Cai Yijiang s talk about Cao Xueqin, after research, who does Cai Yijiang think is Cao Xueqin? （）

After research, Cai Yijiang slag cha recognized Mo Na as a terrata Wat Suo who is Cao Xueqin's person? （）a.Lover. b.Father Dan Liang has no relatives.

c.Wife. d.Friend.

Correct answer: B

In Cai Tuan's Gao Yijiang's view, Cao Xueqin did not want to write the treasure, the slag dai, and the hairpin as a triangular relationship. （）

a.That's right. b.Mistake.

Correct Answer: a

Cai Yijiang is still "Yang" Xue in general.

Regarding the Dicuiting incident, Mr. Cai thinks so:

Some people think that Baochai's words when he fluttered butterflies were deliberately blamed on Daiyu, which is probably too deep. What Baochai was thinking at that time was clearly written in the book. Thinking is the motive, and if you look for anything else, it is to impose it on others.

What Baochai thought had nothing to do with Daiyu at all, and when she said, "I haven't finished thinking about it", she heard a "creak" open the window, and she had to react immediately, pretending to be playing hide and seek with Daiyu. For such a flexible change, the fat review just praised it repeatedly: "Like the extreme!"

What a! Wonderful! It's amazing not to shoot the case!

And thinks that "the butterfly by the pool, occasionally suitable, the outside of the pavilion is anxious to get out of the shell, and it is clearly written that Baochai is not a formal and roundabout female master". I agree with the analysis of the fat review, and think that if the plot development in the second half is enough to prove that Baochai is really trying to rectify Daiyu with his intentions, and he is careful with the fat review, why do you have to praise Baochai falsely!

For details, see Section 9 of Mr. Cai's "The Death of Lin Daiyu in Cao Xueqin's Writing".

Xue Baochai has two poems, which are indeed well written: "The light pole knows that the flowers are more beautiful, and the sorrow is so much that there is no trace of jade?" "Begonia is very white, so it is said to be "light".

This is in line with the dialectic, the bright things, not necessarily the red ones are the ones, the ones that are light to the extreme, and the white ones feel more colorful. It is also in line with Xue Baochai's temperament. She is very light, and she shows her beauty very lightly.

In the back, "there is no trace of jade", jade is compared to white begonias, white begonias are like jade, there is dew on them, just like tears, you are sad a lot, of course, there are tears on it. Fat Yanzhai said, this is a bit like satirizing Eryu: Jia Baoyu and Lin Daiyu, the two of them are too worried, and if they can't move, they always cry and cry, and they want to make trouble.

And this meaning, well written.

It's not an important question, but it's also verbose

Fat Yan Zhai said: "Bao Dai Ben is alone. Therefore, it shows that Cao Xueqin wants to complete his likes and dislikes through the two sides of a person.

Baochai is healthy, but too dedicated;

Daiyu is weak, but too rebellious.

The talents of the two are equal, and only the above two differences make Cao Xueqin hesitate. It is also a delicacy of 'bear's paw shark fin' entrusted by Cao Xueqin to our viewers.

To say that the concept of 'triangular relationship' is so vulgar has polluted works like Dream of Red Mansions. Imagine that the three of them are at their age, they have not yet made up their minds, there is no serious relationship between men and women, and they can't talk about the height of 'triangular relationship'. In fact, the real problem is that their 'close relatives' should be considered!

Teacher Cai Yijiang thinks so: Cao Xueqin did not want to write Bao, Dai, and Hairpin as a triangular relationship.

1. It is not appropriate to use the vulgar term "triangular relationship" to evaluate the historical classics.

2. Dai, hairpin is two sides to set off, display, and enrich the image of treasure.

Cai Yijiang, born in January 1934, a native of Ningbo, Zhejiang, is a university culture, a red scholar, a scholar, a professor, the vice president of the Dream of Red Mansions Society of China, the vice president of the Chinese Classical Literature Popularization Research Association, the executive director of the Chinese Rhyme Literature Society, the executive director of the Chinese Poetics Research Association, the director of the Chinese Tang Dynasty Literature Society, the first member of the Standing Committee of the Revolutionary Committee of the Chinese Kuomintang, the head of the Propaganda Department, the president and general manager of the Unity Publishing House, and the editor-in-chief of the magazine "Unity". He has also taught at Tsinghua University, China School of Journalism and other universities. Prepare for the establishment of the Dream of the Red Chamber Society of China and the Dream of the Red Chamber Journal.

Department. Deputy to the 6th and 7th National People's Congress, No. 1.

Member of the 8th and 9th National Committee of the Chinese People's Political Consultative Conference, member of the Education, Science, Culture, Health and Sports Committee of the National Committee of the Chinese People's Political Consultative Conference.

That's right. Bao Daiben is alone, so there is no triangular relationship.

Cai Yijiang believes that Tewat Suo is Cao Xueqin's biological father Regarding the identity of Yan Zhai, there are four main theories in the red academic circles: (1) The author said; (2) Shi Xiangyun said; (3) Uncle said; (4) The cousin said. These are all for the relationship between Yan Zhai and Cao Xueqin.

The author says ". This argument does not stand up to reasoning, and it is the most difficult to establish. In the lipid criticism, there are many times in the form of "more than two people", "writers", and "critics", and the boundaries between the author and the critics are clear, and there is no doubt that they are two people.

And if this is the author's "cunning penmanship", then the critic, that is, the author, has become a self-written boast, and his personality is low, which is obvious. Judging from the spiritual thoughts revealed in a "Dream of Red Mansions", how can the author of "emptiness" reside in his heart and overflow his words. And the kind of arrogance and freedom that "turns down to the arrogant monarch, talks eloquently, and loce", "arrogant bones are like the king's world, and the craggy is even more fragmented", and the image of the wild and uninhibited literati constantly does not allow himself to do such unbearable acts.

The biggest basis for this statement is that "how do others know about the author's heart when he writes the book" (Yu Pingbo), which undoubtedly treats Yan Zhai as an ordinary reviewer and ignores the intimate relationship between him and Cao Xueqin. Shi Xiangyun said. Mr. Zhou Ruchang picked out a number of comments similar to a woman's tone from the fat criticism, and then determined that Yan Zhai was a woman.

For example, Gengchen has a line of criticism in the second time and six times: "If Brother Yu sees this batch, he will be an old man, he will not relax me everywhere, hateful and hateful!" 'Thinking back compares Yu to a hairpin, Feng and others are a confidant, Yu He is lucky!

Laugh. The same sentence as Baoyu "The amorous lady is the same as the mandarin tent" annoyed Daiyu, and the next line criticized the cloud: "I also want to be annoyed."

Mr. Zhou believes that "it is not appropriate for women to stop calling" and "it is another woman's voice". In fact, in the process of Cao Xueqin's creation, she puts herself in the shoes of the characters in the book, such as the woman's "voice", the villain's imitation of the villain's tone, the coarse man and the coarse words of the village. Approving a book is essentially tantamount to writing a book, and you also need to devote yourself to the book environment, vent your relevant emotions and feelings one by one, and be satisfied.

At the same time, Mr. Zhou used a line of criticism in the second chapter of the Jiaxu book, "First drink for Ning Rong, but drink for the rest of the people", thinking that "Fat Yan Zhai is not among the people of Ning Rong", but it must be an important role in the book. From this, it is further inferred that Shi Xiangyun is the most suitable. Uncle said.

There are two main reasons for this. First, Qingren Yurui wrote in "Jujube Window Idle Pen": "Hearing the old "Wind Adoption".