Know Mei Lanfang? What Mei Lanfang?

Nowadays, "reform and innovation" is probably one of the hottest topics in the Peking Opera industry. The author recently conducted an interesting experiment, using "opera reform" and "opera innovation" as keywords to search for content, and found more than 110,000 relevant entries. Among so many articles about the innovation of opera, the name that appears most frequently is probably Mei Lanfang.

As we all know, Mr. Mei Lanfang is an opera innovator, who has set a glorious example for the reform and innovation of Peking Opera and left a lot of valuable experience. Nowadays, many articles about the innovation of Peking Opera always try to give readers the impression that Mei Lanfang has made a lot of innovations, so he succeeded; Therefore, as long as it is "changed", it is good, and the more "new", the better!

It gives people a sense of "rebellion is justified".

Since the 90s of the last century, there have been numerous reforms and innovations around Peking Opera, and a large number of new operas have emerged. The only regret is that the audience in the theater is getting smaller and smaller. The creators of some new plays are always determined to come up with "new", but the actual effect is often unsatisfactory. After the performance, many plays received comments from the audience were:

It's not Peking Opera at all! People who don't know anything about Peking Opera will not like Peking Opera because of these "innovations".

Mei Lanfang is a dramatist in my country.

Patriotic Mei Lanfang.

Influenced by Li Lin's idea of "non-violence and non-cooperation", Mei Lanfang during the Anti-Japanese War showed the wisdom and courage of the older generation of intellectuals in the face of the enemy's coercion and temptation. Soon after the Japanese invaders occupied Shanghai, they learned that Mei Lanfang, the world-renowned No. 1 Peking Opera artist, was living in Shanghai, so they sent someone to invite Mei Lanfang to speak on the radio station and ask her to express her willingness to serve Japan's "Imperial Musicians."

After Mei Lanfang saw the conspiracy and tricks of the Japanese, she decided to leave Shanghai for Hong Kong as soon as possible to get rid of the entanglement of the Japanese invaders. So while he sent a message to the Japanese, saying that he was going to act in a play recently, he and his family led a group to Hong Kong by boat on a starry night.

After Mei Lanfang came to Hong Kong, she lived in seclusion and did not want to show up. Mei Lanfang resolutely grew a beard and was determined during the Anti-Japanese War, and did not perform for the national enemy, showing the indomitable and strong backbone of a generation of artists. This incident has become a touching story in the land of China, widely praised among the sons and daughters of China, and greatly encouraged the determination of the Chinese people to fight bravely in the war of resistance.

Mei Lanfang's character evaluation:

Mei Lanfang's stage movements - the artistic expression of the hand, he said: "I have never seen any actress on the stage who can express the characteristics of women as vividly as Mei Lanfang. ”

In addition, he was deeply impressed by Mei Lanfang's "tremendous power of performance rhythm", and in contrast, he felt "many flaws" in Soviet theater. He believes that Mei Lanfang's performance in the Soviet Union has had a lasting "special influence" on Soviet theater.

Mei Lanfang's artistic style in her later years was not as colorful as in the middle period, but tended to be light and subtle, and more intrinsically charming. This marks the level of perfection in his stage art.

Through continuous efforts, Mei Lanfang finally set the culmination of the art of Peking Opera, and melted Tsing Yi, Hua Dan, and Dao Ma Dan into one furnace to create a unique performance form and singing tone, known as the "Mei School", which has a great influence, and Cheng Yanqiu, Shang Xiaoyun, and Xun Huisheng are collectively known as the "Four Famous Dans", and are promoted as the chief. The Danxing School started from the "Mei School", and Mei Lanfang was the best at performing "Dan" in the Peking Opera Company, so Mei Lanfang became the first person in China to create the art school.

Asking questions is characteristic.

Mei Lanfang's artistic achievements have become the representative and symbol of the Chinese opera art system. Mei Lanfang's life is to create beauty.

A life is a life of pursuing light, a life of loving the motherland and the people, and a life of color.

Can the question be summed up in a few words?

That's all there is to it.

Through Mei Lanfang's beard and Mei Lanfang's other stories, it can be seen that he is a person who worries about the country and the people, has superb skills, and is full of national integrity. A beard is clear.

Mei Lanfang, who is upright, Mei Lanfang who is awe-inspiring, and Mei Lanfang who is reverberating with righteousness.

Mei Lanfang is the one who created the world, isn't it the one who sings.

Mei Lanfang of both virtue and art.

Summary. Hello, Mei Lanfang (October 22, 1894, August 8, 1961), Minglan, also known as Heming, the name of the skirt sister, the word Wanhua, alias the owner of Yuxuan, stage name Lanfang, was born in Beijing in the twentieth year of Guangxu in the Qing Dynasty (1894), and his ancestral home is Taizhou, Jiangsu. Master of Chinese Peking Opera Performing Arts.

Mei Lanfang learned drama at the age of 8, worshiped Wu Lingxian as a teacher at the age of 9, and appeared on stage at the age of 10. Later, he sought advice from Qin Zhifen and Hu Ergeng to learn Hua Dan. From April 1915 to September 1916, 11 new plays were rehearsed, including "Huan Haichao", "Mandarin Duck in Prison" and "Sifan".

Before 1949, he performed in Japan, the United States, and the Soviet Union, and received honorary doctorates of letters from Pomona College and the University of Southern California. In 1950, he served as the president of the China Peking Opera Company, in 1951, he served as the president of the Chinese Academy of Drama, in 1953, he served as the vice chairman of the Chinese Dramatists Association, in 1959, he joined the Communist Party of China, and on August 8, 1961, Mei Lanfang died of illness in Beijing. He was 67 years old.

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Hello, Mei Lanfang (October 22, 1894, August 8, 1961), Minglan, also known as Heming, the name of the skirt sister, the word Wanhua, alias the owner of Yuxuan, stage name Lanfang, was born in Beijing in the twentieth year of Guangxu in the Qing Dynasty (1894), and his ancestral home is Taizhou, Jiangsu. Master of Chinese Peking Opera Performing Arts. Mei Lanfang learned drama at the age of 8, worshiped Wu Lingxian as a teacher at the age of 9, and appeared on stage at the age of 10.

Later, he sought advice from Qin Zhifen and Hu Ergeng to learn Hua Dan. From April 1915 to September 1916, 11 new plays were rehearsed, including "Huan Haichao", "Mandarin Duck in Prison" and "Sifan". Before 1949, he performed in Japan, the United States, and the Soviet Union, and received honorary doctorates of letters from Pomona College and the University of Southern California.

In 1950, he served as the president of the China Peking Opera Company, in 1951, he served as the president of the Chinese Academy of Drama, in 1953, he served as the vice chairman of the Chinese Dramatists Association, in 1959, he joined the Communist Party of China, and on August 8, 1961, Mei Lanfang died of illness in Beijing. He was 67 years old.

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