasty, who did the work of carving patterns for porcelain. He has a fiancée named Liao Qinghua.

Liao Qinghua: Can the patterns on porcelain be painted with a pen?

Zhao Xiaobao: We also want to, but the pigments for painting on this porcelain are not easy to find, and there has been no suitable one.

Qinghua has an uncle who is a prospector, and Qinghua begged him to take him up the mountain to find stones for painting. But three months passed, and neither of them returned.

Xiaobao braved the bitter cold to go into the mountains to search, and after a few days, he only found the frozen corpse of Qinghua. There are also various selected stones piled up next to Qinghua. Xiaobao was grief-stricken and buried the body.

Back in town, Xiaobao grinds the blue and white excavated stone into powder, then mixes it into pigments, paints it on the porcelain blank with a pen, glazes it, and smelts it at high temperature. A verdant blue pattern appeared on the celadon, and blue and white porcelain was born.

In order to commemorate Liao Qinghua, the blue pattern painted on the porcelain is called blue and white, and the color material depicting this blue flower is called blue and white Liao.

Once the blue and white porcelain was launched, it became a treasure that the ancient nobles scrambled to collect.

The reason why it is so popular is, of course, its appearance, blue pattern on a white background, which combines gorgeous and elegant. Not only is it durable, but it will not fade over time.

In modern times, blue and white porcelain is the first of the four famous porcelains in Jingdezhen, known as one of our national quintessences, and has been well-known overseas.

The blue and white porcelain of the Tang Dynasty was in the promiscuous period of blue and white porcelain. The specimens that people can see include more than 20 pieces of blue and white porcelain fragments unearthed in Yangzhou in the 70s and 80s of the 20th century; a blue-and-white striped complex from the collection of the Fung Ping Shan Museum in Hong Kong; a floral bowl from the collection of the Museum of Boston, USA; a fish algae jar from the collection of the Copenhagen Museum in Denmark; A stippled plum pattern cover from the collection of the Nanjing Museum.

Through the study of the tire, glaze and color of the porcelain pieces unearthed in Yangzhou, and the analysis of the material and technical conditions of the Gongxian kiln in the Tang Dynasty, it is preliminarily concluded that the origin of Tang Qinghua is the Gongxian kiln in Henan. In recent years, a small number of blue and white porcelain specimens have been unearthed at the kiln site in Gongxian County, which further confirms that the origin of Tang blue and white porcelain is in Gongxian kiln, Henan.

Judging from the blue and white porcelain pieces unearthed in Yangzhou, the green material type has a strong color and crystalline spots, which is a low-manganese, low-iron, copper-containing cobalt material, which should be a cobalt material imported from Central and Western Asia. The tire is mostly coarse and loose, beige gray, and the sintering degree is poor. The bottom glaze is yellowish in white, and the enamel is coarse.

Apply makeup soil between the glazes. The type of utensils is mainly small pieces, including doubles, bowls, cans, lids, etc.

Except for the fish algae pattern jar in the collection of the Copenhagen Museum in Denmark, the rest are flower and grass patterns. Among them, the flower and grass patterns are divided into two categories, one is a typical traditional Chinese flower and plant, with small flowers such as caryophyllus and plum blossom being common; The other type is to sandwich loose leaf patterns in geometric figures such as diamonds, which are typical arabese patterns.

From this point of view, combined with the location where Tang blue and white porcelain was unearthed more (Yangzhou was an important port in the Tang Dynasty), it can be proved that Tang blue and white porcelain was mainly for export.

1 Blue and white porcelain story edition.

Comrade Wenshan wrote the word blue and white porcelain, his style is known to everyone, heavy artistic conception, simple language, he and Dong Zhou's cooperation is a perfect match, what associations do you have when you listen to "Blue and White Porcelain"? Say it and listen to it. Below, I will tell a story based on my associations.

Scene 1) The team that went out was huge, and that day, the young lady was in the forward procession, one by one to identify the teenagers, but no matter how she shouted or looked, she couldn't find the teenagers in the mighty procession.

Scene 2) The scholar wears a green robe and passes by the porcelain capital Jingde in time for the exam. The sky was blue, the smoke and rain were feifei, the plantain outside the curtain caused the showers to tremble in the wind, and the knocker was stained with patina, perhaps the rain that stayed on it permanently. The scholar saw the peony depicted on the blue and white porcelain vase, the color blue and white white, like her first makeup in the distance, seeing things and thinking about people, the scholar bought one and asked someone to send her one.

Scene 3) Fame and fame, the years have passed, and the frustrated scholar has come to Jingde again, she has not been heard from for a long time, and she has heard that she seems to be married. The sandalwood incense through the window, as clear as a matter of heart, the window is full of moonlight, half of the salvage into the painting, the scholar to the painting copy of the Song style and suddenly remembered her, the ink spreads, her beauty is also far away, splashed ink painting, she slowly fades from the depths of the ink, the scholar on the rice paper half of the pen but put down. Azure is waiting for the smoke and rain, and will she wait for him?

Scene 4) On the day when she learned that the scholar was going to go on an expedition, the young lady took out the blue and white porcelain and came out to look at it, but unexpectedly a piece of paper fell out of it, with a poem on it. Yahuan saw a conscription notice on the street, so she ran back to tell Miss. But as soon as she entered the house, she saw the young lady holding the letter there with tears streaming down her face, and she had long since stopped crying.

A few voices of the squirrel, and reported that Fang Fei Xie, the sand outside the water's edge, and Guo Chun retreated.

The shadows of the flowers are chaotic, the warblers are broken, the sky is not old, and the love is inexorable.

The dream of the sun is broken, and the face changes in the mirror, and the heart is like a double wire net, and there are thousands of knots.

Drifting loose wine cups, parting with wide belts, wishing to win the heart of one person, white heads are not separated.

Many years later, a master of making blue and white porcelain appeared in Jingdezhen, and he was tireless in making blue and white porcelain all his life. The blue and white painted have the charm of ink and wash, and also have the artistic conception of poetry, the koi carp with white and green flowers leaps at the bottom of the bowl, and the glaze of the bottle body renders the charm of the lady's picture deeply, and the pen is passed, delicate as the embroidery needle landing, fresh as the bud to be released. Once the blue and white porcelain he made came out of the kiln, it was purchased by dignitaries and nobles, and it was expected by the world.