Who will help me write the wedge? How to write a wedge How to write a wedge

In fact, it's very simple, generally the wedge will write the beginning of the whole ** story, a little more mysterious, which can arouse the reader's interest. For example, if you want to write a time-traveling essay, you can write in the third person why the protagonist crosses over. Or magic**, which can write something before this story in the third person.

A lot of ** have wedges, you can refer to them. It is recommended to use the third person.

I think writing a wedge is a foreshadowing, not too much space, as long as you explain it, so that the reader can see what you want to express, the wedge is too long, many readers don't like to read, the beginning of the article must attract readers, because few readers now have the patience to look at your article in the end, just to see if your text attracts him.

First of all, it depends on the type of ** you want to write, as well as the purpose you expect the wedge to achieve, the wedge is the same as the trailer of the movie, to package as much as possible, to present the most exciting side, you can use the wedge to hint at the buried stalk, or write the important plot excerpts in the wedge in advance, before and after the echo but concise and condensed, is the key point, the wedge is similar to the introduction, there is a lot of room to play, but in general, now many**There is no wedge, So in fact, you can play how you want to play, and you can write it directly as the first chapter at the beginning of the story.

1. First of all, you must write the beginning, that is, the wedge, you can write a small story, you can also use the scene first, slowly trigger feelings and plots, or you can start with a person's thoughts and life, but no matter what kind of beginning, it must be coherent with the following text, and you can't write it at the beginning and there will be no follow-up.

2. Second, how to write, that is, the process, with the beginning of your triggering, continue to produce branches, and then branch and branch, so that the ending of a story is full of countless possibilities, as long as you grasp the backbone, you can branch as much as possible, but it can't be too complicated, nor too simple, and the grasp of this degree must be grasped slowly.

3. Third. How to attract the attention of others, this is simple and simple, but it is troublesome and troublesome, the main thing is to see the novelty of your writing, if it is similar to too much**, then it will lose the effect of attracting the attention of others, to add your own imagination and views and the like in the **, and then it is to make a quick move on the branch, so that a stupid big branch produces a continuous small branch, and finally let the small branch and the trunk have a connection, which is the so-called foreshadowing, In this way, one cycle after another is generated, which makes people feel that they have been on this main line, and there is also the problem of the degree of "volt" of foreshadowing, which is like seeing flowers in the fog, so that people can see the outline but cannot see the real result, and finally uncover it before suddenly realizing.

楔子 [ xiē zi ].

Vocabulary book. Basic Definition Detailed Definition.

xiē zi ]

1.Pieces of wood that are inserted into the joints of the tenons of wood, etc., so that the joints are not moving, or wooden nails that are nailed to the wall.

2.The beginning of the ancient Chinese **. It has the effect of causing the body.

3.In the Yuan miscellaneous drama, it is added before the first fold or inserted in a small segment between the two folds.

楔子 [ xiē zi ].

1) One of the components of a long story, but not a must for every long story. Usually loads the story before it begins, and it plays the role of causing the body. Jin Shengsian deleted and changed "Water Margin", and renamed the original introduction and the first round as "Wedge".

And explained: "The wedge is also said to be the one who produces things." It is to use the first thing to lead to the meaning of the second thing.

2) Opera nouns. The special term of Yuan Miscellaneous Drama It refers to the transition paragraph outside the four-fold play, which is mainly used to introduce the plot and characters, strengthen the connection between the plot, and the position is more flexible, which can be placed at the beginning of the play or between the folds and folds, but generally placed at the beginning of the play If there is a special need, there can also be two wedges

Yuan miscellaneous opera has a relatively fixed structural pattern in structure: it is generally a four-fold and a wedge, and sometimes it is also used between two folds, similar to the cutscenes in modern opera.

3) A small wooden peg that is thick at the top and sharp at the bottom. Fill the gaps in the utensils to make them strong, wooden pegs, wood chips, etc. Solids used to strengthen, support, or hold a fixed position.