The ancient empress Wu Zetian wrote poems all her life, and later generations felt that what was the

Tour Kowloon Pond. The mountain window travels to the jade girl, and the stream is on Qiongfeng. The top of the rock soars with two phoenixes, and the heart of the pond pours nine dragons.

Bamboo leaves are floating in the wine, and hibiscus is written on the cup. Therefore, the mountain is rewarded, but the wind enters the pine.

Seeing Zhu Chengbi's thoughts, he was haggard and fragmented as Yijun. I didn't believe that I would cry more than I came, and I opened the box and inspected the pomegranate skirt.

This one is Wu Zetian's only poem with daughter's feelings, and the others are all domineering, or done for entertainment!

Wu Zetian's most famous poems are as follows:

Ruyi Niang. Wu Zetian Tang Dynasty

Seeing Zhu Chengbi's thoughts, he was haggard and fragmented as Yijun.

I didn't believe that I would cry more than I came, and I opened the box and inspected the pomegranate skirt.

Translations. The lovesickness is excessive, so that the soul is not reluctant, and in a trance, he sees red as green; The body is haggard and the spirit is in a trance, just because I miss you too much.

If you don't believe that I've been crying for missing you lately, open my suitcase and look at the tear stains on my pomegranate dress.

Background:

Taizong collapsed, and Wu Zetian lived in Ganye Temple as a nun. Gaozong Li Zhi saw her in the temple and was summoned to the palace to worship Zhaoyi. During her time in Ganye Temple, Wu Zetian wrote her most famous poem "Ruyi Niang", which was written to Li Zhi of Tang Gaozong.

Ruyi Niang" is a poem full of lovesickness and sorrow, with twists and turns in the size, integrating the style of Yuefu in the north and south, bright and subtle, gorgeous and fresh. It is Wu Zetian's superior work and has a certain influence on future generations. Looking at Zhu Chengbi, it later became a common idiom in the Tang and Song dynasties.

Luo Bin Wang: Luo Bin Wang (c. 638-684) demolition and shooting, word sightseeing, Han nationality, native of Yiwu, Wuzhou (now Yiwu, Zhejiang), Chen Ziang:

Chen Ziang (c. 659, c. 700), a native of Shehong, Zizhou (now Shehong County, Sichuan), was known as Boyu. A poet of the Tang Dynasty and one of the innovative figures of poetry and literature in the early Tang Dynasty.

Song Zhi asked. Song Zhiwen (c. 656 – c. 712) did not have a prominent family lineage. His father, Song Lingwen, was born in his hometown, and was determined to study and make friends.

Versatile, not only "rich in words, but also in writing, powerful and unique, known as the three uniques." ”

Du Xianyan. Du Xianyan (c. 646-708), whose ancestral home was Xiangyang (now belonging to the north of the Hu family), moved to Gongxian County, Henan, and was the grandfather of the great poet Du Fu.

I only remember "Luoyang Peony, >

Tomorrow visit the garden, and report the spring as soon as possible.

The flowers are sent overnight, don't wait for the wind to blow.

Shi Song" Three Mountains and Ten Caves Guang Xuan, Yuqiao Jinluan Town Ziwei. The dew and frost are all the winning soil, and the wind and rain are in Huangji.

Thousands of high rocks hide the sun, and thousands of miles are bathed in clouds. And stop at the feast to reward benevolence and wisdom, and the carved saddle is thin and the dust flies in the evening.

Ruyi Niang" saw Zhu Chengbi's thoughts, haggard and fragmented.

I don't believe that I often cry, and I open the box to check the pomegranate skirt.

I want to like it.

Ruyi Niang.

Seeing Zhu Chengbi's thoughts, he was haggard and fragmented as Yijun.

I don't believe that I often cry, and I open the box to check the pomegranate skirt.

There are mainly Shen Quanqi, Song Zhiwen, Du Xunyan, and Chen Ziang.

Shen Song" (i.e., Shen Quanqi and Song Zhiwen, both court poets) and Du Xianyan made two important contributions to the completion and finalization of Tang Dynasty modern poetry: the dualization of the "four tones" and the law of flat and glued to the whole text. They perfectly combined the phonological techniques and duality techniques of Qi Liang's "Yongming style" and the early Tang Dynasty's "Shangguan style", expanding from the duality of word meaning to the duality of character pronunciation and syntax.

The five laws of Song Zhiwen and Du Xianyan are better written, and the seven laws of Shen Yan are better written. Representative works include Shen Quan's "Ancient Meaning Presents Qiao Supplement Que Zhizhi"; Song Zhiwen's "Crossing the Great Yuling" and "Crossing the Han River". Some non-reproduced poems have higher attainments.

In addition, Liu Xiyi's "Dai Baitou Yin" and Zhang Ruoxu's "Spring River Flower Moonlight Night" have positive significance for the maturity of Qiyan Song and Xing. Yan Yu's "Canglang Poems: Poetry Style" said: "Feng Ya Song is dead, one changes into Lisao, then changes into the five words of the Western Han Dynasty, three changes into a miscellaneous body of songs, and four changes into Shen and Song poems", which is fully affirmed in the history of the development of poetry.

Wang Shizhen's "Art Garden Dialect" also said: "Five words from Shen and Song can be called law." The law is the law of sound, and there is no strict one in the world.

Knowing the truth and the truth must not be blinded, and the law is clear. "Actually, not only the five laws, but also the seven laws and the pai laws are in the hands of Shen Song, and there are laws to be found.

Chen Ziang was the most outstanding poet who made important contributions to the theory and practice of poetry innovation in the early Tang Dynasty. He opposed the glamorous poetic style since Qi Liang, advocated "Han and Wei style bones", advocated "Xingji", respected elegance, attached importance to comparison, and opened a new generation. His poems are full of content and calm and vigorous style, representing 38 poems such as "Song of Dengyouzhou" and "Sentimental Poems".

His articles are also distinctive, and he has also made a pioneering contribution to the innovation of prose creation. As a pioneer of poetry and literary innovation in the Tang Dynasty, Du Fu and Han Yu all spoke highly of him.