Which six ones does Ouyang Xiu s number Liuyi Jushi refer to?

June 1 is Children's Day, which is well known.

For this baby, June 1st is still a mystery in childhood.

This mystery is related to an article in a junior high school text.

The name of this article is "The Story of the Drunkard Pavilion". The teacher said that the author of this article is also called Liuyi Jushi. This confuses babies when they are young.

Could it be that he was born on Children's Day? So you got such a name? Could it be that Children's Day has such a long history, and the Song Dynasty has it?

How did the 61 lay people come about? What does that mean?

This question, it wasn't until this baby grew up and got a little understanding of Ouyang Xiu that he gradually understood the meaning of his 61, and this 61 was not the other 61.

Ouyang Xiu himself introduced the origin of his name in "The Biography of the 61 Layman":

The guest asked: "June 1st, what does it mean?" The layman said:

My family has a collection of 10,000 volumes, a collection of 1,000 volumes of gold and stone relics from three generations, a piano, a game of chess, and a pot of wine. The guest said: "It's for May Day, what's the matter?"

The layman said: "With my one Weng, old between these five things, isn't it sixty-one?" ”

It turned out that back then, one of Ouyang Xiu's guests also had the same confusion as Ben Baobao. Fortunately, he could ask Ouyang Xiu directly. Ouyang Xiu told him that this name refers to six "ones":

10,000 volumes, 1,000 volumes of gold and stone relics from the three dynasties of Xia, Shang and Zhou, a piano, a game of chess, a pot of wine, plus an old man.

It turns out that this is a similar naming method for the "Five One Project Award".

Ouyang Xiu was really prescient and had a self-deprecating spirit. He complained that he was an old man, and "drunkard" was his other name, which he obtained by himself when he was demoted to Chuzhou, Anhui. In fact, Ouyang Xiu was only in his 40s at that time, and he was not old enough to be called an old man.

It seems that the ancients loved to pretend to be old and called themselves "drunkards". This is comparable to modern adults who love to pretend to be tender, love to call themselves "babies", and love Children's Day.

This article, even if I read it today, can't help but make people scream. When you go out on the weekend to climb a mountain, burn a barbecue, and drink some wine, you can write so brilliantly. When we go out on an outing, we can at most write a "fork to this trip".

Wei but Shen Xiu", Yang Jiang, who just passed away a few days ago, wrote that when she first saw Qian Zhongshu, she said that Qian Lao "was beautiful and deep between her eyebrows". Use sentences to write mountain scenery to write people love to frown, and Mr. Yang Jiang is also very good at spitting.

The drunkard's intention is not in the wine, but in the mountains and rivers. The joy of mountains and rivers, the heart and the wine of the house. Needless to say, these two sentences are simply golden sentences that shake the ancient and modern, and the standard configuration of chicken soup texts.

There is also "Spring Fragrance and Wine Flow", in the sixty-second episode of "Dream of Red Mansions", Shi Xiangyun took it to make the first wine order, which was unanimously praised by everyone.

Well, that's all for this article. As a public dog, sticking hot spots is a necessary skill, but no one would have thought that I would use Ouyang Xiu to post Children's Day, right? For the sake of me posting so hard and having so many words, you must remember to ** this baby's article after reading it, and pay attention to this baby's WeChat public account apenman.

Happy Children's Day to all!

Accumulation of common knowledge in public examinations - whose alias is 61 Jushi?

Sixty-one layman. It refers to a collection of 10,000 volumes, a collection of 1,000 volumes of gold and stone relics from three generations, a piano, a game of chess, a pot of wine and an old man (Ouyang Xiu.

themselves). The 61 layman is the number that Ouyang Xiu has seen in ten thousand years. According to historical records, about every 10 or 20 years, Ouyang Xiu will have a new Yamin Fanfeng, some of which he took and some of whom were given by friends, such as Yi Lao, Sedan Book Da Lao, and Drunkard.

Wait. His last nickname was "Sixty-One Layman".

Ouyang Xiu changed his name to "61 Jushi" to express the interest of his later life, yearning for reading, appreciating inscriptions, playing the piano, playing chess, and drinking to spend the evening scene, expressing his nostalgic heart for fame.

When Ouyang Xiu was first relegated to the mountain township of Chuzhou, he was called a drunkard. Old and frail, and sick, he is about to leave officialdom and go to Yingshui.

Zhibin recuperated for a long time, and then changed his name to Liuyi Jushi.

In July 1070, the author was changed from Qingzhou Zhizhou to Caizhou Zhizhou, and in September he went to Caizhou (now Runan County, Henan, self-named "Liuyi Jushi"). At this time, the author wanted to get rid of his worries and troubles politically, and he had already had the idea of retreating bravely from the rapids, and he added it with Wang Anshi.

's political views disagreed, so he kept asking for retirement one after another, and after arriving in Caizhou, he lived a light life.

There is a lot of books in the house; It contains 1,000 volumes of Jinshi characters since the third dynasty of the Xia and Shang dynasties; There is a piano, a chess, and a pot of wine is often prepared. Plus the old man himself. Therefore, Ouyang Xiu in his later years called himself a "61 layman".

He once said to himself that there is a piano, a pot of wine, a game of chess, an old man, a thousand ancient records, and a collection of 10,000 books. That's why he called Liuyi Jushi.

There are 10,000 volumes of books in his home, 1,000 volumes of gold and stone characters, a piano, a game of chess, and a pot of wine is often prepared.

About the origin of the name of the 61 layman:

Ouyang Xiu wrote "The Biography of the 61st Layman" when he was 63 years old, "My family has a collection of 10,000 volumes, a collection of 1,000 volumes of gold and stone relics from three generations, a piano, a game of chess, and a pot of wine". So he named himself the 61 layman.

Ouyang Xiu, a great writer in the Northern Song Dynasty, was known as the 61 layman, and when he was first relegated to the mountain township of Chuzhou, he called himself a drunkard. Later, Ouyang Xiu wanted to say goodbye to officialdom and prepare to go to the shore of Yingshui to live a life of drinking a small cup of Ejiao soup every day and recuperating, so he changed his name to Liuyi Jushi. So I wrote the article "The Biography of the 61 Layman".

Vernacular translation of The Biography of the 61 Laymen:

One of the guests asked, "What are you talking about?" The layman said: "I have a collection of 10,000 books at home, a collection of 1,000 volumes of Jinshi relics since the Xia, Shang and Zhou dynasties, a piano, a chess game, and a pot of wine. ”

The guest said: "This is just a good match for five acres, how can you say '61' socks?" The layman said, "With the addition of me, an old man, among these five items, isn't this 'Liuyi'?" ”

"Sixty-one" refers to: Ouyang Xiu himself, 10,000 books, a dry volume of gold and stone relics, a piano, a game of chess, and a pot of wine.

Allusion. Ouyang Xiu, a great writer in the Northern Song Dynasty, called himself "61 Jushi" in his later years, and others did not understand what he meant, so he asked what this "61" meant. He said:

My family has a collection of 10,000 volumes, a collection of 1,000 volumes of gold and stone relics from three generations, a piano, a game of chess, and a pot of wine. Then he asked, "It's only five ones, what else?"

Ouyang Xiu said humorously: "And me, an old man is mixed in these five ones, isn't it 'June One'?" The man smiled and said:

You probably want to escape your reputation, so you change your name repeatedly. This is exactly like the man who is afraid of the shadow and runs into the sun, which Zhuangzi ridiculed; I will see you (like that man), running fast, gasping for air, dying of thirst, and fame not escaping. ”

Ouyang Xiu said: "I knew that fame could not escape, and I also knew that there was no need for me to escape; I've taken that name to keep track of my amusement. ”

Ouyang Xiu has a bold temperament, optimistic and expansive, knowledgeable, diligent in writing, and is ambitious until his later years.

61 Jushi is Ouyang Xiu's self-name. Others did not understand what it meant, so they asked what this "June 1st" meant. He said:

My family has a collection of 10,000 volumes, a collection of 1,000 volumes of Dazhou texts that have been hidden in Jinshi for three generations, a piano, a game of chess, and a pot of wine. Then he asked, "It's only five ones, what else?"

Ouyang Xiu said humorously: "And me, an old man is mixed in these five ones, isn't it 'June One'?" ”

Ouyang Xiu wrote more than 500 essays in his life, with a variety of styles, including politics, history, memoirs, lyrical essays and notes. Most of his prose is full of content, vigorous, in-depth and simple, imitation concise and fluent, narrative reasoning, eloquent, lyrical scene, fascinating, allegorical and peaceful, a new face of the literary world.

Many of his political works, such as "The Treatise", "The Original Evil", "The Book of Advice to Gao Si", "The Theory of the Friends of the Party", "The History of the New Five Dynasties: The Preface to the Biography of Lingguan", etc., adhered to his own ideas of "understanding the way" and "applying it", closely linked with the political struggles of the time, criticized the evils of the times, had sharp thoughts, and spoke brightly, showing a kind of embrace of saving the world from the time. He also wrote a lot of lyrical and narrative prose, most of which were mixed and swaying.

His "Preface to the Collection of Secret Poems", "Sacrifice to Shi Manqing", "Preface to Su's Anthology" and other essays, mourning the deceased friends and reminiscing about the past, are deeply affectionate and extremely moving; His works of "The Story of Fengle Pavilion" and "The Story of the Drunkard Pavilion" are written slowly, with euphemistic twists and turns, beautiful rhetoric and fresh style.

In short, whether it is a satire of the world, or a mourning and reminiscence, or even a visit to the work, all of them fully reflect his calm, generous, honest and natural artistic personality.