How do boys practice high notes I sing with a suppressed voice

There are several skills that must be practiced in singing high notes.

1.Practice breathing. Singing is to breathe with the abdomen, which is the opposite of speaking, and the breathing when singing is lower than the normal breathing position, in the position of the dantian, four fingers under the navel.

If you are on it, for example, if you breathe through your ribcage, your voice will be very tight when singing high notes, and it will be difficult to go up.

2.Practice articulation. If you can't bite the words well, you can't sing the high notes, and the people who don't bite the words well can't get the high notes, and even if you get the high notes, the high notes are hard to listen to.

The articulation when singing is not the kind of articulation that we usually use when we speak. It needs to separate the initials and finals, and many people have to ask why they are separated, in fact, it is very simple to make the place where the sound is transmitted more unobstructed, so that the treble can be released. We can learn to speak fools, and the vague way of speaking of fools is to skim off the finals and only pronounce a state of initials, which can find the high throat position, and you must learn to sing the high throat position.

3.Practice high laryngeal position. You can see that Liu Huan likes to shrink his neck when singing high notes, in fact, he is looking for a high laryngeal position, the so-called high position, my understanding is a psychological state of relaxing the chin.

Just imagine, you go up from bass to treble, you are very tired when you go up to a certain height, your chin is very tight, and the treble naturally can't go up, if you relax yourself, treat the treble as bass, and then go up, you will find that the treble is now a little higher than before. The high throat position needs to be found in the early stage, such as the action of startling, which can help us find the high throat position immediately, and when the first bite of the apple makes a "um" sound, when you are proficient in practice, you don't need to deliberately look for it, and the position will naturally go up when singing, not what many people on the Internet teach, you can find the so-called high position by humming and chirping!

Run more to practice lung capacity.

1. Use more gas and less voice. Only when you have enough breath can you put your voice on top.

2. Try to use the least breath to make the largest sound of sale, because singing high notes is very breath-consuming.

3. Pay attention to your vocal position and try to use your head cavity.

4. Learn to sink the dantian, and the breath must sink to the end.

5. Pay attention to your posture, and when singing, you should use your waist and abdomen. Try not to tilt your head upwards.

6. At the beginning, try not to try too high a pitch, don't shout loudly at the top of your voice, and protect your voice and sell your teasing.

1. "Lowering the larynx and opening the pharynx" in the middle and low vocal areas is the basis for singing a good high note.

Beginner tenors should first experience the sensation of opening their throat in the middle and low vocal ranges. This feeling of opening the throat is like the state of "half-yawn" as the vocal teachers say. In the beginning stage of tenor, it is best to practice singing you or mao in the descending scale with this state, which is more conducive to the lowering of the larynx and the opening of the pharynx.

Second, use "reverse force association" to solve the transition of the voice change point.

One of the major difficulties in tenor singing is the transition from the middle and low vocal area to the high pitch, which can also be called the transition from the resonance of the "chest cavity" and "laryngopharyngeal cavity" to the resonance of the "head cavity". The "voice change point" is more difficult for some tenors, especially the transition from a tenor with a wide middle and low vocal area to the high register.

3. On the "front" and "back" of sound

The impression left by an excellent tenor on the audience when singing is often that the voice is smooth, penetrating, bright and forward, which is probably the consensus of most people. "Leaning forward" and "leaning back" are just a sense of resonance needs and physiological movements, and the two should be regarded as a complementary whole, and we should not just focus on one point and ignore the others.

1. Just practice more, sing Ashin's song, protect your voice, and don't shout if you can't sing.

2 If it is a general treble, the first thing is to practice the sound of breath, that is, to inhale with the diaphragm (under the ribs) below the place, do not inhale with the chest, put the position of the voice on the top of the head (this is to feel yourself), be bolder, don't put the sound in the throat, open your mouth wide, and then find a ** teacher to help, practice for about ten minutes a day (don't practice too long, so as not to break the throat in case the method is not right).

If it's super treble. All I can say is that it takes talent and a long time to practice, so don't think about it.

3. Teach you a very practical method: first practice lung capacity, take a deep breath when you are quite big, open your mouth wide, and sing with your stomach strained.

4 In fact, everyone's timbre is different, just like the lead singer of the Xin Orchestra, Ashin's high voice is also very good, but it is completely different from Zhang Xinzhe, so the most important thing is to understand what type of high-pitched song your timbre is suitable for, rather than focusing on a certain singer to imitate.

Here's a little bit of advice on how to practice high notes, good luck:

Attention should be paid to the voice change of the treble: 1 Raise the small tongue 2, generally the treble "f" should be used as the voice change point, if it is really not possible, it can also be lowered by half or one note. As for singing a good high note, the most important thing is to have a good head cavity resonance, and to use your own most natural voice.

There are indeed many ways to sing high notes. But the most important thing is to keep the larynx in the treble region relaxed. Consciousness is facing downward.

In fact, when singing high notes, there is a part that can be slightly tightened. It's the upper and lower lips. That is to say, when we sing high notes, the articulation can be slightly harder and exaggerated (that is, it is necessary to point "explosive", but not stiff).

In addition, the mouth should remain in the (eggplant) state (the state when you pronounce the "eggplant" of the eggplant). Then the chin should be able to move inward and downward from time to time according to the needs of the song. For example, when singing fast songs and slow songs, the coordination and dynamics of various parts of the body are different.

In short, if you can find the strength of qi and strength, it's basically done.

5Pay attention to the pronunciation of dantian, the treble is actually like a pump pressurizing water, and the downward force excites the upward force, rather than pulling it up, which is why Sun Nanla, Han Hongla, etc., always squats down when the treble is raised, and usually has to practice more high-pitched songs, and psychology is also a factor in the treble, so you have to have confidence to be OK

First of all, teach you a simple and easy-to-learn, high-pitched technique: hold a toothpick between the corners of your mouth and sing, don't fall off, it's easy to sing high notes. (That is, it is often said to open the inner mouth).

Everyone's vocal range is different, some people are born with a high pitch, and pitch is something that needs to be practiced, (but be careful, you can't be too tired and will sing your voice bad,)

In fact, you don't have to be too concerned about pitch, find some songs that suit your vocal range to practice, or a little bit of struggle, but you can still sing high notes.

Whether singing is good or not is mainly pitch and rhythm.

With these two points, you can only sing, but feelings are the highest level.

Art is endless, for love is the shore.

In addition, vocal range, pitch, and falsetto can all be greatly improved through practice. Be sure to pay attention to moderation when plucking pitch exercises, otherwise the vocal cords are easily injured.

Pitch is often the ear, when you sing, in fact, the ear is more important, we often ignore the ear when singing, we must listen carefully to sing out of our own voice, in order to grasp the pitch and emotion (must have heard, people who sing with headphones, ** sound overshadows their own voice, so out of tune).

Then you have to listen to the original song more, and you must also listen carefully to the singer's voice with your ears, the human ear is born with the ability to distinguish, you have to distinguish the accompaniment and vocals from the **, and even to each layer of musical instruments in the future.

Practice your ears first, and then talk about anything else. Take your time, you can do it!

You're clearly singing wrong. It's hard to change it for a while. I think first you have to relax.

Think about the position of that treble. Be prepared when you're going to sing. When singing, it is not to hold the Adam's apple up with your throat, but not to let the Adam's apple rise, but to stabilize the Adam's apple and keep the passage open.

It's like shouting when you pull a poop hard. Of course, there are still a lot of things to pay attention to when singing, breath and resonance, all of which are very important, and you should find the right position of your throat now, so as not to sing more and more wrong in the future

Brother, first of all, it's not a question of whether the pitch is high or not, the part where it occurs must be practiced accurately.