What should I pay attention to when interspersed with sketches?

The interspersed clothing pattern of the sketch is indeed very important, and the dynamics of the sketch all rely on the interspersed clothing of the clothes to show you a few of the experiences I summarized when drawing sketches1 When drawing clothing patterns, it is necessary to avoid straight lines, as long as there are straight lines, it is a major flaw in the sketch, which directly leads to the incongruity of the picture2 When the clothing pattern is interspersed, it is necessary to avoid the right-angle intersection of the cross, such as "Ya", "V", "U", these three cross methods are the most common, and it is recommended to use 3 The direction of the clothing pattern is interspersed, when drawing the sketch, the clothing pattern is not a closed figure, Rather, it is ajar, and the direction of the opening should be in the direction of the force in the picture, and the intersection points are all at the force point, such as the place where the elbow is bent, and the clothing pattern is a radial pattern that takes the curved place as the apex and spreads to the surroundings.4 The clothing pattern is interspersed with the expression of texture, and the thickness of the clothing affects the number of clothing lines, the more clothing lines, the thicker the clothes, and the less clothing lines, the thinner the clothes.5 The objects represented by different clothing lines, when the movement amplitude of the object is large, the clothing lines are used large lines, and the movement amplitude is small, and the clothing lines are used thin lines.

In the process of sketching and drawing, the main attention should be paid to the use of lines, and candidates should master three points: first, the application of primary and secondary lines; The second is the application of interspersed lines: the third is the application of sparse lines. If you want to draw an excellent sketch exam paper in the art college entrance examination, you should pay attention to the following points:

Pay attention to problem 1: interspersed with threads.

Expressing the interspersed and echoing relationship between lines is an important factor in making the picture full of rhythm. At the same time, the interspersed echo relationship and perspective relationship of the line play an important role in the spatial and hierarchical sense of the object. The organization of lines in different directions is interspersed, giving people a different sense of direction before and after, and it can directly express the perspective direction of the object.

However, sketching is different from line drawing, if each depiction is like a line drawing, then pay attention to the clothing pattern, and the interspersed echo between the lines loses the rhythmic and smooth charm of the sketch.

Pay attention to problem 2: the selection and refinement of lines.

In the sketch training, after the basic shape is affirmed, the following points should be paid attention to the processing of the line: the "clothing line" should pay attention to avoid parallelism, pay attention to the sparse contrast, and reflect the structure. The "structural line" should be accurate, the first place should be solid, and the line should be accurate.

"Inertia lines" should not be drawn too much, and should not be drawn too heavy.

Pay attention to problem three: the contrast of lines.

In the sketch, the comparison is made to find out whether the proportions of the object and the perspective relationship are correct or not. In the sketch, it is emphasized that under the premise of being accurate in terms of body proportion, dynamics, perspective, etc., the use and emphasis of the line on the LL usually have the following contrasting techniques:

the contrast of the curved and straight lines, the contrast of the shades of the lines; the contrast between the virtual and the real of the line, the length of the line; Contrast between the density of the line and the thickness of the line.

Note question four: about the structure.

The purpose of sketching is to develop the correct observation method and the ability to shape rigorously. The sketcher must have a solid and proficient knowledge of human anatomy, so that he can be at ease in sketching, the internal structure of the human body is not changed, and the only thing that changes is with the movement of the human body, clothing patterns, etc. Therefore, the use of lines is inextricably linked to the structure, and the method of expression should serve the structure of expression.

How to draw a line for sketching:

a.Nesting method.

Similar to the overlapping and fitting relationship of the lines depicting the clothes and spinning houses in classical Chinese paintings, one end of the line is inside the outline of the body and the other end is outside the outline of the form.

b.Fish Swimming Method.

First of all, try to use long lines to depict the ups and downs and shape characteristics of the outer contour line of the object, and then draw the clothing pattern, the two ends of the line are inside the contour shape, do not touch the outer contour line, otherwise it will be short-circuited, and the complete large shape will be cut into trivial blocks, which is a problem that should be paid attention to in sketch modeling.

Density, structure texture, etc. should be paid attention to.

Oh, this landlord first has to figure out the purpose of sketching and drawing the lines of clothes.

When we wear a piece of clothing and make an action, there may be a lot of large and small clothing lines, and due to the characteristics of the fabric itself, it is also possible that the lines are trivial. Do you have to draw it?

Personally, I understand that when drawing the actions of the characters, the rationality of showing the proportions of the characters and the perspective of each part of the structure under the dynamic is the focus of the sketch, and the clothing pattern is only a means to help expression, of course, if the texture of the clothes can be vividly expressed, it will also make the picture very brilliant.

Therefore, I think that the painting of clothing patterns should be combined with the dynamic turning points of the characters' limbs, and the painting of clothing patterns should think about the structure of the limbs inside the clothes, so that the structure can be correctly expressed through the reasonable expression of the clothing patterns. If some of the patterns are not related to the dynamic structure, then they can be ignored.

Draw the position and trade-offs of the clothing pattern to show the degree of your understanding of the structure of the human body.

Someone upstairs sent a picture.,I won't send it.,The landlord can also go to the album to take a good look.,Practice more.,I hope you're happy painting.。

Dear, take a piece of clothing and concave a few shapes to understand the basic texture path, see more and draw more, you can still master it, the most important thing is to paint more.

For example, the clothing patterns at the joints of the human body and the clothing patterns that touch objects when sitting are different, but in fact, if you look at it more, it still has a certain path.

Good luck with your satisfying painting :)

You can copy more and lay a good foundation. Or you can learn to draw light and dark sketches, which are not very demanding on clothing lines.

In sketching, the depiction of clothing lines and the organization of clothing lines have become a difficult point, and it is also a hurdle that must be overcome, the significance of which is not only to be able to draw clothes from now on, but to all body transformations.

Through this training, you will gain a thorough understanding and a deep understanding of edge stacking and grade transformation.

1. How should the folds of clothes be handled? Too much will be messy, too little will be empty?

Pleats are actually very aesthetic and simple, and they can effectively express the shape inside the clothes. Draw more where there should be more pleats, and draw less where there should be less.

Second, how to behave in a straight military uniform.

The military uniform should be drawn straight, and the curve rhythm and personality of the injured face will be more obvious compared to the straight of the military uniform.

3. There are many pleats in the sleeves that are rolled up, do you have to draw them? How do you represent the volume of these pleats?

You can draw it in general, or you can draw it all. In the dense rhythm, these pleats are often part of the secret book, in-depth and detailed paintings, there can be rich and missing line changes, overlapping and interspersed can be extremely complex, there will be the beauty of fine carving. Simply summarizing the pleats into some cheats of the line, without seeking depth, will have a writing-like beauty, can only depend on the needs of the picture.

The orientation of these folds can express the volume of the cylindrical arm and the roundness of the cylindrical cross-section.

4. How to relate the folds and structure of clothes? How to deal with the pleats and volume of the garment?

Expressing this problem in words is not as simple and intuitive as looking at pictures. Take this question to read some sketches, and copy them if you don't understand them.

Fifth, paint clothes or structure.

The reason why the clothing pattern appears is because of the structure, therefore, the structure can be drawn by drawing clothes, the clothing pattern explains the structure, the structure causes the clothing pattern, and painting the clothes is to draw the structure, and it should not be two separate things.

6. How should the folds of clothes be represented by lines when the folds are more ambiguous.

The line of the clothes is hooked in the obvious, several places, the line is hooked on the edge of each shape, and the ambiguous place is not important and can not be drawn. If you draw it, you can also draw a dashed line or a slope.

The best way to improve your sketching is to practice more and draw more!! As long as the quantity is reached, the quality is achieved!

First of all, you have to know what the pleats are, and what the folds are that are folded out of the clothes, the boundary between light and dark and the dark parts. In fact, to draw the folds of clothing is to draw the sensitive junction line, so draw it well and work hard.

Look for the big folds, don't care about the small ones, or draw the proportions first. The clothing pattern should have a sense of calligraphy pause, use the side of the pen more, the pen should be strong, and pay attention to the virtual reality!

If you want to learn systematically, you can consider signing up for a live online class, and recommend CGWANG's online class. The teacher speaks carefully, you can watch it back after the class, and there are also the same type of recorded classes that you can learn for free (give away lifelong VIP).

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Sketching pays attention to observation, thinks more and observes more, carefully observes to find the boundary between light and dark, and deals with the virtual and real relationship between the boundary line of light and dark and the edge line of the projection, so that the folds of the clothes can be expressed.

The folds of the clothes are used to reflect the structure of the human body, and they are not painted on the structure, which is of course strange. Seek adoption.

Pay attention to the dynamics of the characters and draw according to the dynamics.

Look at the sketches and the pleats should be omitted appropriately.

It's not necessary to express the pattern, just follow the structure and establish the volume.