What are the reasons for the different personalities of the poets of the Tang Dynasty and the poets

The Tang Dynasty was prosperous, experienced the prosperity of the Kaiyuan Dynasty, the environment was comfortable, and the literati sang in front of the bottle, extremely chic In the 5 dynasties of the transitional period and the early Song Dynasty, it was still the style of words among the flowers and the Southern Tang Dynasty prevailed, and the literati were also a song in front of the bottle, but when it came to the shame of Jingkang, the spiritual outlook of the literati changed, and from the realism of the flowers to the realism of worrying about the country and the people, it produced a bold school that was influenced by the white depictions of the Southern Tang Dynasty School and expressed their hearts directly.

The Tang Dynasty had a developed economy, political stability, cultural openness, and ethnic integration, and such a good environment, it was impossible to write bad poems.

And the Song Dynasty was constantly at war, the treasury was empty, and the politics were chaotic, how could you write those poems of the Tang Dynasty?

You tell me? During the Tang Dynasty, the country was prosperous, the country was peaceful, and the country was unified.

The foreign and domestic policies were relatively friendly and adapted to the needs of the broad masses of the people, and it was a major period of prosperity in the history of our country. Of course, the literati are also open-minded, and they are mostly atmospheric.

During the Song Dynasty, the country was divided, most of them were wars, and the peasants lived in hardship. After experiencing the invasion of foreign nationalities, some literati in the Two Song Dynasty and the Song Dynasty were mostly sad and emotional, too many disasters, and painful powerlessness. What is written down is also made up of pain ...

You can look up the history of China, which is conducive to your writing**... Got it, it's easy to write.

They were of two dynasties.

The faction of poets of the Tang and Song dynasties, representative figures.

Tang Dynasty poetry factions: First, they are divided by period, and there are four factions: the early Tang Dynasty, the prosperous Tang Dynasty, the Middle Tang Dynasty, and the late Tang Dynasty. Second, according to the characters, there are three categories: classical poets, romantic poets, and realist poets.

The representative figures of the early Tang Dynasty were Chen Ziang, and the representative figures of the Prosperous Tang Dynasty were Li Bai and Du Fu, as well as the landscape pastoral poet Wang Wei and the poets Cen Shen, Wang Changling, and Gao Shi. Middle Tang Dynasty: Bai Juyi Late Tang Dynasty:

Li Shangyin, Du Mu. The poets of the Tang Dynasty created many schools, and the Biansai poetry school, represented by Gao Shi and Wang Changling, was an important school in Romanticism; Meng Haoran, Wang Wei and others represent the landscape idyll; The Tang Dynasty created the ideal color faction of Li Bai's romanticism. After the Anshi Rebellion, a large number of epic poets represented by Du Fu appeared in the late Tang Dynasty, and the poems had deep sentimentality.

The "White Lotte Celestial Body" that appeared in the early years of the Northern Song Dynasty was represented by Li Fang and Xu Xuan, and the late Tang Dynasty was represented by Kou Zhun, Wei Ye, Lin Kui, etc. Xikunti, represented by Wang Ruoqin and Yang Yi. During the heyday of the Northern Song Dynasty, the representative figures were Wang Anshi, Su Shi, and Huang Tingjian.

Wang Anshi's poems are called "Wang Jing Gongti" and "Banshan Style", and Su Shi's poems are characterized by "taking text as poetry" (Su Shi's words are representative of the "bold school"). In the later period of the Northern Song Dynasty, the most influential was the Jiangxi Poetry School, represented by Huang Tingjian.

In the middle of the Southern Song Dynasty, Yang Wanli, Fan Chengda, Lu You, and You Yuan, the "Four Great Poets of Zhongxing", appeared. Yang Wanli's "Cheng Zhai Style", Fan Chengda's idyll, and Lu You's patriotic poems. Two more influential poetry schools in the late Southern Song Dynasty.

One is the Yongjia faction represented by Xu Ji, Xu Zhao, Weng Juan and Zhao Shixiu, also known as the "Four Spirits School", and the second is the Jianghu faction represented by Dai Gugu and Liu Kezhuang.

The poets of the Tang Dynasty are: Du Fu, Du Mu, Du Xianyan, Du Qiuniang, Du Xunhe, Li Bai, Li Shangyin, Li Ji, Li Yi, Li Pin, Li Duan, Wang Wei, Wang Changling, Wang Jian, Zhang Jiuling, Zhang Qi, Zhang Qiao, Zhang Hu, Zhang Mi, Liu Changqing, Liu Yuxi, Liu Zhixu, Liu Fangping, Liu Zongyuan, Liu Zhongyong, Meng Haoran, Meng Jiao, Cui Hao, Cui Shu, Shen Qi, Shen Quanqi, Qiu Wei, Qi Wuqian, Chang Jian, Cen Shen, Yuan Jie, Wei Yingwu, Chen Ziang, Han Yu, Bai Juyi, Gao Shi, Tang Xuanzong, Luo Binwang, Song Zhiwen, Qian Qi, Han Hong, Dai Shulun, Lu Lun, Sikong Shu, Xu Hun, Wen Tingyun, Ma Dai, Cui Tu, Wei Zhuang, Seng Jiaoran, Zu Yong, Huangfu Ran, Yuan Zhen, Xue Feng, Qin Taoyu, Pei Di, Quan Deyu, Jia Dao, Jin Changxu, Xiyanren, He Zhizhang, Gu Jing, Zhu Qingyu, etc. Song Dynasty poets are: Li Qingzhao, Li Yu, Li Zhiyi, Li Bing, Li Jia, Li Chongyuan, Li Yuanying, Su Shi (Su Dongpo), Su Xun, Su Zhe, Yan Shu, Yan Jidao, Huang Tingjian, Huang Xiaomai, Huang Gongshao, Lu You, Lu Song, Lu Rui, Liu Yizhi, Liu Guo, Liu Chenweng, Liu Kezhuang, Liu Yong, Wang Yisun, Wang Guan, Wang Zao, Qin Guan, Zhang Xiaoxiang, Zhang Xian, Zhang Lian, Zhang Yuangan, Zhang Di, Zhang Yan, Zhang Liangneng, Chen Ke, Chen Liang, Chen Youyi, Chao Buzhi, Chao Duanli, Zhou Mi, Zhou Bangyan, Zhou Zizhi, Zhao Ji, Zhao Lingqi, Zhu Fu, Zhu Sifa, Han Jin, Han Qian, Han Yuanji, Pan Mu, Pan Xibai, Qian Weiyan, Fan Zhongyan, Shu Yan, Mao Peng, Shi Yan, Song Qi, Ouyang Xiu, He Zhu, Ye Mengde, Cai Shen, Wan Qianyong, Xu Shen, Tian Wei, Cao Group, Liao Shimei, Lu Binlao, Lu Yizhong, Yue Fei, Cheng Yuan, Yuan Quhua, Fan Chengda, Xin Qiji, Jiang Kui, Yan Ren, Yu Guobao, Shi Dazu, Lu Zugao, Wu Wenying, Jiang Jie, Peng Yuanxun, Yao Yunwen, etc.

Tang poetry and Song poetry are not only the general names of the poetry of the two dynasties, but also represent the two kinds of poetry and poetry in the history of Chinese poetry.

The difference between them is: Tang poetry is mainly romantic, even if it is reasonable, it is mostly lyrical; Song Shixi reasoned and advocated.

Argumentative. Tang poems are more subtle;

Song poems are more straightforward, and they are full of meaning.

Tang poems pay more attention to the direct description and expression of life feelings;

The excellent works of Song poetry also come from life, but they are often grasped rationally first, and then choose the appropriate form. So Song.

Poetry makes sentences vivid and concrete, and there is always an undercurrent of logical thinking running through them, unlike the artistic conception of Tang poems, which is mostly straight.

view of the form manifested. In short, Tang poems always use perceptual images to grasp reality, while Song poems mostly use rational thinking to dissect.

Reality; Tang poems have a strong poetic taste, and Song poems have a lighter poetic taste, but they are meticulous and profound in thought, and strive for excellence in technical language.

Make it up. For these reasons, Song poetry is more studious than Tang poetry. Tang poetry relies on inspiration, and Song poetry relies on talent learning; Talent can be learned through hard work.

Inspiration cannot be forced.

Tang poetry relies on sensibility, and Song poetry relies on reason;

Reason can be acquired thoughtfully, while sensibility (shape.

Elephant thinking) is more difficult to catch. Moreover, those who studied the Song Dynasty in the Qing Dynasty did not reject Tang poetry, and often watched the Tang Dynasty from the Song Dynasty, so they worked hard.

It is easier and does not cause the disadvantages of rough skin outline. As a result, the Zong Song Dynasty often achieved greater achievements than the Zong Tang Dynasty.

Tang poems are heavy, and Song poems are reasonable!