Mi s representative works, what are Mi Fu s representative works

Mi Fu, a famous calligrapher and painter in the Song Dynasty, learned to write in a private school when he was a child, studied for three years, and still wrote the words crookedly, teachers and parents shook their heads when they saw it.

One day, a Xiucai who entered Beijing to catch the exam passed by the village, Mi Fu heard that the show was written with a good hand, so he ran to ask for advice, Xiucai carefully looked at Mi Fu wrote many words in the post, and said: "Learn to write with me, you must buy my paper, five taels of silver each." Mi Fu was startled when he heard it, and thought:

How can there be such an expensive paper, isn't this deliberately embarrassing people?

Mi Fu was eager to learn, called Xiucai, and asked him to wait for a while. Mi Fu finally borrowed five taels of silver to pay Xiucai, Xiucai gave the paper to Mi Fu, and repeatedly advised: "Write well, show me three days later and then decide whether to accept you as an apprentice." ”

Mi Fu returned home with the paper, spread out the paper and wanted to write, but did not dare to put pen easily. Afraid of spending this ** bought paper, he opened the copybook, scratched around on the bookcase with a pen not dipped in ink, carefully pondered the font, and was fascinated.

Three days later, Xiucai came, saw Mi Fu practiced words in a daze, but did not write a word on the paper, secretly happy in his heart, Xiucai pretended to be surprised and asked: "Why haven't you written yet?" Mi Fu was shocked, like waking up from a dream, only to remember that the three-day deadline had arrived.

Xiucai asked Mi Fu to write a word to see, Mi Fu was not in a hurry, wrote a "Yong" word on the paper, Xiucai praised Mi Fu's words have made great progress, and asked him: "Why do you write three years badly, but three days can write well?" Mi Fu blushed and said:

Because paper is expensive, I was afraid of wasting paper, so I thought about the words thoroughly in advance. ”

Xiucai was very happy and praised Mi Fu for knowing the trick of writing. Then he added seven words after the word "Yong", which became "never forget, five taels of silver". Then, he took out the five taels of silver from his arms and returned it to Mi Fu, encouraging Mi Fu to practice words well, and then went out to Beijing to catch the exam.

Since then, Mi Fu has been putting five taels of silver on the desk, the words of Xiucai engraved in the heart, after hard work, finally became a famous calligrapher and painter in the history of our country. His representative works are: Coral Post, Yanshan Ming, Yanhe Post, Zhang Duda Post, Hongxian Poem, Shu Su Post, Political Participation Post, Tiaoxi Poem Scroll, On Cursive Post, Zhang Jiming Post, Shu Hui Post, Xiangshi Post, Bochong Post, Sanwu Post, Zhengzhong Post, Zhuqian Huaihou Poem, Linyi Envoy Jun Post, Qinghe Post, etc.

Mi Fu (1050-1107) was an outstanding calligrapher and painter in the Song Dynasty. The first name is Huang, the character Yuanzhang, the name Haiyue Foreign History, Xiangyang Wenshi, and the self-named Lumen Jushi. He was originally from Xiangyang (now Hubei) and later settled in Runzhou (now Zhenjiang, Jiangsu).

The official is a doctor of calligraphy and painting, and a member of the Ministry of Rites. It is known as "Minan Palace". Because of his wild temperament, he is called "Mi Dian" or "Mi Idiot".

With his son Mi Youren, he is known as "Ermi", or "Big Millet". The father and son are also collectors and connoisseurs of calligraphy and painting. He is good at landscapes, and often makes the smoke trees cover with the deep meaning of wind and rain.

Mi Fu temperament, not with the customs, chic extraordinary. The smoke tree of Yunshan he painted, although the king of Zong, the pen broke the ink, like Dong Yuan, but it was actually obtained from the cursive calligraphy, and there was infinite change. Natural smoke and clouds are infested, and the mountains are pressing, creating the so-called "rice point landscape".

Its painting is dripping with ink, covered with smoke and clouds, the trees are simple, wonderful in the smoke and dyeing, and it is called "Mi's Cloud Mountain". His works include "Cloud Rising Building", "Yanshan Mountain", "Spring Mountain Haze Map" and so on. Its calligraphy has "Participation in Political Post" and so on, its line of calligraphy, the words are fine, sink happily, and Yu is strong and fluency.

His works include "Baojin Yingguang Collection", "Painting History", "Painting Criticism" and so on.

Michelangelo (Michelangelonaroti, 1475-1564). As a master at the height of the Renaissance, in addition to his supreme genius and outstanding achievements, his difference is the tragedy in the chaos of his life. He experienced the ups and downs of life and the heat and coldness of the world, so that the works and dismantling objects he left in his life are all with dramatic effects, majestic momentum and tragedy of human beings.

His representative works in sculpture include "David" and "Moses", and his representative works in painting include "Genesis" and "The Last Judgment".

In his two classic murals, the multiplicity and majestic momentum of the figures are a striking feature. But even so, the story of each character is still patchy. It fully expresses the character characteristics of the characters themselves, many but not chaotic.

The representative works of sculpture include "David", "Moses" and so on, and the representative works of painting are "Genesis" and "The Last Judgment".

What do you do with all that? There may be people who don't know Mikai, but no one doesn't know "David".

Dear, whose representative work?

The changes and development of the artistic style of Greek sculpture can be divided into the Archaic period, the classical period and the Hellenistic period. The period from 449 BC to 334 BC was the heyday of Greek sculpture art, known as the "Classical Period" in the history of art, and the famous sculptors were Pivergrass, Milon (discus thrower), Phidias (Acropolis), Praxittles, Skobers, Leusipos, etc., and a large number of excellent sculptures came from this period.

Discobolos, a replica of a marble sculpture, about 152 cm high, in the collections of the National Museums of Rome, the Vatican Museums, and the Terme Museum, originally in bronze, made by Myron around 450 BC.

The Discus Thrower is one of the most widely circulated masterpieces of art in existence, and it is also the representative work of the famous ancient Greek sculptor Milon. This work is a milestone in the art of ancient Greek sculpture, showing that the art of Greek sculpture has fully matured. The sculpture celebrates the beauty of the human body and the vitality of movement, and shows the artist's superb artistic skills.

Although the original has been lost, we can still feel the strong shock of the burst of vitality from the replica, and it is also an important source for our research on ancient Greek carving.

The Discus Thrower is based on real-life sports in Greece and depicts the most expressive moments of a muscular man throwing a discus. The discus chosen for the sculpture swings back to the highest point and is about to be thrown, which has a strong attraction of "leading but not provoking". Although it is a static sculpture, the artist has grasped the key link of transitioning from one state to another, and has achieved the effect of making the audience psychologically obtain a "sense of movement", which has become a model for later generations of artistic creation.

The strong movement of the discus throw is very well combined with the stability of the statue. The center of gravity of the statue rests on the right leg, so that the right leg becomes the axis that allows the entire body of the statue to flex and rotate freely, while maintaining the stability of the statue. The discus thrower's outstretched arms are like a bow full of strings, which leads to the bending of the body and presents an unstable state, but the high discus throws unify all the movements of the human body, so that people can experience a temporary balance again.

The whole statue is full of a coherent sense of movement and rhythm, breaking through the limitations of time and space in art, conveying the idea of movement, and vividly expressing the harmony, fitness and youth power of the human body. It shows that the artists of ancient Greece not only made a qualitative leap in artistic skills, but also in artistic ideas and expression. The statue is considered "the eternity frozen in space" and to this day remains the best symbol of sport.

米芾 [ mǐ fú ].

Mi Fu's representative works mainly include:

First, Mi Fu "light ink poetry".

Second, Mi Fu "Tiaoxi poems".

Three, Mi Fu "Yan and post".

Fourth, Mi Fu "Zhang Du Post".

5. "On Cursive Writing".

Sixth, "Zhang Jiming's Post".

Seventh, "Uncle Hui Post".

8. "Township Stone Post".

9. "Bo Chong Post".

10. Mi Fu "Three Wu Post".

Ten. First, Mi Fu "Zheng in the post".

Ten. Second, Mi Fu "bamboo before the Huaihou poems".

Ten. Three, Mi Fu "Qing and post".

Ten. Fourth, Mi Fu "value of the rain post".

Ten. Fifth, Mi Fu "Su Taijian participation in politics".

Ten. Sixth, Mi Fu "years of abundance".

Ten. Seventh, Mi Fu "summer escape" and "Yan Shan Ming", "Shu Su post", "Hongxian poems", "multi-view building poems", "Tiaoxi poems" and so on.

Qing and Ti "vertical centimeters, horizontal centimeters.

Commentary: Fu Qi. After a long absence, Xia Xu is peaceful, what is the living like? The declining years tend to call, and they cannot stay for a long time, but they are cherished. Rice will be subtle, light and fresh. The only thing left is to add love and love. Fu Dun head. Mr. Dou is on the right.

Yan and Ti "vertical centimeters, horizontal centimeters.

Commentary: Fu Dun first opened. Overnight.

Wait for the victory. Mountain test Naven House. Let's look at Bashan.

Let's take a look at their backs for the time being. That is, the fixed delivery also. Less.

Don't say anything more. Fu Dun head. Hikowa Kunishi.

I wanted to send it in the future. Moonlight. So I sent my ears tonight.

芾 reads fú.

Fu has two pronunciations, namely:

e78988e69d8331333366303665fèi means small trunk and leaves.

2. Fú means lush vegetation.

Representative works: "Shu Su Ti", "Yunqi Lou Tu", "Yan Shan Ming", "Chunshan Haze Map", "Bao Jin Yingguang Collection", "Baozhang to be Interviewed", "Book History", "Painting History", "Yan History".

米芾 (pronunciation: mǐ fú) raid.

Mi Fu handed down the calligraphy ink has "to the Queen Mother", "Shu Su post", "Tiaoxi poems", "worship in Yue life post", "Hongxian poems", "cursive nine posts", "multi-view building poems" and so on, no painting works handed down.

Mi Fu (pronunciation: mǐ fú) character Yuan Zhang, number Xiangyang Jushi, Haiyue Mountain people, etc., Hui nationality, ancestral home Taiyuan, later moved to Xiangyang, Hubei, long-term residence in Runzhou (now Zhenjiang, Jiangsu). (The first name is 黻, the character Yuan Zhang.)

There are many nicknames: Xiangyang Manshi, Lumen Jushi, Haiyue Waishi, Huaiyang Waishi, and Zhongyue Waishi, Jingming Nunnery Master, Xitang, Wujian Jushi), and the name Mi Lao in his later years.

Mi Fu claimed to be after the Chu clan (distant ancestors for the fire is Zhu Rong, the bear), so the title of the puppet Huang (Fu), Chu Mi Huang (Fu), the descendants of the fire, the descendants of the bear. ）

Mi Fu's "Fu Lai" pronunciation is: fú.

Mi Fu is the Northern Song Dynasty book.

Source lawyer, painter, painting and calligraphy theorist, can poetry, good at painting and calligraphy, fine identification, calligraphy and painting into a family, founded the "rice point landscape", its main works are "Duojinglou poems", "Hongxian poems", "Yan Shan Ming", "worship Zhongyue life post", "Linyi envoy post", "coral post", "Yanhe post", "Zhang Du big post", "Shu Su post", "political participation post", "Tiaoxi poems", "On cursive script", "Zhang Jiming post" and so on.

芾 is a polyphonic word, with two pronunciations: fèi and fú.

1、[ fèi ]

Interpretation: Used for "sheltering", describing the small and dense branches and leaves of trees.

2、[ fú ]

Interpretation: Lush vegetation.

Same as "黻". Song Dynasty calligrapher and painter Mi Fu, also made Mi Huang.

Mi Fu (1051-1107), the first name Huang, later changed to Fu, the character Yuan Zhang, self-signed name Mi or for Qian, Hubei Xiangyang people, when the people called Haiyue Waishi, and the number of bear descendants, fire is descendants. His ancestral home was Shanxi, and he moved to Xiangyang, Hubei, and later settled in Runzhou (now Zhenjiang, Jiangsu). Set of calligraphers and painters, connoisseurs, collectors in one, its personality is strange, the behavior is crazy, the stone is called "brother", worship, so people are called "Mi Dian".

Emperor Huizong of the Song Dynasty is a doctor of calligraphy and painting, also known as "Mi Xiangyang" and "Minan Palace". Mi Fu and Cai Xiang, Su Shi, Huang Tingjian together called the "Song four".

Mi Fu calligraphy and painting into a family, dead wood, bamboo and stone, landscape painting unique style characteristics. He is also quite accomplished in calligraphy, and is good at seal, li, Kai, line, cursive and other calligraphy, and is good at copying the calligraphy of the ancients, reaching the level of chaos.

At first glance, Miró's works appear to be only beautiful colors and abstract blocks of color, but the attentive viewer will find many natural images on the canvas: the sun, the moon, animals, ......These motifs are repeated in the work, but they are different, and they form the unique symbols of Miró's work. There are 20 common symbols in Miró's work, which he combined into four pieces.

And if you want to understand Miró's works, you must first unlock these "codes".

For example, many viewers found that almost all of Miró's works can find a "meter" character, "Is this Miró's Chinese signature?" ”

This is a misunderstanding. This symbol, which resembles the word 'rice', actually represents the stars. Yin Shula said.

In 1939, Miró began to create his famous "Constellations" series. In those paintings, there are many small origins that resemble stars, and there are many thin lines that connect these stars together to form a network of stars, so people also call Miró "star painters".

Since then, the character "rice" has become a "registered trademark" of Miró, especially his sculptures often use the word "rice" as a signature. In many of his later works, the 'meter' symbol can be found, and some of them are even deliberately hidden in inconspicuous corners. ”

And in these unique symbols, the audience can feel Miró's memories and feelings for nature. "For example, he uses a simple three strands of hair to represent a person. And the blue sky he painted, the pure and saturated sky blue, comes from his poetic imagination of the sky in his hometown of Catalonia. ”