Can the unearthed blue and white porcelain of the Ming Dynasty blank period be auctioned

Blue and white porcelain was first produced in the Tang Dynasty, and the blue and white porcelain technology in the Yuan Dynasty became more and more mature, and the blue and white porcelain reached a peak in the firing technology during the Xuande period of the Ming Dynasty. At that time, whether it was in the rich expressiveness of porcelain painting or in color painting, the firing of porcelain not only had high whiteness, high transparency, high sintering degree and low water absorption, but also was non-toxic, acid and alkali resistant, and the decoration would never fade These practical aspects stood out and were very superior, surpassing some other porcelain varieties at that time. Therefore, the blue and white porcelain of the Ming Dynasty is at the peak of the world's ceramics, and is a valuable cultural heritage of China and the world's civilization, and the prominent position of blue and white in the history of Chinese porcelain is undoubted.

Ming Dynasty kiln blue and white porcelain, genuine valuable; The specific value depends on whether it is genuine, supplement** take a look to know!

Summary. No, the rare treasure of the ancient ancient artifact Yuan blue and white is broken, and it cannot be auctioned at a sky-high price. Because the broken blue and white artifacts will greatly reduce their artistic value and collection value, they cannot be auctioned for sky-high prices.

No, the rare treasures of the ancient ancient weapons have been broken with the blue and white flowers of the Yuan, and they can't be sold at sky-high prices. Because the blue and white artifacts that are broken and sleepy will greatly reduce their artistic value and collection value, they cannot be auctioned for sky-high prices.

I'm still a little confused, can you be more detailed?

The rare treasure of the ancient ancient artifact is broken, which may affect its value, but it can still be auctioned for a sky-high price. The reason is that the value of the rare treasure Yuan blue and white is not only determined by its integrity, but also by its historical, cultural and artistic value. Even if it breaks, there may be collectors bidding for its historical and cultural value.

The solution is that before auctioning off the rare treasure of ancient and ancient weapons, you should first conduct a professional appraisal to determine its true value. In addition, the auction should provide detailed auction information, including its historical, cultural, and artistic value, so that collectors can accurately assess its value. Personal Tips:

Before auctioning a rare treasure of ancient treasures, a professional appraisal should be carried out to determine its true value, and the auction should provide detailed auction information so that collectors can accurately assess its value. Reputation Hengguan knowledge: ancient ancient treasure Yuan blue and white is an ancient Chinese porcelain, its value depends not only on its integrity, but also on its historical, cultural and artistic value.

Ming Hongwu --- did not sign the Ming Jianwen --- still did not find that there was a blue and white Ming Yongle --- italics (Yongle year) Ming Hongxi --- still did not find that there was a blue and white Ming Xuande --- italic payment (Xuande year) (Ming Xuande year) (Ming Xuande year) Ming orthodoxy ---blank period) did not settle Ming Jingtai ---blank period) did not settle tomorrow Shun ---blank period) italic payment (very little) (big tomorrow Shun year) Ming Chenghua --- italic payment (Chenghua year) (Ming Chenghua year) Ming Hongzhi --- italics (Hongzhi year) (Ming Hongzhi year) Ming Zhengde --- italic payment (Zhengde year) (Ming Zhengde year). Ming Jiajing --- italics (Jiajing year) (Daming Jiajing year) Ming Longqing --- italic (Longqing year) (Ming Longqing year) Ming Wanli --- italic payment (Wanli year) (Ming Wanli year) Ming Taichang --- still did not find that there is a blue and white tomorrow --- italic payment (very little) (apocalypse year) (big tomorrow Qi year) Ming Chongzhen --- italic payment (very little) (Chongzhen year) (Ming Chongzhen year) Qing Tianming --- still did not find that there is a dynasty blue and white Qing Tiancong --- still did not find that there is a dynasty blue and white Qing Chongde --- still did not find that there is a dynasty blue and white Qing Kangxi --- italics, Seal (Kangxi Year) (Kangxi Year) (Qing Kangxi Year) Qing Yongzheng --- Italics, Seal (Yongzheng Year) (Yongzheng Year) (Yongzheng Year) Qing Qianlong --- Italic (Qianlong), Seal (Qianlong) (Qianlong Year) (Qianlong Year) Qing Jiaqing --- Italics, Seal (Jiaqing Year) (Qing Jiaqing Year) Qing Daoguang --- Italics (Daoguang Year), Seal (Daoguang year) (Daqing Daoguangnian) Qing Xianfeng --- italic (Xianfeng year) (Xianfeng year) (Qing Xianfeng year) Qing Tongzhi --- italics, seal (Tongzhi year) (Qing Tongzhi year) Qing Guangxu --- italics, seal (Guangxu year) (Qing Guangxu year) Qing Xuantong --- italics, seal (Xuantong year) (Xuantong year) (Xuantong first year) (Xuantong two years) (Xuantong three years).

The production of porcelain in the Ming Dynasty was developed on the basis of inheriting the advantages of the previous generation. The porcelain production of this period was exquisitely selected, finely refined, with a thick carcass, a white fetus, a dense texture, and a crisp sound. The subject matter of the painting pattern, the freehand before the slide is more, the painted figure is more upright, the child's head is larger, out of proportion, the dragon is narrower and thinner, and the dragon is longer, which is generally called the pig mouth dragon.

The painting of dragons in the late period is sloppy, but the dragon's claws are strong and powerful. In the Ming Dynasty, the order of painting the eight treasure patterns was wheels, snails, umbrellas, covers, flowers, fish, jars, and intestines. There are also porcelain decorated with words as patterns, such as Baishou, Fuzi and so on.

The ornaments are mostly cloud dragons, cloud phoenixes, and entwined flowers, and later there are characters, birds and beasts, eight immortals, character stories, etc. The porcelain of the official kiln is more neat and meticulous, and the porcelain of the private kiln is more extensive and vivid.

The blue and white porcelain of the Ming Dynasty, on the basis of the Yuan Dynasty, was constantly innovated, both in terms of quantity and quality, and became the mainstream of porcelain production at that time. One of the major characteristics of blue and white porcelain in the Ming Dynasty is that the flower material of the blue and white mold has changed greatly. Generally, it can be divided into three periods, the early Yongle and Xuande are the representatives, and the imported Su mud and green materials are used, which are heavy, gorgeous and bright; In the middle period, it is represented by Chenghua, using domestic equal green materials, and the color is elegant and quiet, and in the late period, it is represented by Jiajing and Wanli, and the use is back to green materials, and the color is purple in the blue.

In addition to blue and white, there are also sweet white, bright red, ruby red, peacock green, peacock orchid, light yellow and other monochrome glazes (also called a glaze to let the slow) all very successful. Around the middle period, colored porcelain developed, and the combination of overglaze color and underglaze color such as doucai and five-color appeared.