What is Kyogen and what is Kyogen status in Japan?

A person who performs traditional Japanese art on stage.

Kyogenshi is a national treasure in Japan. Kyogen is a household name, and the most representative one is known as the treasure of the national calendar in the world. The status can be seen from this. Kyogen was born in the Muromachi period in Japan.

A classical art form from 1336 to 1573. It didn't have a fixed script at first, it all relied on the master's dictation, the actors improvised it, and it was divided into genres before the script survived.

At present, Kyogen has a repertoire of 260 plays, of which 254 are from the Izumi-ryu faction, and the Nomura family is the representative of Izumi-ryu.

An overview of the meaning of Kyogen

Kyogen is a unique art form of burlesque comedy that originated in the Muromachi period in Japan and has a history of nearly 600 years. In traditional Japanese art, Kyogen is the only art of concealment, and the language used is the daily language of the era, so it can more intuitively and vividly show the content plot and the inner world of the characters than other traditional Japanese art forms.

"Kyogen is a kind of people who arose and was interspersed withNoh dramaA kind of improvised short comedy performed between plays, which is a derivative of Ape Le Neng and Tian Le Neng.

One of the classical Japanese dramas, it was founded in the Muromachi period.

1392 1573) and matured in the Edo period (1600 1867). Originally, it was performed in the interval between Noh performances, so Noh and Kyogen are called Noh. Second world war.

Later, Kyogen gradually got rid of his subordination to Noh and tended to perform independently.

Kyogen explained

Kyogen, like Noh, belongs to the four major classical Japanese theaters, and because it can also be regarded as a part of Noh theater, it is often referred to as "Noh" together with Noh theater. Because Kyogen belongs to the comedy-type Kobai drama, the biggest difference between the Noh drama and the typical tragic revue is that.

It gives a spicy satire to the samurai and other aristocratic classes in a humorous way through characters or events taken from the real world. And because his works were all taken from the lives of ordinary people and performed in the colloquial language of the time, they were more accepted by the working people than Noh theater, and became the most typical form of art for the common people.

Ravings. The performers respond to each other's voices, walk around on stage with their feet in a shuffling manner, exaggerated body language, and sometimes make big moves to perform the plot. Kyogen uses more or less props and masks, but does not make complicated stage decorations.

Kyogen uses movements and recitations to express the situation that cannot be seen by the eyes with the whole body. Kyogen is performed by specialized performers called Kyogen masters. They are a family-style theatrical group that inherits the art.

At present, there are two schools: Izumiryu and Ookuraryu. Since Kyogen masters are mostly hereditary, there are many Kyogen masters who are destined to be Kyogen masters from birth, and they have been learning the art since they were young. Learning art is rigorous.

In addition to the basic forms of movements such as moving the feet and swinging and waving, it is also necessary to learn the sounds and rhythmic songs that can be transmitted to distant places, as well as the pronunciation that can be said smoothly. It is also necessary to study the breathing pauses and performance methods between performers and performers, as well as between them and the audience. If you want to become a Kyogen master on your own, it will take decades of hard work.

The learning of skills is endless, and Kyogen has devoted his life to studying his own art, and then passing it on to future generations. Kyogen is how it maintains and nurtures the high standards of its art. Kyogen and Noh were designated as World Intangible Cultural Heritage by UNESCO in May 2001.

The value of these two traditional arts, which can be traced back to more than a decade of history, has been recognized. But the value of Kyogen is not just a long tradition. Mr. Mannomura, a very active Izumi-ryu kyogenist, said:

Kyogen has been a living act since ancient times, and Kyogen makes people laugh. And when people are in pain or sorrow, Kyogen is the art of bringing vitality and strength to people. Please watch Kyogen a lot, I hope that you can get in touch with the real vitality of Kyogen, and get the vitality to move towards tomorrow

In addition, I might as well suggest that you go to Miss Shigeru's [Japanese Culture Story] and ask her about herself.

Miss Morumeye's reply is quite fast!

Refer to Sinobooks Talk Show2no=1882Kyogenshi (a traditional Japanese art of performing the art of arguing Naga) has a lot to do with Noh theater.

To put it simply, in the second and second halves of Noh plays, another more relaxed and interesting play is inserted, which is Kyogenra. Kyogen is the one who plays Kyogen. However, in recent years, Kyogen performances, especially the famous Kyogen masters, have mostly been performances, not with Noh JAA 6-2-1-2002dec

It is very different from Kyogen in terms of art style. Compared with Kyogen and Noh, there are indeed many special points. can be mainly sung, the rhetoric is elegant and gorgeous, and the ravages are all in the vernacular.

can write more tragic stories, Kyogen is just a comic slice of life. can describe more about the past Gao Heyuan, and Kyogen reflects real life. Noh mainly sang the praises of noble heroes and brave generals, and Kyogen specifically ridiculed the daimyo and the monks who accompanied him.

With the support of the samurai aristocracy, it entered the official residence of the nobility and became the exclusive property of the aristocratic class, and Kyogen was still circulating among the broad masses of the people.

Kyogen and Noh were produced around the same time, and in the early Nara period, Sangaku (acrobatics) from the Tang Dynasty of China was introduced to Japan. During the Heian period, folk artists basically added some mock characters to the antics of the characters, and Raku gradually formed the "ape", which was the predecessor of Kyogen. By the Kamakura period, Kyogen had gradually begun to show its differences from Noh theater, and it was not until the end of the Northern and Southern Dynasties and the beginning of Muromachi that Kyogen and Noh were officially put on the stage of history due to the support and assistance of the aristocratic samurai class, and in the Edo period, Kyogen developed rapidly and matured.

After World War II, Kyogen moved away from its long-standing status as a subordinate to Noh theater and turned to independent development. Today, professional Kyogen performers perform independently and in partnership with Noh.

The origins of Noh and Kyogen in Japan date back to the 8th century, and subsequent developments incorporated a variety of artistic expressions such as acrobatics, song, dance, and burlesque. Today, it has become the main traditional theater in Japan. This type of drama is mainly based on traditional Japanese literary works, and is composed of masks, costumes, props, and dance.

Noh and Kyogen belong to two different forms of drama. Noh is a surreal world in which the protagonist appears as the embodiment of a supernatural hero, who tells the story and completes the plot. Everything in reality appears in the form of masks covering their faces, which are used to represent ghosts, women, children, and the elderly.

"Kyogen" is performed in a comical dialogue, similar to a cross talk drama. Whether it's Noh or Kyogen, the language used in the play is colloquial in the Middle Ages. The biggest threat to Noh and Kyogen in today's society is that young people have lost interest in ancient theater.

Kyogen is a Japanese folk comedy, and those actors are Kyogen masters.

It is a traditional culture, somewhat similar to Peking Opera in China.