The content, significance and attendees of the Fourth Cultural Congress are anxious, thank you

Significance: Establish a literary and artistic policy of "promoting literary and artistic democracy" and "diversifying creative methods". Since then, the nature and direction of literature and art have become "serving the people and serving socialism". After that, hazy poetry.

Large-scale rise, the novella ** has sprung up. Literature gradually began to move from a critique of politics to an interpretation of the whole theme of man. This is where the spirit of the Enlightenment of literature lies.

The China Federation of Literary and Art Circles (hereinafter referred to as the China Federation of Literary and Art Circles) is a people's organization led by the Communist Party of China and composed of literary artists of all ethnic groups in China.

The First Plenary Session of the Fourth National Committee of the China Federation of Literary and Art Circles was held in Beijing from December 18 to 23, 1983. The meeting was attended by 199 members, including members of the National Committee of the China Federation of Literary and Art Circles and the China Writers Association. The meeting elected the chairman and vice-chairman of the Fourth National Committee.

The list is as follows: Chairman: Zhou Yang.

Vice-Chairmen: Lin Mohan, Ai Qing, Liu Baiyu, Li Xueqin, Zhang Guangnian, Zhang Kai, Zhao Xun, Zhong Jingwen, Jiang Deming, Xu Zhucheng, Huang Yuan, Kang Hao, Ye Zhishan, Ye Junjian, Wen Jiasi, Qian Zhongshu, Xia Yan, Xie Bingxin, Huang Yaomian, Huang Qiuyun, Liu Xinwu, Sun Shen, Yan Wenjing, Lin Jinlan, Chen Hongying, Peng Jialun, Jiang Nanxiang, Xie Jueya, Zhao Puchu, Qu Xingqi, Zhang Tianmin, Wang Zongyuan, Zhong Qiuyuan, Liu Binbin, Li Shiji, Li Xifan, Li Bingheng, Li Jing.

1. Yang Xin, Wu Guanzhong, Lin Dasheng, Jin Kaicheng, Liu Bin, Huang Liangchen, Mei Qian, Lei Jia, Lu Gong, Cai Ruohong, Fan Fajia, Qu Xianhe, Xue Mengsen, Wei Minglun, Zhang Qi, Chen Huangmei, Lin Mohan, Ai Qing, Liu Baiyu, Li Xueqin, Zhang Guangnian, Zhong Jingwen, Jiang Deming, Xu Zhucheng, Huang Yuan, Kang Hao, Ye Zhishan, Ye Junjian, Wen Jiasi, Qian Zhongshu, Xia Yan, Xie Bingxin, Huang Qiuyun, Liu Xinwu, Sun Shen, Yan Wenjing, Lin Jinlan, Chen Hongying, Peng Jialun, Jiang Nanxiang, Xie Jueya, Zhao Puchu, Qu Xingqi, Zhang Tianmin, Wang Zongyuan, Zhong Qiuyuan, Liu Guest, Li Shiji, Li Xifan, Li Bingheng, Li Jing.

1. Yang Xin, Wu Guanzhong, Lin Dasheng, Jin Kaicheng, Liu Bin, Huang Liangchen, Mei Qian, Lei Jia, Lu Gong, Cai Ruohong, Fan Fajia, Qu Xianhe, Xue Mengsen, Wei Minglun.

Significance: The convening of this congress marks the end of the literary history of the new democratic revolution period and the beginning of the literary history of the socialist period. It was on the eve of the decisive victory of the People's Liberation War and the founding of the People's Republic of China.

This is a conference of forest and art workers of the National Hail Troupe, a conference of great unity, a conference of carrying forward the past and forging ahead into the future, summarizing and mobilizing. The conference marked the end of the stage of modern Chinese literature and the beginning of contemporary Chinese literature.

Contents: The conference adopted the constitution of the All-China Federation of Literature and Art; The National Federation of Literary and Art Circles, referred to as the All-China Federation of Literary and Art Circles, was established; Guo Moruo was elected chairman. The first meeting of the Literary Congress was a meeting of the National Conference of Literary and Art Workers and the Great Unity.

The conference took the best literary and artistic thought as the basic policy of new literature and art, and called on literary and artistic workers to strive for the construction of people's literature and art in New China.

From July 2 to 19, 1949, the First National Congress of Literary and Art Workers of China was held in Beiping (now Beijing). The "First Literary Congress" is a symbol, which not only marks the beginning of contemporary Chinese literature, but also marks the "literary tradition of the liberated areas" (i.e., the "tradition of war culture") from the liberated areas to the whole of China, and the direction of the literature in the liberated areas has become the only direction for the development of literature in the future. Therefore, the literature that represents the two different traditions is divided into priority and priority at this conference, and their position on the road of literary development in the future is also divided into priority and subordination.

In the early days of contemporary literature, many young writers who entered the literary world directly from the army soon became the main force in literary creation, showing a new look of contemporary literature, and it should be said that it had a very important relationship with this, and the vast majority of many writers who made important achievements in the history of modern literature, except for a few people such as Lao She, were unable to continue to create brilliance in creation, and this is also related to this.

In July 1949, a literary congress was successfully held in Beiping, marking the official opening of the development of contemporary Chinese literature. First of all, the congress has achieved the goal of the great unity of the vast number of writers under the banner of socialism, and this has played a very good role in consolidating and developing the united front in the literary and artistic circles and in promoting and prospering contemporary literary creation. Secondly, under the guidance of the "Speech" of the People's Republic of China, this congress established the general policy of socialist literature and art in our country after the founding of the People's Republic of China, and pointed out the direction and road for the development and prosperity of contemporary literature.

The congress also established a national organization of literary and artistic circles, which provided a practical organizational guarantee for the development of China's contemporary literary and artistic movement.

The 11th National Cultural Congress came to a successful conclusion, and in this Cultural Congress, there were many highlights and attractive arts, accompanied by the holding of the Cultural Congress. We can always find some excellent literary and artistic works with profound thoughts, exquisite art, and excellent production. Moreover, through this form, we can also better publicize our country's culture, display the works created by the vast number of literary and artistic workers, and give them motivation, adhere to the people-centered creative orientation, serve the overall situation around the center, and create innovative works that belong to themselves and reflect the society and the people.

There are a lot of bright spots in this cultural congress, every time the cultural congress will be held, many artists in different fields will be invited to participate, this meeting can also learn about the current problems and development trends in the field, as well as what we need to improve and continue to work hard, for example, we have some bright spots in the field of film and painting and **, for example, the films we have released in recent years have reached a very high box office, and the creation has also reached a very high levelIn addition to this handshake, it is the art of painting, and many works of art at the Cultural Congress can be seen that the level of painting pants grinding in our country has reached a very high level. Therefore, there are still a lot of highlights in this cultural congress, in addition, many celebrities were invited to participate in this cultural congress, which is also a highlight of this cultural congress. <>

The National Cultural Congress also invited many grassroots people to participate, and show their creations, show the state of the most grassroots and cutting-edge literary and artistic workers, Chinese culture is a culture with a long history, and has multicultural inclusiveness, the 11th National Cultural Congress to show us is the culture and art of different regions and different times and different fields in our country, through this form of art to show us the great events of each period, as well as the great journey of the people's struggle. <>

Zhang Ziyi, as a representative of the literary and artistic circles, participated in the Wenshen Bidai Conference. Tie Ning, chairman of the Chinese Writers Association, attended the Cultural Congress, and she wore beautiful clothes in the orange blind hall. Zhang Haidi participated in the Literary Congress and made a report on his literary research.

The Cultural Congress was the All-China Congress of Literary and Art Workers, which was later renamed the China Federation of Literary and Art Circles.

The congress is divided into ** cultural congress and local cultural congress. The first session of the Cultural Congress opened on July 2, 1949 and closed on July 19, with a total duration of 17 days, with several recesses in between, and the actual meeting time was about 11 days. So far, it has held 9 sessions of the National Cultural Congress.

The First Cultural Congress.

The First Congress of Literary and Art Workers of China, the full name of the National Congress of Literary and Art Workers, opened on July 2, 1949 and closed on July 19, with a total duration of 17 days, with several recesses in the middle, and the actual meeting time was about 11 days.

At the meeting, Guo Moruo.

He made a general report entitled "Struggle for the People's Literature and Art of Building New China." Zhou Yang.

Mao Dun made separate reports summing up the literary and artistic work in the liberated areas and the nationalized areas. The congress clearly defined the principles and tasks of literary and artistic work in the future, and pointed out that the literary and artistic undertakings of New China must obey the leadership of the Communist Party of China and must express the life of workers, peasants and soldiers, and serve them. The congress finally adopted the "Declaration" and gave birth to a national literary and artistic institution, the All-China Federation of Literary and Art Circles.

Guo Moruo served as chairman, Mao Dun and Zhou Yang served as vice chairmen, and established the All-China Federation of Literary and Art Circles.

and various subordinate professional associations such as the Literary Association. This is a meeting of the National Congress of Literary and Art Workers to unite the University, a conference to carry forward the past and forge ahead into the future, and to summarize and mobilize. This marked the basic end of China's new democratic literary and artistic movement and the beginning of socialist literature and art.

Since then, a new chapter has been opened in Chinese literature.

The Cultural Congress is the National Congress of Literary and Art Workers of China, which was later renamed the Congress of the China Federation of Literary and Art Circles, which is divided into the ** Literary Congress and the local Literary Congress. The first Oak Stove Zen Cultural Congress, opened on July 2, 1949, closed on July 19, a total of 17 days, there were several adjournments in the middle, Liang Chen's actual meeting time was about 11 days. So far, it has held 9 sessions of the National Cultural Congress.

Argumentative type. <>