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Li Bai, whose name is Taibai, is a great poet of the Tang Dynasty in China. His poetic style is majestic and bold, his imagination is rich, his language is fluent, and his rhythm is harmonious and changeable. He is good at drawing nourishment from folk songs and myths, which constitute his unique magnificent and splendid colors, which is a new peak of positive romantic poetry since Qu Yuan.
and Du Fu are also called "Li Du".
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Li Bai is a great romantic poet, so he has the reputation of "poet immortal", since he was a child, he began to travel everywhere to write poems, through his own life experience, in his life, he left nearly a thousand poems for future generations, through poetry to express his pride and ambition, so as to warn future generations.
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1. Poetry. Li Bai's poetry creation has a strong subjective color, which is mainly manifested in the emphasis on expressing heroic spirit and passionate feelings, and rarely making detailed descriptions of objective objects and specific events.
Li Bai composes poems, often running through with unrestrained qi and vertical accompaniment, paying attention to galloping vertically and horizontally, in one go, with the characteristics of grabbing people with qi, such as "Shang Li Yong": "Dapeng sails Zen with the wind in one day, and swayes up to 90,000 miles." He said that his poems are "happy to put pen to shake the five mountains, and the poems are laughing and arrogant Cangzhou".
2. Language. The language of Li Bai's poetry, some of which is as fresh as spoken language, and some of which are bold, uninhibited, and close to prose, are all unified in the natural beauty of "clear water out of hibiscus, natural carving". This has to do with his conscious pursuit of natural beauty.
He inherited the literary proposition of Yu Jiao stupid Chen Ziang, and took the restoration of the poetry tradition as his responsibility, and once said, "Since Liang Chen, Yan Bo Si Ji, Shen Xiuwen is still in the rhythm of sound, and will retro Tao, who is not me?" (Meng Di, "Poems of Ability, Gao Yi").
He advocates "halal", satirizes the ugly girl who "carves insects and loses innocence", and is a toddler in Handan. The natural beauty of his poetic language is also the result of his careful study of folk songs to understand the characteristics of popularity, which is as clear as words and popular and vivid.
3. Word endowment. There is still no consensus on whether Li Bai created words, but if they are not authentic or whether they can be classified into the body of words, there are about 20 poems, such as "Bodhisattva Man" and "Remembering Qin'e".
In terms of its pioneering significance and artistic achievements, "Li Baici" enjoys a very lofty position in the history of words. This status is similar to the status of ancient Greek mythology in Western art, as an "unattainable" norm, Li Baici has become an eternal idol in people's minds. Li Bai has made significant contributions to the formation of the text pattern and the creation mode of words.
In fact, since the end of the Tang Dynasty and the Five Dynasties of the "Flower Collection", all the anthologies and general collections of Tang and Song Dynasty words will not forget Li Bai in specific operations, at least mention a sentence in the preface. As the first great lyricist in the history of literature, although there are only a few poems whose authorship is often questioned, no one has ever expressed any dissatisfaction or criticism against him. If the world's first lyricist is selected, Li Bai will undoubtedly be elected as the "king of words" by unanimous vote.
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Li Bai (February 28, 701 - 762), the name Taibai, Han nationality, Qinglian Township, Jiangyou City, Sichuan Province. The name of the Qinglian monk, also known as the "immortal". A poet of the Tang Dynasty in China, he was known as "Poet Immortal" and "Poet Hero".
There are "Li Taibai Collection" handed down, most of the poems are written when drunk, and the representative works are "Wanglu Mountain Waterfall", "Difficult to Travel", "Shu Road Difficult", "Will Enter the Wine", "Liang Fuyin", "Early White Emperor City" and many other poems.
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Literary achievements: Most of Li Baici in this biography are from the "Zun Qian Ji", but because the age and authenticity of the "Zun Qian Ji" itself are questionable, the authenticity of Li Baici may continue to be debated. According to the general view of the lexicists, at least the first four poems of "Bodhisattva Man: Pinglin Desert Smoke Like Weaving", "Remembering Qin'e: Xiao Shengyu" and "Qingping Le" should be regarded as Li Bai's works according to the Song people until strong evidence is found.
Regardless of whether Li Bai has lyrics or not, "Li Baici" has become a pronoun, and this name represents an insurmountable peak, and whether these words are made by Li Bai is a secondary matter.
In terms of pioneering significance and artistic achievements, "Li Baici" enjoys an extremely lofty position in the history of words. This status is similar to the status of ancient Greek mythology in Western art, as an "unattainable" norm, Li Baici has become an eternal idol in people's minds.
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