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I have seen his calligraphy, but I have not yet entered the stream.
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1. Artistic value. Mr. Liu Zhimin's calligraphy works are exquisite, the pen is chic and elegant, and the gestures are euphemistic and subtle, like flowing water. At the same time, the body is beautiful, the bones are delicate, the dot paintings are sparse and dense, and the size contains abundant artistic beauty.
2. Aesthetic value. Liu Zhimin's calligraphy works are the first to sell the poor students, and they have both form and spirit, with a strong sense of strength, rhythm and three-dimensionality. It is very ornamental, which is conducive to cultivating sentiment;
3. Collection value. Mr. Liu Zhimin's calligraphy works, with strong ornamental nature and high artistic value, are regarded as the best works of calligraphy and praise, and have a large collection space in the future.
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1. Artistic value. Mr. Liu Zhimin's calligraphy works, the penmanship is exquisite, the pen is chic and elegant, the gesture is euphemistic and subtle, like flowing water. At the same time, the body is beautiful, the bones are delicate, the dot paintings are sparse and dense, and the size contains abundant artistic beauty.
2. Aesthetic value. Mr. Liu Zhimin's calligraphy works have a strong sense of strength, rhythm and three-dimensionality. It is very ornamental, which is conducive to cultivating sentiment;
3. Collection value. Mr. Liu Zhimin's calligraphy works, with strong ornamental value and high artistic value, are regarded as fine calligraphy works and have a lot of collection space in the future.
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Liu Guozheng, whose name is Bingjun, male, from Ningjin, Hebei, was born in 1936, and his hall name is Moyuezhai. Since childhood, from the father of Baichuan to learn words, the beginning of Liu Gongquan mystery tower card, attack, Lishu, after worshiping the famous calligrapher Mr. Hao Jingyan as a teacher, Xi two Wang Ti, Sun Guoting and other line of grass, good at carving, and good at copper and wood plaques, the engraved copper ruler has been Sun Yi, Yue Rong, Jiang Zhi, Wang Shichuan, Liu Cunhui and other collections.
In 1956, he worked in the Sculpture Department of the ** Academy of Fine Arts, and later graduated from the Chinese Painting and Calligraphy Correspondence University. He is currently the vice chairman of the Chinese Calligraphy Association, the director of the Chinese Calligraphy Artists Association, the standing committee member of the Art Committee of the China Public Relations Association, the member of the Chinese Calligraphy and Painting Art Committee, the member of the China Collectors Association, the member of the Chinese Cultural Heritage Society, the member of the Chinese Couplet Society, the member of the Chinese Elderly Calligraphy and Painting Research Association, the researcher of the Chinese Contemporary Calligraphy and Painting Art Celebrity Research Institute, the executive director of the Beijing Taoran Painting and Calligraphy Institute, and the vice president of the International Xizhi Painting and Calligraphy Institute. In 1991, his works were selected for the "70th Anniversary of the Founding of the Communist Party of China" held by the Chinese History Museum and won the third prize.
In 1993, his calligraphy works were selected for the "Calligraphy and Painting Exhibition to Commemorate the 100th Anniversary of the Birth of ***" held by the Museum of the Chinese Revolution;
In 1996, he participated in the "Chinese and Foreign Contemporary Calligraphy Artists Exhibition" and won the gold medal (hard pen), and his representative works have been compiled into the "Chinese and Foreign Contemporary Calligraphers and Painters".
In 1997, he participated in the "Hong Kong Handover Calligraphy Exhibition" and won the commemorative award; In 1998, he was awarded the title of "100 Outstanding Chinese Literary and Artistic Artists" by China Calligraphy and Painting Press;
In 1999, he was included in the compilation of "Chinese Soul" and "Dictionary of Chinese Talents in 100 Industries";
In 2000, his couplet works were selected into the "Dictionary of Chinese Contemporary Lianying Artists". In the same year, he participated in the Excellent Calligraphy and Painting Exhibition of the Chinese Calligraphy and Painting Art Committee, and his work won the second prize;
In 2002, he won the gold medal in the "Ode to the Motherland International Photography and Calligraphy Competition". His calligraphy "Orchid Pavilion Preface" was collected by the Chinese Cultural Heritage Society in early 2006. In addition, many calligraphy masterpieces have been collected by cultural and museum departments in Japan, Thailand, the United States, Singapore, Taiwan, Hong Kong, Macao, and other countries and regions.
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