At four o clock, the pastoral miscellaneous ancient poems are in a hurry

Sixty poems of the four o'clock pastoral miscellaneous twenty-four (Song Fan Chengda) seven-word quatrain.

The black bird casts into the forest and passes by sparsely, and the smoke in the front mountain is twilight to the firewood.

The child is like a leaf, and he returns alone to make a duck formation.

Commentary Cast the forest back to the woods.

Smoke and clouds. Wood Door: A simple wooden door. This sentence reads: The light smoke and mist gradually drifted from the front of the mountain, and the twilight came from far and near.

Oars.

It is also called the covenant, which means to block and catch up. These two sentences say: The village boy drove the ducks home alone in a small boat.

One of the ancient poems of "Four Seasons Pastoral Miscellaneous" is as follows:

The day rises and the night is hemp, and the children of the village are in charge of their own families.

The children and grandchildren have not solved the problem of farming and weaving, and they also learn to grow melons in Sangyin.

"Sixty Songs of Pastoral Miscellaneous at Four O'clock" is a group of large-scale pastoral poems written by the Southern Song Dynasty poet Fan Chengda after retiring to his hometown, which is divided into five parts: spring, late spring, summer, autumn and winter, with twelve poems in each part, a total of sixty poems.

The poem describes the scenery of the four seasons of spring, summer, autumn and winter in the countryside and the life of the peasants, and also reflects the exploitation of the peasants and the hardships of life.

Among them, there are 12 songs of spring pastoral miscellaneous, 12 songs of late spring pastoral miscellaneous, 12 songs of summer pastoral miscellaneous, 12 songs of autumn pastoral miscellaneous, and 12 songs of winter pastoral miscellaneous, a total of 60 songs. It depicts the different scenes in the countryside in the four seasons, and vividly draws a dynamic map of pastoral farming.

"Four Seasons Pastoral Miscellaneous" is a group of large-scale pastoral poems written by the Southern Song Dynasty poet Fan Chengda after retiring to his hometown, divided into five parts: spring, summer, autumn, late spring, and winter, with 12 poems in each part, a total of 60 songs. The poem describes the scenery of the four seasons of spring, summer, autumn and winter in the countryside and the life of the peasants, and also reflects the exploitation and hardship of the peasants. Among them, there are 12 songs of pastoral miscellaneous in spring, 12 pastoral miscellaneous songs in late spring, 12 pastoral miscellaneous songs in summer, 12 pastoral miscellaneous songs in autumn, and 12 pastoral miscellaneous songs in winter.

The different scenes in the countryside in the four seasons are described, and a dynamic picture of pastoral farming is vividly drawn.

Four o'clock pastoral miscellaneous

Dynasty: Song Dynasty.

The day rises and the field is made at night, and the children of the village are in charge of each family.

The children and grandchildren have not solved the problem of farming and weaving, and they also learn to grow melons in Sangyin.

Comment

1.Miscellaneous: Written spontaneously, there is no fixed theme of the psalm.

2.Yuntian: Weeding.

3.Hemp: Rub hemp into threads.

4.Each person has a certain job.

5.Unsolved: I don't understand.

6.For: Engagement, participation.

Connoisseurship

The Four Seasons Pastoral Miscellaneous is a group of large-scale Tianjia poems written by the poet after retiring to his hometown, with a total of 60 poems, describing the scenery of the four seasons of spring, summer, autumn and winter in the countryside and the life of the peasants, and also reflecting the exploitation suffered by the peasants and the hardships of life. This is one of them, which depicts a scene from rural summer life.

The first sentence "the day rises in the field and the night is hemp" is to say: go to the field during the day to remove the weeds, and rub the twine at night. "Yuntian" means weeding.

In early summer, the seedlings in the rice fields need to be weeded. It's the men's job. "Jima" refers to the fact that after the women have done other work during the day, they rub the twine at night and weave it into cloth.

This sentence directly writes about the labor scene. In the second sentence, "the children of the village are in charge of their own families", "children" are men and women, and the whole poem uses the tone of an old peasant, and "children" also refers to young people. "In charge" means that both men and women are not idle, each doing his own thing, and each is in charge of his own line.

The third sentence "children and grandchildren have not been solved for farming and weaving", "children and grandchildren" refers to those children, who do not know how to plow or weave, but they are not idle. They have been exposed to it since they were young and love to work, so they "also learn to grow melons in the mulberry shade", and they also learn to grow melons under the lush mulberry trees. This is a common phenomenon in rural areas, but it is quite distinctive.

The concluding sentence expresses the innocence of rural children.

The poet uses a fresh tone to describe the tense labor atmosphere in the early summer in the countryside with a more delicate description, which is full of interest to read.