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There are many ways to write scripts, and the basic ones are as long as they reflect the sense of the camera and can understand it. It's originally a creation, don't be too constrained by the form, not to write**.
Generally speaking, the script will be rewritten into a more detailed storyboard by the director team, or the old director will draw a sketch.
I tend to write scripts more closely to the director's storyboards. Generally, if you want to be a hobby, you can write out the scenes and character performances one by one. Because as an exercise, you don't make all the scripts into a film.
When you choose a script to shoot, it's better to process it into a script.
Let's take a simple example.
For example, as you said, Xiao Ming looked up at the sky, the sun was gradually buried by clouds, and on the corner of the street, Xiao Hong was quietly looking at him. ”
Write it this way, if you only have 3 shots in mind.
Again, add a close-up or something, that's it, Xiao Ming looked up at the sky, staring deeply, the sun was gradually buried by the clouds, and in the corner of the street, Xiao Hong was looking at him quietly, with a complicated expression. ”
Then the facial expressions of the two characters should be added, two more close-ups.
Only when I am sure that I want to shoot will I write a storyboard like this, Xiao Ming (looking up at the sky) (stuffy letter).
Gaze at the (special) sky, cloudy (far).
Street corner, Little Red (Quietly Looking) (Middle)".
Then, according to the understanding, the director shoots the shot he wants.
Of course, if it's used on TV, the script is much more complicated than that, and all in all, you can create your own rules and make most people accept it.
ps: It's best to communicate more when writing scripts, so that different people can read more, understand other people's ideas, and make faster progress.
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1. Yes. Well-known screenwriters (first-line) have a high manuscript fee. Generally, new entrants are around 5,000 yuan to 25,000 yuan per episode.
Second, there will be three or four scripts in general, and the director's hand will be annotated with shots, scene switches, etc. The actor's attention is paid to the description of language and behavior. But it's all from the original script. The screenwriter doesn't have to worry about it, just write it according to his own ideas.
3. If you are a well-known investor, you will not hesitate to buy out the script if you like it, even if you don't shoot it for the time being. There should also be some film and television companies stealing other people's ideas. You won't be scammed, but your ideas will be stolen. In other words, he will sell it to investors in a different form.
Fourth, the success rate of network e-mail contact is generally very small. Even if you reach out to a well-known producer or director, it's unlikely that they'll be patient enough to watch it, or maybe arrange for an assistant to handle it casually. If you feel that your work is particularly good, it is recommended to take the initiative to come to the door, come to the door again and again, as long as you want to see people and empty, talk to him about your confidence in the work.
Of course, it's best to use 1-3 pages to write the highlights of your work and capture his heart.
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1. Not necessarily. 2. Not necessarily. 3. Not necessarily. Fourth, not necessarily.
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