How to get a thousand gold threads on the erhu, and how to tie the thousand gold threads of the erhu

1. First find the jack wire, and then wrap the jack wire around a slipknot.

2. Tie the slipknot, and then wrap the jack wire around the strings of the stem.

3. After the jack wire is circled around the chord on the stem, it is then wrapped around the pole, and passed through the slipknot circle and tied another slipknot.

4. The first slipknot can be tightened.

5. Tighten the first slipknot, and then put the second slipknot thread through the jack gap and tighten it.

6. After tightening the two slipknots, you can tie a dead knot.

7. Cut off the excess thread head.

8. Adjust it again, and it will become a beautiful jack with hidden threads.

With your elbow close to the barrel, the height of the palm and forearm is the position of the jack, and then the width of your thumb is used to determine the distance between the stem and the jack. Jacks generally go around 4 to 6 times.

It's simple! Wrap around the outside of the string and squeeze the buckle inside.

First determine the high and low position, the elbow joint is placed on the barrel, the elbow is attached to the rod, the palm is straight, and the position of the jack is at the middle joint of the little finger. Then wrap a few more circles around the rod, from the bottom up, and press up and down the back circle as you go around. Then press a circle from the string, then circle around the rod, and so on, until the number of turns on the string is about 1.5 cm, then circle the rod a few times, pass the line through the back circle, tighten the beginning of the line, pull the end of the line into the winding line and press it, and cut off the excess thread.

The method of keeping up with the fishing line is the same.

The binding method of the erhu Qianjin thread is as follows:

The method of tying the erhu jack thread and then wrap the jack thread around a slipknot. Qianjin is the contact body that assists the erhu to conduct and resonate, and one erhu is enough, and then tied from the string and the stem.

The second knuckle of the little finger is the position of the jack. The thread that wraps the erhu strings with the stem is called a thousand catties. The jack line between the stem and the string is generally about four or five circles, such as Bi Xiaoneng custom-made erhu played by teenagers, which is caused by the vibration of the strings above the thousands.

The distance from the jack line to the piano yard (piano yard**) is 38-42 cm, and then find the position where you want to tie the jack, there is basically no difference between double jack and single jack! Able to play the etudes and solo pieces of the fourth level of the erhu exam fluently. Tie a thousand pounds here.

Tie a thousand catties to the strings, the barrel is the resonance cylinder of the erhu, and finally you just tie it A little arc! Tighten the small screw at the bottom of the erhu that holds the strings, and the erhu will not be able to play normally.

There are two ways to tie it, and it is the same as an ordinary erhu. Then wrap the jack around a slipknot. The cylinder erhu (or gaohu) bridge to round the barrel, the so-called erhu "thousand catties" is to wrap a piece of silk string or cotton thread around the stem and tie the strings together.

Origin of the erhu:

Erhu began in the Tang Dynasty and has a history of more than 1,000 years. It first originated from an ethnic minority in the ancient northern region of China, and was originally called "Ji Qin" and "Xi Qin". The earliest text that records Ji Qin is the Tang Dynasty poet Meng Haoran's "Poems on the Banquet of Rong Shanren Chiting":

Bamboo leads the piano in, and the flower invites to carry wine", the Song Dynasty scholar Chen Yang recorded in the "Book of Music" that "Xi Qin Benhu Le is also ......"Tang Dynasty poet Cen Shen contains" The Chinese army returned with wine and drink. Huqin Pipa and Qiang Flute" shows that the huqin began to circulate in the Tang Dynasty, and the huqin is a general term for Chinese and Western stringed instruments and plucked instruments.

In the Song Dynasty, Chen Yuanliang, a scholar at the end of the Song Dynasty, recorded in the "Shilin Guangji" that Ji Qin was made by Ji Kang, so it was named "Ji Qin". Shen Kuo, a scholar of the Song Dynasty, recorded in "Supplemental Writing: Music and Rhythm":

In Xining, the palace banquet, Xu Yan, the teacher of the workshop, played the Ji Qin, Fang Jin wine and a string, Yan is not easy to play, only one string to end the song.

Place your left elbow on the barrel with your fingers together and your arm against the stem, preferably with the lower edge of your little finger at the second section or root, as you age. If the fingers are long, especially the ring finger and little finger are long, the position of the daughter can be a little higher, and the daughter can be adjusted higher according to the needs of the music, so that the sound in the treble area will be better. Beginners can moderately lower the gold position.

It will be very difficult to reach the string with the left hand if the jack is too high, especially if the fingers are not too long.

To put it simply, because it plays a pivotal role in the vocal range of the erhu, it is like a jack, and a slight movement can play the effect of "four or two dialing a thousand catties".

In fact, changes in the position of the daughter will increase or decrease the "usable" high-powered tones. For example, in the erhu, let's talk about an extreme: let's say that the distance from Qianjin to the saddle is twice the distance between Qianjin and the junction point between the bow and the string (i.e., the rubbing point), at this time, the "octave" of the inner and outer strings is at the rubbing point, and the notes above the octave are all below the rubbing point, which is difficult to use.

That is, theoretically all the "sounds" are there, but in practice, it is difficult to make use of them, that is, in practice, changes in the position of the daughter will change the vocal range.

Place your forearm on the barrel with your palms straight and the lower edge of your little finger at the second segment or base of your little finger.

Jack position: Place your left elbow on the barrel, put your five fingers together, your arm against the stem, and the lower edge of the gold is placed at the same level as the second section or root of your little finger, don't tie it too tightly Your index finger can pass through it.

"Qianjin" is the white line tied to the erhu pole, which has the effect of fixing the tone. Place your elbows on the barrel, stretch your forearms straight, and place the knuckle line at the bottom of your little finger is the position of the jack.

The last few Hu friends are right, it is recommended to ask a connoisseur to find the position of the wolf sound after finding the determined position of the daughter, if you can fine-tune the daughter, the position of the wolf sound to the position of the overtone is the most ideal, the resonance effect of the piano is good, it is easy to play. Get your feet wet!

Put your elbows on the barrel, your arms close to the stem, and the position of the tiger's mouth is basically the position of the daughter.

Place your left elbow on the barrel and raise your hand as if you were raising your hand, your hand on the stem, your little finger close to the joint of your nail.

It's very simple, the elbow is on the barrel, the arm is close to the stem, the four fingers are straight, and the middle finger is counted from the top down to the first knuckle, but I am usually used to going down a little bit.

As for the daughter, it's the line that wraps around the bar chord!

The device that buckles the strings on the stem is called Qianjin, which is generally made of copper wire or lead wire: an S-shaped hook, and then one end of the hook is covered with a wire string or other wire rope and tied to the stem, and the strings are also directly tied to the stem with silk strings, nylon threads or strips of cloth, leather, etc. The sound quality of the latter form of Qianjin is not very ideal, because the inner and outer strings are squeezed too close, so that the full movement of the strings is restricted to a certain extent, and it is easy to touch the strings if you don't pay attention.

It should not be tied too long or too short, depending on the length of the player's fingers and the thickness of the stem. That is to say, the fingers are long and the stem is thin to relax the daughter a little; If the fingers are short and the stem is thick, tie them tighter as appropriate. Generally speaking, it is appropriate to grasp the width of the strings from the stem to about inches.

The position of the daughter on the stem should be roughly fixed, and it should not be moved up and down frequently.

Some beginners like to pull the treble and move it down. This kind of treble sound quality is very poor, which is not only not conducive to the comprehensive training of finger movement, but also detrimental to the cultivation of normal pitch concepts. Generally speaking, the gold is used to buckle the strings, and it is more appropriate to fix the gold at a position of about 1 3 feet away from the piano horse.