Who is the author of the Long Trunk Journey, and the explanation of The Long Trunk Journey ?

The author is Li Bai, a great poet of the Tang Dynasty.

The concubine covered her forehead at the beginning, and folded the drama in front of the door;

Lang rode a bamboo horse and went around the bed to make green plums.

Living together for a long time, the two have no suspicion.

Fourteen is a gentleman's wife, and her shame has not been opened.

Bow your head to the dark wall, and call for a thousand times.

Fifteen began to raise eyebrows, willing to be with dust and ashes.

Always hold the pillar letter, how can you go to the Wangfu Tower.

Sixteen gentlemen traveled far away, Qutangyun? Heap.

May is untouchable, and the ape mourns in the sky.

Late in front of the door, a lifetime of green moss.

The moss is deep and can not be swept, and the autumn wind is early.

Butterfly yellow in August, double fly to the west garden grass.

Feeling this sad concubine's heart, sitting sad and old!

Morning and evening, three chins, pre-book newspapers.

We don't have a long way to go, until the long wind and sand.

Fourteen is a gentleman's wife, and her shame has not been opened. Bow your head to the dark wall, and call for a thousand times. Fifteen began to raise eyebrows, willing to be with dust and ashes.

Always hold the pillar letter, how can you go to the Wangfu Tower. Sixteen gentlemen traveled far away, Qutangyun? Heap.

May is untouchable, and the ape mourns in the sky. Late in front of the door, a lifetime of green moss. The moss is deep and can not be swept, and the autumn wind is early.

Butterfly yellow in August, double fly to the west garden grass. Feeling this sad concubine's heart, sitting sad and old! Morning and evening, three chins, pre-book newspapers.

We don't have a long way to go, until the long wind and sand.

jūn jiā hé chù zhù ，qiè zhù zài hénɡ tánɡ 。

where the gentleman's family lived , the concubine lived in hengtang .

tínɡ chuán zàn jiè wèn ， huò kǒnɡ shì tónɡ xiānɡ 。

stop the boat and ask for the time being , or I am afraid that it is a fellow countryman .

jiā lín jiǔ jiānɡ shuǐ ，lái qù jiǔ jiānɡ cè 。

home is next to the water of the jiujiang river , coming and going on the side of the jiujiang river .

tónɡ shì chánɡ ɡn rén ， zì xiǎo bù xiānɡ shí 。

the same long-term cadres , they have not known each other since childhood .

xià zhǔ duō fēnɡ lànɡ ，lián zhōu jiàn jiào xī 。

there are many winds and waves in Xiazhu , and the lotus boat is gradually becoming scarce .

nà nénɡ bù xiānɡ dài ， dú zì nì cháo ɡuī 。

that can not treat each other , and return against the tide alone.

sān jiānɡ cháo shuǐ jí ，wǔ hú fēnɡ lànɡ yǒnɡ 。

the tides of the three rivers are rapid , and the five lakes are surging .

yóu lái huā xìnɡ qīnɡ ，mò wèi lián zhōu zhònɡ 。

since the flowers are light , don't be afraid of the lotus boat .

After reading this poem sentence by sentence, what appears in front of me is a short and exquisite melodrama, first trying to translate into the vernacular: a cute little girl, with her front hair full of eyebrows and back hair covering her neck, folds flowers in front of her own door to play, she has no playful partner, she can only take folding flowers as a play, and she is the heroine of the play; A naughty little boy of the same age, holding a slender bamboo pole as a tall horse, ran all the way shouting, circled around the bedside, pinched and played with the green plums in his hand, and refused to leave. The little boy and the little girl all lived in this secluded Changgan, and because they were young, they did not shy away from the suspicion of men and women.

The girl married a boy at the age of 14, and when she first married, she was ashamed to turn her head to the dark wall, and refused to look back at any kind of call. After the age of 15, he began to stretch his eyebrows and eyes, and the husband and wife were in love, even if they turned into dust, as long as they could be together, they would be willing, and they would take the tail life as an example to learn from in their private hearts, and they were determined to be as trustworthy as he was, and would never be the resentful woman of the East China Sea, and turn into a female stone for her husband. When I was 16 years old, my husband went out to do business, went to Baling, thousands of miles away, and passed by the Qutang Pond and the pile of merchants who didn't know how many business trips were killed.

The east wind in May, the husband went out, the ape mourned, the whole May is like a scar that is difficult to heal, it will hurt the heart and spleen when touched, the husband is reluctant to leave before going out, and he refuses to leave, the footprints he left in front of the door are all covered with deep moss, how to sweep it can't be swept away, at this time, a yellow leaf falls, why did this annoying autumn come so early? In August, when I saw the butterflies flying on the lawn of the West Garden, I unconsciously aroused sadness again. And now day by day, month by month, empty boudoir alone, old face, how terrible.

Lang Jun, when you come back from that ghost place in Bashu, don't forget to send a letter home in advance, I will go all the way to meet you until the place where the wind and sand are full and you can no longer go. The way you remember me should be when you left home, but you know that I miss you, my face is haggard, can you still recognize me in the wind and sand? Married to the man of Changganli, I will keep watch at the ferry every day, and when the south wind rises again in May, I will go with the wind to find your traces, even if it is far west of Baling.

This poem was written by Li Bai during his first visit to Jinling, shortly after the end of the autumn of the thirteenth year of Xuanzong of the Tang Dynasty (725). Changgan is a place name, in the south of Qinhuai Henan, outside the Zhonghua Gate in present-day Nanjing City, Jiangsu Province. The old title of Yuefu has "Changgan Song", and Guo Maoqian's "Yuefu Poetry Collection" volume 72 contains an ancient poem, five words and four sentences, writing about a young girl driving a boat to pick Ling, and the scene of encountering the tide on the way.

At the same time as Li Bai, Cui Hao has "Four Long Dry Songs", and Cui Guofu has "Little Long Dry Songs", both of which are small Yuefu styles with five words and four sentences, depicting the life scenes of young men and women in the middle and lower reaches of the Yangtze River. The content of these poems is relatively simple. Li Bai's "Long Dry Journey" has been lengthened and the content is relatively rich.

Zhang Chao, also known as Zhang Chao, was born in Danyang, Runzhou, and the year of birth and death is unknown. He lived from the beginning of the century to the Great Calendar. He has never been involved in officialdom in his life, loves idyllic landscapes, and is a veritable "virgin".

However, he was good at writing poetry, and he had a very high standard. Yin Fan of the Tang Dynasty collected his poems into the "Danyang Collection" and commented: "The tide poetry committee is bitter and sad.

In the Tang Dynasty, Li Kangcheng compiled the "Yutai New Song", Gu Tao edited the "Selected Tang Poems", the Northern Song Dynasty Li Fang and others edited "Wenyuan Yinghua", and Guo Maoqian's "Yuefu Poems" all included his poems.

Zhang Chao's works are seriously scattered, and there are only five poems in "All Tang Dynasty Poems", which are titled "Jiang Fengxing", "Xiangyang Xing", "Lotus Picking Words", "Jiangnan Xing", "Changgan Xing", and there is still a couplet of broken sentences. Although the quantity is not much, the quality is very high, and it can be described as a golden jade, every word is beautiful, and it is widely recited by the world. The "Compendium of Tang Dynasty Poems" records three of his poems, which shows the affirmation of the level of Zhang Chao's poetry by contemporary scholars.