Briefly describe Su Shi s artistic aesthetic thoughts and the artistic characteristics of Su Shi s p

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The style characteristics of Su Shi's prose: colorful artistic style.

He drew extensively from the works of his predecessors, the most important of which are the grandeur of Mencius and the Warring States Period, the rich associations of Zhuangzi, and the natural and unbridled style of writing. Su Shi is indeed extremely expressive, and there are almost no objective things or inner thoughts that cannot be expressed in his writings.

Su Wen's style changes freely with the different objects of expression, as natural and smooth as flowing water. Han Yu's ancient texts relied on eloquence, layout, momentum and other means to achieve momentum, while Su Wen relied on the way of swaying wishful thoughts and surging thoughts to achieve the same goal. Su Wen is imposing, but the language is easy and natural, which is one of the characteristics of Song Wen that is different from Tang Wen.

1. The personality of internal Confucianism and external interpretation.

Being a man with Confucianism and cultivating the heart with Buddha, the spiritual realm that traditional Chinese scholars and doctors diligently strive for is quite obvious in Su Dongpo. On the one hand, Su Dongpo insisted on asking for his life for the people, benefiting the people and rising and falling in the officialdom, on the other hand, he met friends with literature and gathered the world's scholars with a pure heart of Buddha. So he insisted on ideals and was clear about reality; For the official, it will benefit one party, and for the text, it will be recited by the world.

2. A chic attitude.

Su Dongpo has no fixed official position and no fixed residence in his life. In the DPRK, he was attacked by his friends, and in the opposition, he was framed by traitors. Middle-aged lost his wife, and was subjected to a poetry case in his prime. However, no matter what the circumstances are, his style of being happy and knowing his fate has not changed, but he insists on "being stuck in his throat and not vomiting or unhappy" because of his words.

Committed to staying, building soil for home, living in poverty, and finally laughing and summing up his life as "asking Ru Ping's life's achievements, Huangzhou, Huizhou, Danzhou". Such an attitude towards life, when future generations look at it, it is difficult not to be moved.

3. Rare talents.

It seems that few people do not admit this. Su Dongpo is almost the only all-rounder in Chinese history who has gathered all kinds of talents in various fields such as poetry, literature, lyrics, painting, and calligraphy. The number of poems in the Song Dynasty is the first-rate, the eight masters of the Tang and Song dynasties, the words are open and unrestrained, and the scholars are the four families of the Song Dynasty.

The analysis of the artistic characteristics of Su Shi's poems is as follows:

Personally, I think Su Shi's two most famous poems are "Drinking the Lake After the First Sunny Day" and "The Title of the West Forest Wall".

1, "Drinking the Lake After the First Sunny Day".

The water is shining and sunny, and the mountains are empty and rainy.

If you want to compare West Lake to Xizi, it is always appropriate to apply light makeup and heavy makeup.

Interpretation: When the sky is clear, the West Lake is full of water and sparkling; In the drizzle of the West Lake, the mountains are ethereal and seem to be nothing. If you talk about the lead and you fruit, the beautiful West Lake is compared to the peerless beauty Xi Shi, then whether it is heavy makeup or light makeup, it is convincing.

2. "Title Xilin Wall".

Horizontally, it is a peak on the side of the ridge, and the height is different from far and near.

I don't know the true face of Lushan, only because I am in this mountain.

Interpretation: From the front, the side of the Lushan Mountains are undulating, the peaks are towering, from the distance, near, high, low to see the Lushan, Lushan presents a variety of different appearances. The reason why I can't recognize the true face of Lushan is because I am in Lushan.

Su Shi's work style:

1. Bold style: This is the ideal style that Su Shi deliberately pursues. He incorporates abundant, passionate and even slightly sad feelings into his words, and writes about people with generous and heroic images and vast and majestic scenes.

2. Kuangda style: This is the style of words that best represents Su Shi's thoughts and personality characteristics, expressing the poet's desire to live in seclusion, avoid troubled times, and look forward to peace.

3. Graceful style: The number of Su Shi's graceful words accounts for an absolute majority of the total number of words, these words are pure and deep, the style is healthy and lofty, and it is also a kind of inheritance and development of traditional graceful words.

Speaking of the writers of the Northern Song Dynasty, the three fathers and sons of Sumen are indispensable, and when it comes to the three fathers and sons of Sumen, of course, Su Shi has to be said.

What are the characteristics of this figure who occupies half of the literature of the Northern Song Dynasty? To sum up, there are three points:

1. Taking text as poetry is one of Su Shi's distinctive characteristics.

The prose culture of poetry is not the right way to create poetry, but Su Shi's talent is overwhelming, and he has no choice but to do it, which makes it a means for him to be talented and renovate. Su Shi's "writing as poetry" actually relied on talent as poetry to achieve success.

Second, to learn as a poem, embodied in good discussion, like to use the classics. Su Shi consciously incorporated arguments into his poems, combining his image feelings about things with philosophical thinking, such as "Nostalgia for Hezi by Michi", which transforms natural phenomena and life feelings into rational reflection and rises to profound philosophy.

3. Poetry has both forms, and is good at seven-character poems, and the styles are diverse. There are two basic styles, one is the vigorous and graceful beauty and vigorousness, and the other is the bold and plain spaciousness, but in terms of embodying Su Shi's "Po Xian" expansive character, the high wind and dust is the dominant tendency of his poetic style, that is, a kind of wind charm and aesthetic realm that transcends the fetters of the world. For example, "Dongpo" writes about Yuyu's tranquility and comfort on a lonely night on the barren slope, expressing the spaciousness of being in adversity but being contented, and the wind is super easy and distant.

It is no wonder that Su Shi is respected by the world as the "God of Poetry."