Explanation of the four major vocal cavities of the Ming Dynasty, what are the four major vocal cavi

The four major vocal chambers of the Ming Dynasty were:

1. Yiyang cavity:

Yiyang cavity is Yiyang County, Jiangxi Province.

Local traditional drama, national intangible cultural heritage.

One. Southern song dynasty.

In the middle period, the southern opera was introduced to Jiangxi through the Xinjiang River, combining the local dialect and folk ** in the Yiyang area, and in the late Yuan Dynasty and early Ming Dynasty, the breeding key brought out a new local sound cavity Yiyang dialect.

The singing structure of Yiyang cavity originally adopted the song card joint set to form a very characteristic "apprentice song, gang cavity" singing method. In the middle of the Ming Dynasty, it developed a rolling tune that broke the system of music cards, and multiplied a variety of variants.

2. Kunshan dialect:

Kunshan dialect is an ancient Chinese opera vocal cavity and opera, and is now also known as "Kunshan Opera". Kunqu Opera.

It is one of the oldest types of traditional Chinese opera, and it is also the traditional culture of the Han nationality in China.

Art. In particular, it is a treasure in the art of opera, known as an "orchid" in a hundred gardens. Kunqu opera originated in Kunshan, Suzhou, China in the 14th century, and was later improved by Wei Liangfu and others to the whole country, and has dominated the Chinese theater scene for nearly 300 years since the middle of the Ming Dynasty.

3. Sea salt cavity:

The sea salt cavity is a traditional opera vocal cavity. It is named after the Zhejiang Haiyan formed in the Chenghua period of the Ming Dynasty, and is called the four major sound cavities of the Ming Dynasty Southern Opera Cover Lu with Yuyao Cavity, Yiyang Cavity and Kunshan Cavity.

According to Lu Rong's "Shuyuan Miscellaneous".

It is recorded that during the Chenghua period, Haiyan County of Jiaxing Prefecture has "Xi is an advocate of excellence, called 'Xiwen Zi'", and Haiyan cavity has risen locally. To Jiajing.

During the Longqing period, the Liufu area has expanded to Jiaxing, Huzhou, Wenzhou, Nanjing, Taizhou, Suzhou, Songjiang, as far as Yihuang, Beijing and other places in Jiangxi.

4. Yuyao cavity:

Yuyao cavity is a kind of traditional opera vocal cavity, which is similar to Zhejiang Haiyan cavity, Jiangxi Yiyang cavity, and Jiangsu Kunshan cavity.

Cavity is collectively known as the four ancient Chinese opera dialects. Yuyao dialect is the earliest and far-reaching influence, and has become an ancient dialect absorbed by the emerging vocal cavity of various operas, and has been popular all over the country.

The "four major sound chambers" of the Ming Dynasty. Also known as the "Four Vocal Chambers" of Southern Opera, it refers to the four traditional opera vocal chambers formed in the Ming Dynasty of China. They are the collective names of Haiyan cavity (Zhejiang), Yuyao cavity (Zhejiang), Kunshan cavity (Jiangsu), and Yiyang cavity (Jiangxi). The characteristics of the four major vocal chambers are:

1. Haiyan cavity: Haiyan is a place in Zhejiang, located in the mouth of Hangzhou Bay. After the southern opera was transmitted here, under the re-creation of local artists and literati, a new sound cavity was produced, that is, the sea salt cavity, which is characterized by the use of no orchestral music, only drums, gongs, boards and other percussions, and the sea salt cavity has been lost today.

2. Yuyao dialect: Yuyao is in the eastern part of Zhejiang, and the local local opera developed from mountain songs was originally developed. The Yuyao cavity also declined in the last years of the Ming Dynasty.

3. Yiyang cavity: Yiyang is located in the eastern part of Jiangxi, where the original mountain songs and small songs are very developed. After the southern opera was transmitted here, it was combined with local folk tunes to form a Yiyang dialect.

The Yiyang cavity is characterized by helping to sing, and the singing cavity is struck with a drum board to highlight the human voice. The tone of the Yiyang cavity can be changed, and it is easy to absorb and dissolve other tunes, so after it is transmitted to various places, it absorbs the local folk music and forms a new cavity, becoming a sound cavity with great influence in Hunan, Guangdong, Sichuan, etc.

4. Kunshan dialect: Kunshan is in Jiangsu Province, Kunshan dialect is based on the southern opera, absorbing the northern miscellaneous opera method, forming an elegant and slow singing voice, which is mainly orchestral music. The Kunqu dialect is relatively elegant and very popular with scholars, and Kunqu opera is still circulating in some provinces.

The record of "four major vocal cavities" was first seen in the "Southern Words Narrative" written by Xu Wei in the Ming Dynasty, which has such a record: "Today's singers call Yiyang cavity, which comes from Jiangxi, and is widely used in Beijing, Hunan, Fujian, and Guangzhou; Those who call Yuyao cavity, out of Huiji, Chang, Run, Chi, Tai, Yang, Xu use it; It is called the sea salt cavity, and it is used in Jia, Lake, Wen and Taiwan; However, the Kunshan cavity stops in Wuzhong, fluent and far-reaching, out of the three cavities, and listens to the most. It can be seen that the four major vocal chambers have been formed in the Ming Dynasty and are widely sung in the Jiangnan region.

At the beginning of the Ming Dynasty. The "four major sound cavities" refer to the Kunshan cavity, Yiyang cavity, Haiyan cavity, and Yuyao cavity.

Early Qing Dynasty. Kunshan cavity, Yiyang cavity, Liuzi cavity, and Bangzi cavity are collectively known as "Nankun, Beiyi, Dongliu, and Xibang", which are the popular "four major sound cavities" in this period.

Right now. The "four major sound cavities" mostly refer to the Bangzi cavity, the Pihuang cavity, the Kun cavity and the high cavity.

Kun cavity. Kun Dialect", the vocal cavity and opera genre of Chinese opera, is one of the "four major vocal chambers" of Southern Opera in the Ming Dynasty, and one of the "four major vocal chambers" of opera in the Qing Dynasty and the current era.

Origin. Kun cavity", originated in Kunshan, Jiangsu Province at the end of the Yuan Dynasty, in the Jiajing period of the Ming Dynasty by Wei Liangfu to absorb the sea salt cavity, Yiyang cavity of the **, after processing and improving, the influence gradually expanded.

Peculiarity. The improved Kun dialect melody is delicate and tactful, known as the "water mill cavity", which concentrates on the characteristics of the gentle and tactful southern song, and also preserves part of the passionate and generous vocal cavity of the northern song.

Accompaniment. Its accompaniment instruments are both pipes and strings such as pipa and yueqin, which are more abundant than Yiyang cavity and Haiyan cavity.

Yiyang cavity. Yiyang Cavity, also known as "Yi Cavity", is one of the "four major vocal cavities" of Southern Opera in the Ming Dynasty and one of the "Four Great Vocal Cavities" of Qing Dynasty opera.

Yuan Dynasty. Yiyang cavity originated in the area of Yiyang, Jiangxi Province, and formed a sound cavity system during the Jiajing period of the Ming Dynasty, which is considered to be the source and originator of the high cavity.

Since the Qing Dynasty. The independent Yiyang dialect drama began to decline and even became extinct, and now only Jiangxi Jiangxi opera still retains some Yiyang dialect tones and repertoire.

Yuyao cavity. "Yuyao dialect" is one of the "four major vocal chambers" of ancient Chinese opera and the southern opera of the Ming Dynasty.

Around the end of the Yuan Dynasty and the beginning of the Ming Dynasty.

"Yuyao cavity" was formed in the Yuyao area of Shaoxing Prefecture.

During the Jiajing period of the Ming Dynasty.

It was popular in Changzhou, Chizhou, Yangzhou and other places, and gradually declined in the late Ming Dynasty.

It is generally believed that the tone that was later popular in Shaoxing is a branch of the Yuyao dialect.

Sea salt cavity. Haiyan cavity is the vocal cavity and opera of ancient Chinese opera, and one of the "four major vocal cavities" of southern opera in the Ming Dynasty.

Yuan Dynasty. "Sea salt cavity" was formed in Haiyan, Zhejiang.

During the Jiajing period of the Ming Dynasty.

It has been popular in Jiaxing, Huzhou, Wenzhou and other places.

In the process of development, the Haiyan cavity has had a certain influence on the evolution of the Yiyang cavity and the Kunshan cavity.

After the Ming Dynasty.

The sea salt cavity gradually declined and became extinct.

Higashiyanagi. "Dongliu" was popular in the lower reaches of the Yellow River in Hebei, Shandong, Henan provinces and northern Jiangsu, northern Anhui and other places in the early Qing Dynasty.

Xibang. "Xibang" is the Bangzi cavity, because the Bangzi cavity originated in the northwest Shanxi area, and there were once "Western songs" and "Western tunes" and other titles.

Origin and development.

The first Bangzi cavity drama to be formed is the Qin cavity (Shaanxi Bang belt stool). Bangzi cavity is popular in a wide area, and many different genres of Bangzi cavity have been formed one after another, such as Shanxi Bangzi, Henan Bangzi, Hebei Bangzhixing Fuzi, Shandong Bangzi and other dramas.

Effect. Bangzi cavity pioneered the "plate change" opera structure system, marking that China's opera has entered a new stage and has a great influence on many emerging operas in the future.

Yellow cavity. Pi Huang Cavity is one of the "Four Vocal Cavities" of the current opera, which refers to the vocal cavity system with "Xipi" and "Erhuang" as the main tones.

Answer]: c The representative sound cavities of the Ming Dynasty Qing Dynasty include Haiyan cavity, Yuyao cavity, Yiyang cavity, and Kunshan cavity. After the rise of the ground mill and slippery square opera, the four major vocal cavity systems of Zhongblind Zhengla opera refer to the Kun cavity, the high cavity, the Bangzi cavity, and the Pihuang cavity.