Is it possible that the official kiln has blue and white flowers? Is the blue and white porcelain of

Blue and white porcelain is a traditional Chinese ceramic product, which belongs to the products of Jingdezhen kiln. Jingdezhen kiln is one of the most famous ceramic kilns in Chinese history, which was built in the Tang Dynasty and has continued through the Song, Yuan, Ming, and Qing dynasties. Jingdezhen kiln slag is famous for its unique skills and exquisite craftsmanship, and blue and white porcelain is one of the representatives.

The production process of blue and white porcelain is very complex, requiring a number of processes, including tire making, glazing, flower painting, firing, etc., each of which requires a delicate operation by experienced craftsmen. Blue and white porcelain is favored for its fresh colors, smooth lines, and exquisite patterns, and has become an important part of traditional Chinese ceramic culture.

Summary. Dear, ** between tens and tens of thousands of yuan

At the end of the Qing Dynasty, the blue and white porcelain of the folk kiln, the genuine complete market is generally priced at about 20,000!

Characteristics of blue and white porcelain in Qing Dynasty kilns:

The trajectory of the blue and white porcelain painting of the Qing Dynasty folk kiln is quite secretly in line with the Ming Dynasty, the early Qing Dynasty gesture is stiff, regardless of the fine and thick, most of the pen strength is run, the iron strokes the golden hook, the cool and smooth, the early late to the middle tends to be lubricated and complete, but the momentum is slightly inferior, the late period is more sluggish, the old pen in the twilight, lifeless, Guangxu Dynasty, there seems to be a sign of returning to the light, but it is fleeting. In the early Qing Dynasty, the wolf or both were generally used, the lines were completed in one go, but the long line had more to pick up the pen, after Yongzheng, the wolf and sheep were used both, the pen speed slowed down, the late blue and white, outlined and rendered, the wolf and sheep were used both, the water was divided at will, and there were sometimes diffuse sufferers, and the thick ones also seemed to be a pen and dot dyeing method, but the painters were often distracted, and the air was scattered.

It is recommended that you go to the nearest local cultural relics management office to do so

Is the blue and white porcelain of the Qing Dynasty kiln worth anything

Uh-huh, I'll take a look at it for you

The ancestor left a bowl, I don't know if it has any collectible value.

Pro, **Between tens and tens of thousands of yuan in the late Qing Dynasty kiln blue and white porcelain, the genuine complete market is generally about 20,000! Characteristics of blue and white porcelain in Qing Dynasty folk kilns: the trajectory of blue and white porcelain paintings in Qing Dynasty folk kilns is quite secretly consistent with the Ming Dynasty, the early Qing Dynasty gesture is stiff, regardless of fineness, most of the pen strength is strong, the iron strokes the gold hook, sharp and smooth, the early late to the middle tends to lubricate the perfection, but the momentum is slightly inferior, the late period is more sluggish, the old pen is sluggish, the old pen is lifeless, Guangxu Dynasty, there seems to be a sign of returning to the light, but it is fleeting.

In the early Qing Dynasty, the wolf or both were generally used, the lines were completed in one go, but the long line had more to pick up the pen, after Yongzheng, the wolf and sheep were used both, the pen speed slowed down, the late blue and white, outlined and rendered, the wolf and sheep were used both, the water was divided at will, and there were sometimes diffuse sufferers, and the thick ones also seemed to be a pen and dot dyeing method, but the painters were often distracted, and the air was scattered. It is recommended that you go to the nearest local cultural relics management office to do so

Okay, thanks.

Sorry, identification, typing, sorry

Summary. 1.The Ding kiln was originally a folk kiln, and the court porcelain began to be fired in the middle and late Northern Song Dynasty.

Created in the Tang Dynasty, extremely prosperous in the Northern Song Dynasty and Jin, and finally Yuan, known for producing white porcelain, and burning black glaze, sauce glaze and green glaze porcelain, the literature called it respectively"Blackout"、"Purple Ding"with"Green set"。2.Due to the changes in history, the kiln has changed with the region, the use of new porcelain clay and the progress of porcelain-making technology.

Bian Xianghe believes that the greatest contribution of Dingyao is to shine in the history of Chinese ceramic development, and leave a brilliant page in the history of Chinese ceramics and the history of ceramic development in the world. 3.

Chinese Ming Ding Kiln Status One of the five famous kilns of the Song Dynasty, Ding Kiln, is the center of white porcelain in northern China, which began in the Tang Dynasty and is the successor of Xing Yao, which has been developed during the Five Dynasties period. In the past, the kiln site was recorded in Zhengding, Hebei Province, and the ancient kiln site was found in Jian Porcelain Village, Quyang County, Hebei Province in 1938. In recent years, many excavations and investigations have been carried out, and it has been found that the lowest layer is piled up with fragments of the late Tang Dynasty; The middle layer was mass-produced in the fifth generation; The top layer is a thin porcelain piece for printing and painting flowers, which belongs to the middle of the Northern Song Dynasty, during the period of Zhenghe and Xuanhe.

4.These thin porcelain tiles, the fetal quality is firm, the glaze is shiny, the pattern is beautiful, it is indeed a very sophisticated variety; And some of them are of the nature of official kilns, such as the discovery of broken pieces of inscriptions on tires such as "Shangshi Bureau, Forbidden Garden, Fenghua, Guan", etc., which can be proved.

The answer is: Yes. There was blue and white porcelain in the Tang Dynasty.

1.The Ding kiln was originally a folk kiln, and the court porcelain began to be fired in the middle and late Northern Song Dynasty. Created in the Tang Dynasty, extremely prosperous in the Northern Song Dynasty and Jin, and finally Yuan, known for producing white porcelain, and burning black glaze, sauce glaze and green glaze porcelain, the literature called it respectively"Blackout"、"Purple Ding"with"Green set"。

2.Due to the changes in history, the kiln has changed with the region, the use of new porcelain clay and the progress of porcelain-making technology. Bian Xianghe thinks:

The greatest contribution of Dingyao is to shine in the history of Chinese ceramic development, and leave a glorious page in the history of Chinese ceramics and the history of ceramic development in the world. 3.Chinese Ming Ding Kiln Status One of the five famous kilns of the Song Dynasty, Dingyao is the center of white porcelain in northern China, which began in the Tang Dynasty and is the successor of Xingyao Dry Auction, which has been developed during the Five Dynasties.

In the past, the kiln site was mostly recorded in Zhengding, Hebei Province, and in 1938, the ancient kiln Xiangjian site was found in Jianci Village, Quyang County, Hebei Province. In recent years, many excavations and investigations have been carried out, and it has been found that the lowest layer is piled up with fragments of the late Tang Dynasty; The middle layer was mass-produced in the fifth generation; The top layer is a thin porcelain piece for printing and painting flowers, which belongs to the middle of the Northern Song Dynasty, during the period of Zhenghe and Xuanhe. 4.

These thin porcelain tiles, the fetal quality is firm, the glaze is shiny, the pattern is beautiful, and it is indeed a very sophisticated variety; And some of them are of the nature of official kilns, such as the discovery of broken pieces of inscriptions on tires such as "Shangshi Bureau, Forbidden Garden, Fenghua, Guan", etc., which can be proved.

Kiss, keep you waiting, I'm glad to answer for you, hello! The official kiln of the Yuan Dynasty is one of the important porcelain kilns in Chinese history, located in Yuzhou City, Henan Province today, and its porcelain is mainly made of celadon. Celadon is a type of off-white or light blue porcelain, and the firing temperature is lower than that of vertical and medium, usually around 1200.

Therefore, it was impossible for the official kilns of the Yuan Dynasty to fire red porcelain. Red porcelain appeared relatively late in the history of rotten porcelain in China, mainly in the Ming Dynasty and became the mainstream. The production of red porcelain requires high temperature firing, usually above 1300, to make the surface of the porcelain appear red.

However, the firing technology and kiln conditions of the official kiln of the Yuan Dynasty limited it to meet the requirements of high-temperature firing of red porcelain. The celadon of the official kiln of the Yuan Dynasty is known for its unique glaze color and modeling style, and its glaze color is mostly gray-green or light blue, rather than red. The firing temperature of celadon is relatively low, which is suitable for the firing technology and kiln structure of the official kiln.

In short, according to historical records and archaeological findings, it is impossible for the official kilns of the Yuan Dynasty to fire red porcelain. Red porcelain mainly appeared in porcelain production after the Ming Dynasty. Hope the above can solve your doubts.

Why is the blue and white porcelain made in modern times not as good as in ancient times?

1. Ancient porcelain is handmade, such as the carving of Hutian kiln in Jingdezhen in the Northern Song Dynasty. Its tires are thin, only one millimeter. On such thin tires, Northern Song Dynasty craftsmen could carve flowers with a carving knife, and the decoration was delicate and smooth.

The most important thing is that they are not carved. Such a craft, the current master of arts and crafts, I don't think anyone can carve it by hand. The greatness of Song porcelain lies in its cultural connotation.

For example, the auction of ancient kiln porcelain is now very high, and many people restore the oil droplets of the kiln. But I found that many masters focused on its expression and made the oil drip lamp used to build the kiln beautiful, but this just ignored its cultural connotation. The mainstream culture of the Song Dynasty was elegant culture, and the requirements for artworks were natural and simple, not added by others, restrained and unassuming.

2. Something made in the contemporary world is very conspicuous, that is, the concept of pop culture is used to create high culture. Why many masters of arts and crafts always can't imitate ancient porcelain, is because they ignore its cultural connotation. The production process is modern production, and the porcelain has strict formula control and scientific firing process.

This has led to a qualitative leap in the cost, yield, shape and safety of porcelain production. Ceramic products have changed from noble playthings on the temple to ordinary things in ordinary people's homes.

3. Ancient and modern ceramics are not comparable in terms of production technology. What needs to be explained here is that some people advocate the so-called high difficulty of ancient porcelain firing, which is essentially caused by backward production technology and technology in most cases. The unique appearance characteristics of many ancient porcelains are caused by the production environment and unique raw materials at that time, and are not necessarily due to the backwardness of modern technology and cannot be imitated.

4. The standardized production of machines not only brings high-quality and low-cost products, but also brings the sameness and lifelessness, and people use too many cold industrial products in their daily lives. The unique warmth and humanistic feelings of handmade products are also the reason why more families above the well-off level choose handmade porcelain that partially restores the ancient porcelain production process. The uncertainty and roughness of handiwork can reveal human taste, thinking, and aesthetics.

Let people get a higher sense of interest and beauty in use.

Modern crafts like to make fakes, and the ancients were smart.

This problem is very complicated, can not be so general comparison, Song Guan kiln and Yuan blue and white have their own fine products, I think, Song Guan kiln (Ge Ru Jun Dingguan) in the Ru kiln is the most precious, the whole country is more than 10 pieces, the current process can not restore its kind of azure glaze, Yuan blue and white precious is in recent years the auction market out of a few Yuan blue and white sky-high lots, people feel very hot, very expensive, very hot. Relatively speaking, the survival of Yuan Qinghua is still larger, especially in some Arab countries. However, there are many products that we can hardly see in China (like that kind of "anti" blue and white).

So which is more precious between Song Guan kiln and Yuan blue and white depends on how you compare it with that Song Guan kiln and that Yuan blue and white flower.

The Longquan kiln of the Southern Song Dynasty inherited the Tang Dynasty. Five generations of Yuezhou kiln celadon. By the end of the Northern Song Dynasty, it gradually emerged, to twelve. It reached its peak in the third century. It is the time when China exports the most to foreign countries;

Longquan kiln porcelain to the beginning of the Yuan and Ming dynasties. The glaze has been changed to a dull yellow tone; The Japanese call it Tenryuji celadon.

The Song porcelain inheritance is lost; Not the same as it used to be.

The celadon of the Southern Song Dynasty palace kiln, decorated with ice crack style with a unique glaze, is more exquisite than the Longquan kiln, with a high degree of production technology and a noble temperament; The shape is positive, and the world is unparalleled.

The economic value and charm far surpassed that of other dynasties.

Although the current price of Yuan blue and white flowers is also sky-high; There are many heirloom treasures than Song celadon, and the two are compared; Yuan blue and white is a treasure that is difficult to find;

The Song Palace kiln is the supreme ancient porcelain.

Of course, Song Guan is stronger than Yuan Qinghua! First of all, Song Guan is not a utility, and Yuan Qinghua is mostly a utility! Secondly, there is no speculation in the Song official kiln abroad, so it is not as good as Yuan Qinghua!

It's not that foreign countries don't want to hype, but they don't have Song official kilns in their hands! There's nothing to fry! Here's how I see it!

The family wealth is thousands, not as good as a piece of Ru porcelain.

In the Song Dynasty, there was blue and white porcelain.

The original blue and white porcelain has been seen in the Tang and Song dynasties, and the mature blue and white porcelain appeared in the Hutian kiln in Jingdezhen in the Yuan Dynasty. In the Ming Dynasty, blue and white became the mainstream of porcelain. During the Kangxi period of the Qing Dynasty, it reached its peak.

The blue and white porcelain of the Tang Dynasty was in the promiscuous period of blue and white porcelain. The specimens that can be seen now include more than 20 pieces of blue and white porcelain fragments unearthed in Yangzhou in the 70s and 80s of the 20th century; a blue-and-white striped complex from the collection of the Fung Ping Shan Museum in Hong Kong; a floral bowl from the collection of the Museum of Boston, USA; a fish algae jar from the collection of the Copenhagen Museum in Denmark; A stippled plum pattern cover from the collection of the Nanjing Museum. Through the study of the tire, glaze and color of the porcelain pieces unearthed in Yangzhou, and the analysis of the material and technical conditions of the Gongxian kiln in the Tang Dynasty, it is preliminarily concluded that the origin of Tang Qinghua is the Gongxian kiln in Henan.

In recent years, a small number of blue and white porcelain specimens have been unearthed at the kiln site in Gongxian County, which further confirms that the origin of Tang blue and white porcelain is in Gongxian kiln, Henan. Judging from the blue and white porcelain pieces unearthed in Yangzhou, the green material has a strong color and crystalline spots, which is a low-manganese, low-iron, copper-containing cobalt material, and should be a cobalt material imported from Central and Western Asia. The tire is mostly coarse and loose, beige gray, and the sintering degree is poor.

The bottom glaze is yellowish in white, and the enamel is coarse. Apply makeup soil between the glazes. The type of utensils is mainly small pieces, including doubles, bowls, cans, lids, etc.

Except for the fish algae pattern jar in the collection of the Copenhagen Museum in Denmark, the rest are flower and grass patterns. Among them, the flower and grass patterns are divided into two categories, one is a typical traditional Chinese flower and plant, with small flowers such as caryophyllus and plum blossom being common; The other type is to sandwich loose leaf patterns in geometric figures such as diamonds, which is a typical arabesque pattern. From this point of view, combined with the location where Tang blue and white porcelain was unearthed more (Yangzhou was an important port in the Tang Dynasty), it can be proved that Tang blue and white porcelain was mainly for export.

After Tang Qinghua went through the initial period, it did not develop rapidly, but went into decline. So far, we can only see more than ten pieces of porcelain pieces unearthed from the two tower base sites. The first is excavated in 1957 in Longquan County, Zhejiang Province, Jinsha Taji, a total of 13 pieces of blue and white bowl fragments were unearthed.

The tower bricks of the tower have the absolute date of the Northern Song Dynasty "Taiping Xingguo two years" (977); The other is in 1970 in Shaoxing City, Zhejiang Province, in the base of the Huancui Pagoda, unearthed a fragment of the belly of a blue and white bowl. The tower tablet unearthed at the base of the tower proves that this tower was built in the first year of Xianchun in the Southern Song Dynasty (1265). These more than ten pieces of Song blue and white porcelain are all fragments of bowls.

Some of the fetal quality is coarse, and some are thinner. The pattern is decorated with chrysanthemum pattern, circle pattern, string pattern, line pattern, etc. the blue and white hair color in the front part is darker and blacker; The latter one is lighter.

If the hair color is darker, it should be because the transparent glaze of the outer cover is too thin. Zhejiang Province itself is rich in cobalt earth, and these blue and white porcelains should be made of local cobalt materials. They have no direct continuity with Tang Qinghua.