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Anonymous users2024-02-06Faust is an epic tragedy. Faust's unremitting pursuit of self-improvement and imitation of truth has gone through five stages: study life, love life, political life, pursuit of classical beauty and meritorious service, all of which have a realistic basis, and they highly condense the spiritual process of exploration and struggle of the German and even European bourgeoisie in the hundreds of years from the Renaissance to the early 19th century. Here, Faust can be said to be a symbolic artistic figure, and Goethe portrayed him as an embodiment of the destiny of all mankind.
All mankind is in fact an enlargement of the typical image of an advanced intellectual during the rise of the bourgeoisie. Like other bourgeois thinkers of the Age of Enlightenment, Goethe also regarded his own class as the representative of all mankind. Faust walked out of the gloomy study and went to nature and the vast reality of life, embodying the anti-feudal spirit from the Renaissance, the Reformation, and the bourgeois ideological awakening to the "Hurricane Rush" movement, denying religious theology, and criticizing the dark reality.
The love tragedy of Faust and Magan tears is a reflection and rejection of the egoistic philosophy of pursuing narrow personal happiness and hedonism. The failure to enter politics shows the illusory nature of the political ideal of the enlightened monarchy of the Enlightenment. The unfortunate ending of the union with Helen proclaims the disillusionment of the humanitarian ideal of using classical beauty to educate modern people in a closed aesthetic.
In the end, Faust found the truth of life in the grand cause of mobilizing the masses to transform nature and create a paradise on earth, from which it is not difficult to see what the Enlightenment of the 18th century repeatedly depicted"The Kingdom of Reason"and the voices of 19th-century utopian socialists calling for the future can be faintly heard.
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Anonymous users2024-02-05Summary. Goethe revealed the complex relationship between the two contradictory and conflicting factors in Faust's personality, namely the factors of "affirmation" and "goodness" and the factors of "negation" and "evil", and the development process with a profound dialectical consciousness.
The ideological connotation of Goethe's Faust.
Goethe's profound dialectical consciousness revealed the complex relationship between the two contradictory and conflicting factors in Faust's personality, namely the factors of "affirmation of faith" and "goodness" and the factors of "negation" and "evil", and the development process.
Goethe's Faust is a figure who lives in the tower of the hungry tooth of the academic elephant and finally dies of old age. Faust had a lot of frustration in the face of his imminent decaying body, he felt as if his life was about to end before it began, and he spent a lifetime studying and studying knowledge, but he tasted too little about life experience, but he was indescribably tired of knowledge.
Creative background: Modern European society has returned to the ancient Greek aesthetic trend in thought, and after experiencing the darkness of the Middle Ages and the Renaissance, people yearn for the sunny life of ancient Greece. That is, the kind of spiritual life that attaches importance to the enjoyment of this world and the pleasure of this world.
Winckelmann put it unequivocally: "The only way we can become great, if possible, incomparably great, is by imitating the ancients." In Faust, Goethe tried his best to combine rationalism with the sensibility of ancient Greece, and gave birth to the character of Faust and Helen's newborn son "Eufortia", as well as the disappearance of the character of Ou Mengmo Fuliang, undoubtedly hoping to combine modern scientific rationality with the sensibility of ancient Greek aesthetics to create a perfect aesthetic concept that conformed to the social environment at that time.
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