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The main content of "The Lonely" is summarized in five parts:
In the first part, Wei Lianzhen was regarded as a heretic by everyone, and was suppressed and persecuted by everyone when his grandmother was buried, and he was alone.
In the second part, he is arrogant and independent, but he has a warm heart that sympathizes with the weak and hopes for the future. However, when his hopes for children were shattered by the reality of instigating children to take possession and robbery, he fell into a lonely state of dazed disappointment.
In the third part, unemployment and discrimination by the masses pushed him to a more bleak loneliness. And when he talks about his grandmother and his "one-headed cocoon" attitude towards life, he reveals a heavier and more stubborn loneliness in his heart.
In the fourth part, in order to survive, he embarks on a path against his will, and everything new, along with his choices, is repugnant and abhorrent, so he remains alone, and a loneliness with the pleasure of despair and revenge.
In the fifth part, he entered the world of cynicism, killed himself, trampled on others, and destroyed himself, which was a more miserable, more desperate, and more complete loneliness. Death ended his lonely life.
Introduction to "The Lonely":
"The Lonely" is a short story created by modern writer Lu Xun**, published in 1926, and later included in the ** collection "Hesitation".
The ** tells the story of the protagonist Wei Lianzhen is a modern intellectual with a unique personality, who lives in the "one-headed cocoon" created by himself in an escape way to taste loneliness, and finally makes a desperate resistance to the society with "self-defeating" "revenge".
Through this story, Lu Xun shows that China is far from having a social environment in which young people can live independently as free individuals and use their talents to serve society.
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It expresses a kind of loneliness, loneliness and even despair in the depths of the soul, and elevates loneliness to a situation in life or a general state of existence.
Although he had unprecedented doubts about the meaning of survival and the value of life, hesitation, confusion, and struggle, Mr. Lu Xun finally chose to continue fighting, but this kind of battle is no longer blindly shouting, but more deep self-reflection and restrained rationality, and his ideological development has entered a new starting point.
Appreciation:
The image of the protagonist of the work, Wei Lianzhen, is vivid and vivid, which is inseparable from the author's unique artistic ingenuity.
From the specific perspective of "I" and Wei Lianzhen (I have seen Wei Lianzhen and Wei's letters five times), this paper shows the complete process of Wei Lianzhen's thoughts, personality and development and changes, especially the Wei Lianzhen seen in his grandmother's funeral and Wei Lianzhen's thinking and character when he was a consultant.
On the surface, there is a sharp contrast and a huge contrast, but the author skillfully communicates through Wei Lianzhen's letters, especially the way in which he pours out his inner pain, so that people can go deep into the soul world of the characters, so that the great changes in the characters' thoughts and personalities before and after are more real, natural and reasonable, and the characters are more vivid and clear.
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Du Xiaokang is silent, has a strong personality, and can bear hardships and stand hard work. The story of the young Du Xiaokang who was forced to leave home with his father to live in a distant place due to the decline of his family.
The text depicts the life process of Du Xiaokang, a weak, naïve, and home-loving teenager, who went through the initial loneliness and fear of duck herding life, and finally overcame himself and became strong. **The language is plain, easy to understand, and full of truth in plainness. When the textbook was selected for the sixth grade, it was deleted and the title was added.
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Summary. The description of the natural environment in The Lonely Journey is excellent, providing a broad backdrop for the characters to grow up. The description of the environment sets off the psychology of the characters, sets off the confused or strong characters of the Du father and son, and also renders the atmosphere and promotes the development of the plot.
The description of the natural environment in Lonely Journey is excellent, and it provides a broad background for the growth of the characters. The description of the environment sets off the psychology of the characters, sets off the confused or strong character of the Du father and son, and also plays a role in rendering the atmosphere and promoting the development of the plot.
Through the description of demeanor, language and action, the psychology of the characters is expressed from the side: the murmuring chatter, the shuddering, shaking, slow, and crazy movements show the fear and panic of the characters at this time. Direct representation of the character's psychology through psychological description:
At first, he suspected that the glorious sea and the ships on the sea were hallucinations, but then he confirmed that this was the hope of being rescued, and began to calmly think about what to do next. The depictions of the characters' steadfastness and calmness, such as "sitting up", "tearing off two trouser legs to wrap their feet at knee length", and "planning to drink some hot water before starting to walk towards the boat", are depicted from the side, and hope for the future is rekindled.
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1. Du Yonghe: He has a deep love for his son. Du Xiaokang: Strong, lonely but very mature.
2. Du Xiaokang is a brave and strong child, in the face of the storm, he has no fear, desperate to find a duck.
3. He is very sensible and can understand the difficulties at home. Although he was very reluctant, he followed his father with him to the distant reeds to herd ducks. He wanted to go back to school because he loved learning. He is the only child in the family, but he is not squeamish and can endure hardships and stand hard work.
4. Du Xiaokang is fearful, and after fear, loneliness comes, no one interacts, life is monotonous, and extremely lonely. Even with his father, he "didn't know what else to say", and such empty days made him feel very homesick, but home could not be returned. Later, he and his father got used to loneliness, and since they couldn't "avoid it", they could only get used to it, which was also helpless.
So he faced the mighty reeds, and he "no longer" felt "panic". In essence, it is a kind of helplessness.
5. Such fear is manifested in two aspects: one is the fear of the natural environment, "the reeds are like thousands of mountains surrounding the boat", "Du Xiaokang has a feeling that he can never escape", "his eyes reveal the timidity of a child".
6. The vastness and unknown nature has a strong oppressive force on a young mind, and the resulting psychological "panic" makes Du Xiaokang "unable to fall asleep".
7. What Du Xiaokang thinks is: How far do you have to go? What does the front look like? This is not only for the duck, but also represents his confusion and helplessness about the future.
8. At the beginning, Ludang was "like a green wave surging straight to the sky", boundless, giving people great psychological pressure, making Du Xiaokang "afraid" and "timid".
9. Later, when Du Xiaokang got used to a lonely life, "facing this mighty reed again", he no longer "panicked". Fear is just a refraction of the psyche. Lu Dang witnessed the process of psychological changes of the characters.
10. Because he began to understand that "it was clear in their hearts that it was impossible for them to avoid solitude...... at allNo more sudden panic.
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