Find a few guqin pieces in the category of mountains and flowing waters

Flowing Water", "High Mountain" and "High Mountain Flowing Water" are three guqin songs with basically similar themes, among which the melodies of "Flowing Water" and "Gao Wei Yan Mountain Flowing Water" are indeed somewhat similar, but they are definitely two different qin songs.

If you are new to the guqin**, there is such a possibility that listening to most guqin songs seems to be the same. In terms of music scores, there is such a phenomenon in guqin**, there are many different scores for the same qin song, so even if it is the same qin song, different pianists have different versions of the score, and the melody deduced is not the same.

The "China**Daquan Guqin Volume" you mentioned**, is commonly known as the "old eight" (because there are eight CDs) in the guqin lover group, of course, I haven't heard it all, but you let the stove head can compare Mr. Hou's "Alpine Flowing Water" with the classic Mr. Guan Pinghu's "Flowing Water", although similar, but definitely different.

The difference between the guqin songs "High Mountain" and "Flowing Water" is: the Song Dynasty has different segments.

The number of segments in the Ming Dynasty was different.

First, the Song period is different.

During the Song Dynasty, it was divided into four sections of "High Mountain" and eight sections of "Flowing Water".

Second, the number of sections in the Ming Dynasty was different.

In the middle of the Ming Dynasty, Yang Biao was in "Flowing Water", but he was in the original place.

A paragraph was added between the fifth and sixth paragraphs, which was the so-called"Seventy-two rolls"The technique of simulating the sound of a spring dripping water to the fullest. It is divided into four sections of "High Mountain" and nine sections of "Flowing Water".

"Flowing Water", "High Mountain", "High Mountain.

There is nothing in common between these three and the guqin song "Mountains and Flowing Water", they are all the same name.

Guqin music is based on the high mountains and flowing water of "Boya Drum and Qin Meets Bosom Friend", and there are a variety of scores. There are two kinds of qin music and zheng music, both of which have the same name and different styles. **It is very different from the qin song, and it is also based on "Boya drum and piano meets bosom friend".

There are a variety of genre genres available. The most widely spread and most influential is the genealogy of the Zhejiang martial arts school, with elegant melody and eternal charm, which has the appearance of "the majesty of the mountains and the ocean of flowing water". The Shandong School's "High Mountains and Flowing Water" is a combination of four small songs: "Qin Rhyme", "Wind Swinging Green Bamboo", "Night Quiet Luan Bell" and "Book Rhyme", also known as "Four Sections" and "Four Sections of Brocade".

The Henan School's "High Mountains and Flowing Water" is taken from the folk "Lao Liuban" bantou song, the rhythm is fresh and bright, and folk artists often play it when they meet for the first time to show respect and friendship.

During the Warring States period, there were already stories about the qin music of the mountains and flowing water, so it is also rumored that "The Mountains and Flowing Water" was composed by Boya. The score was first seen in the Ming Dynasty's "Magical Secret Score", and the solution of "High Mountain" and "Flowing Water" of this score is: ""High Mountain" and "Flowing Water" two songs, this is only one song.

The original ambition is to care about the mountains, and the meaning of the benevolent people is happy with the mountains. Hou Zhi cares about flowing water, and the meaning of the wise man is happy with water. To Tang is divided into two songs, without the number of segments.

In the end, it is divided into four sections of high mountains and eight sections of flowing water. "For more than 2,000 years, the two famous guqin songs, "High Mountain" and "Flowing Water", together with the story of Boya Guqin meeting a bosom friend, have been widely circulated among the people.

With the development of the art of playing the qin since the Ming and Qing dynasties, "High Mountain" and "Flowing Water" have changed a lot. "The Secret Score of the Legend" is not segmented, and the score of later generations is multi-segmented. Since the Ming and Qing dynasties, a variety of piano scores in the Qing Dynasty Tang Yiming's "Tianwenge Qin Score" (1876) in the Sichuan school pianist Zhang Kongshan's adaptation of "Flowing Water" is particularly distinctive, adding the sixth paragraph of the "rolling, whisking, squeezing, note" technique for the sound of flowing water, also known as "seventy-two rolling flowing water", with its vivid image, scene blending and widely spread.

According to the research of the pianist, before the advent of the "Tianwenge Piano Score", the "Flowing Water" in all the piano scores did not have the sixth section played by Zhang Kongshan, and the whole piece was only eight sections, which was consistent with the solution of the "Magical Secret Score", but Zhang Kongshan's biography has been increased to nine sections, and the pianists played according to this score.

1. The first paragraph: the introduction part. The melody is constantly jumping and changing the pitch in a wide vocal range, and the faint finger shift and the real tone alternate, and the melody is hidden and appearing. I still see the top of the high mountain, the clouds and mist are shrouded and uncertain.

2. The second and third sections: clear overtones, lively rhythms, like "the cold current in the secluded world; Clear and cold, the trickle of pine roots. "Listen quietly, and the feeling of pleasure arises spontaneously. The third segment is a repetition of an octave of the second segment, which omits the tail of the second segment.

3. Paragraphs 4 and 5: like the melody of a song, "its rhyme is melodious, like flowing water." ”

4. The sixth paragraph: first the melody of ups and downs, and the large upward and downward notes. Then the continuous "tumbling, slow whisking" as the sound of flowing water, and above it played a rising and descending tone, the two cleverly combined, really like "the extremely boiling and surging view, with the image of the dragon's roar."

Listen quietly, as if sitting on a dangerous boat across the Wu Gorge, dizzy, thrilling, a few suspicions that this body has been running in the mountains, when thousands of ravines are contending. ”

5. The seventh paragraph: in the high-pitched area, the overtone group of beads, first descends and then rises, and the sound momentum is greatly reduced, just like "the light boat has passed, the momentum is like a feint, sometimes the aftermath of the rock, sometimes the whirlwind is slightly wet." ”

It was as if I saw the majestic Mount Tai standing in front of me, the magnificent rivers passing through my heart, the continuous drizzle in the sky, the autumn wind blowing in my face, and the willows brushing my cheeks.

The music is sometimes murmuring, sometimes cold and cold, sometimes mighty, sometimes like a storm and ......In short, this song is full of ups and downs, shocking, and vividly expresses the joy and relief of meeting a confidant and the sadness and regret of the death of a confidant, and it is not difficult for us to experience the thrilling and deep emotions.

The murmuring stream, sometimes flowing slowly, sometimes falling rapidly, the water droplets splash on the stone, the clouds and mist mountains, the ape breaking the branches, the white crane skimming, Yu Boya sitting on the stone cliff, the white whiskers are elegant, the hands are like dry branches, the hair is like clear snow, the arms are Fuxi, the sound is shallow, the power is like a dragon's chant, converges in the spring, and diffuses in the Lan.

The difference between the guqin songs "High Mountain" and "Flowing Water" is: the Song Dynasty has different segments, and the number of segments in the Ming Dynasty is different.

First, the Song period is different.

During the Song Dynasty, it was divided into four sections of "High Mountain" and eight sections of "Flowing Li Lingshui".

Second, the number of sections in the Ming Dynasty was different.

In the middle of the Ming Dynasty, Yang Biao was in "Flowing Water", but he was in the original place.

A paragraph was added between the fifth and sixth paragraphs, which was the so-called"Seventy-two rolls"The technique of simulating the sound of a spring dripping water to the fullest. It is divided into four sections of "High Mountain" and nine sections of "Flowing Water".