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From the point of view of purpose:
Pu Songling was depressed all his life, and he wrote "Strange Tales from Liaozhai" to pour his heart through other people's wine glasses; (As a scholar who never met a talented person, in order to break away from his class and become an official, at the age of sixty, he was still "seeking up and down" on the "long and slender" imperial examination road, and writing "Strange Tales from Liaozhai" was just to express the sorrow of Huai Cai and complain, but objectively it reflected the darkness in the society at that time, which was only the sociality of literary works at work, and could not be attributed to Pu Songling.) )
Ji Xiaolan had a prominent life, and wrote "Notes on Reading Wei Caotang" to attack the world's jade with the stones of other mountains.
Pu Songling's works are lyrical spirituality, which has no limitations of the times and can be enjoyed for generations.
Ji Xiaolan's works focus on persuading and punishing the people, which is limited by the times, and can be taught for a while, but not for all generations.
In terms of content:
Pu Songling has lived in the countryside for a long time, and there are many street talks in the book, and it is difficult to get into the elegant hall of many despicable things, and the plot is repetitive, which makes people have to send it"Pu Weng is exhausted"sigh.
Ji Xiaolan has been in the pavilion for a long time, and she has seen many secretaries' classics, and her speech is subtle and nuanced (although it seems that it is somewhat "reasonable" now
It's ridiculously pedantic, but that's not his fault. The content is vast, the plot changes are unpredictable, and there is little repetition, which is really a big deal. (Lu Xun).
In terms of penmanship:
Pu Songling mostly uses prose sentences, is flexible and changeable, and has the air of a talented man, but it is indeed trivial;
Ji Xiaolan uses more whole sentences, elegant and mellow, with the style of a scholar, sometimes lost in dullness, but there are many witty words in the text, which makes up for the loss of rigidity, and Pu Songling can not escape the triviality even if he has a grandson monkey 72 changes.
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Although these two books belong to the category of Zhiwei**, but in the final analysis, these two books are still very different, each book has the author's personal thoughts and feelings, so one is written from the perspective of a genius, it has a certain literary nature, and the other is more like a declarative **collection, but I have to say that whether it is "Strange Tales from Liaozhai" or "Notes on Reading Wei Caotang", the literary value of the two books is very high, this is because of the excellent pen power of the two of them, and it is precisely because of this, They are free to choose what they write, and they can also make fiction, thus achieving these two **.
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These two books belong to the category of Zhiwei**, each book has the author's personal thoughts and feelings, so one is written from the perspective of a genius, which has a certain literary nature, and the other is more like a declarative **collection, but I have to say that the literary value of both books is very high.
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The content in "Liao Zhai" is even more bizarre and makes people feel even more terrifying.
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One of Ji Xiaolan's greatest achievements is a collection of notebooks "Notes on Reading Wei Caotang", which absorbs many of the writing methods and narrative methods in "Strange Tales from Liao Zhai", but unlike "Strange Tales from Liao Zhai", it focuses on recording rather than depiction.
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"Notes on Reading Wei Caotang" and "Liao Zhai" are stories with different ways of writing, and the way of writing is different.
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I don't think it's a story, it's not a plot.
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Most of the stories written by Liao Zhai are related to love. Another book was not read.
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I watched it alone, and I didn't dare to watch it at all. This reading micro grass hall notes are better.
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Ghost Story! After reading it, you can be brave! There are a lot of reasons not to be afraid of ghosts! It will be great to see if it affects us!
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