What is it like to have a strong sense of substitution in a literary work?

I am a girl who studies literature with a particularly strong sense of substitution, usually the feelings are more delicate, full and diverse, and the feeling is not heavy on the process, I watched "Dream of Red Mansions" in my sophomore year, and I almost went with Lin Daiyu, and one day I suddenly found that I seemed to be living in a soap bubble, and I felt very terrible, so I consciously didn't think about the things in the book, and communicated with people, so that feeling passed, and then Dream of Red Mansions was stunned and didn't dare to read it again. Later, due to the study of literature, I unconsciously read a lot of books, many of which I didn't dare to pick up after reading half of them, even including listening to songs and watching movies. It's really scary, and seeing what happened to the protagonist was like it really happened to me.

The real plausibility is reflected in the details. Many great gods tell us that writing is about writing details, why? It's because you write more details, the more real the reader feels, and the more immersive it is.

More foreshadowing, slow pace. I have to say that the sense of substitution of the plot with a lot of foreshadowing under the slow pace is very strong. It's like watching a movie slowly, one picture after another, making people immersed in it.

It is obviously a psychological reaction to a fictitious experience, immersive because of some strong emotions, and it is difficult to distinguish it from real life for a long time or because it cannot be eliminated by stereotyped thinking, and it is lost in oneself. Don't dare to watch horror movies! often brings the scenes of horror movies into daily life, resulting in fear and fear, and watching ** movies or something is easy to be poked into tears, probably especially can understand the mood of the protagonist.

You can work the settings such as appearance, personality, experience, and identity, and strive to create a character with positive energy, initiative, and clear love and hate. I won't go into detail here, but I'll talk about the setting when I have time in the future. But one thing to note is that there are some writing guidance posts to tell newcomers:

The physical characteristics of the protagonist should be vague and ordinary, and the personality should also be set to the common "pan-character", which can strengthen the sense of substitution.

Today I learned that there is another word called empathy ability, and it turns out that that ability has a name, called empathy ability. It's not a good thing to have a strong ability to empathize. I often think about why I feel that uneasiness and pain, my sadness, my sadness, but no one knows it, no one comforts me.

People who are too empathetic are often sensitive, which is even more distressing, and when they bear their own uneasiness, they are forced to experience the pain of others.

Personally, I think the sense of substitution is still very important for **.

Because the sense of substitution can resonate with the reader, so as to feel real and sincere

It's definitely important.

Just like when you write a food essay, you can write down the color, smell, taste, and feeling of the food in detail, and reflect what you feel to the reader. Another example is that when you watch a 3D movie, you feel immersive, which is the sense of substitution. If it is placed in the male frequency upgrade stream**, with a sense of substitution, it will feel happy when the male protagonist overcomes obstacles and defeats the enemy.

There are some complaining articles, the joy of watching is enough, and the sense of substitution is not strong. It depends on what type you want to write.

**You have to write it yourself, others have written it, and you still can't do it yourself.

has a strong sense of substitution, in fact, it is good to write from the five dares. It's just sight, smell, and touch. From a one-person perspective, see, hear, smell, touch, and think. It's all described. The sense of natural substitution is strong.

The sense of substitution is divided into audiences, that is, depending on what type of reader they are.

Let the reader resonate in order to bring it in.

For example, if someone writes a plot that happens to be similar to your experience, then there is a sense of substitution.

The most representative is the violent man.,You go to see the violent manga and you will understand what it means to answer the Qing into the sedan chair.,Because the content in the violent comic is what most people have done.,So there's a sense of substitution.。

Tong talks about the sense of substitution" has two meanings, one is to make people empathize, and the other is to make people immersive.

The sense of empathy is that the plot described in the story, the environment it creates, and the emotions it nurtures coincide with the reader's own experience, which can arouse the reader's sense of familiarity and resonance. That is, to write truthfully. This sense of realism is not necessarily the reality of the events and the worldview, but the reality of the events themselves and the reactions of the characters, the encounters and feelings of the characters.

The sense of immersion is that the plot described in the story, the environment created, the plot arranged, and the reactions of the characters are in line with the worldview of the work and the overall tone of the setting.

The sense of substitution is a creative indicator that online authors and game developers pay great attention to. It is the first priority to satisfy and engage the audience. It requires the work to be able to immerse the reader, let the reader participate in the story to feel, and even reach the point of selflessness in the process of feeling the work.

So that the reader can continue to invest in the work, and pay for the subsequent plot of the work or for a better experience. It emphasizes the "sense of fact" that the work conforms to the logic of the setting and the emotional expectations of the audience, and is usually achieved by restoring the experiences or emotions that may be common to the audience.

The so-called sense of substitution refers to an immersive feeling generated by the reader or player in the game instead of the character in the game.

Immersion can also refer to the emotions that arise as the story develops, such as happiness or sadness. For example, looking at Guo Jing, Ling Huchong, etc., even if you don't replace yourself as the protagonist, you can also have various emotions.

In layman's terms, it is to attract the reader's attention, to be fascinating, and to firmly grasp the reader's appetite for reading.

As for how to deal with the protagonist, it depends on the author's imagination, if the author's fantasy happens to be a plot that most readers have also fantasized about or like to see, then when the author describes it, it will be recognized by many readers, of course, the language must be smooth and appropriate.