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Su Shi's "Buying Zhejiang Lamps" is indeed not an "empty word", but a good "practical" article. At the beginning of the article, it was pointed out that the emperor put the lamp in the first month and bought the lamp at a lower price was "to play with his ears and eyes and not to be in a hurry, and to seize the necessary assets of his mouth", and then analyzed that "the people who sell the lamps are not the wealthy people." Borrowing debts, saving for the rest of the year, food and clothing, looking forward to this ten days".
He is obviously sympathetic to the people and understands the people's livelihood and suffering, so his words are extremely sincere and profound. Then he pointed out in a pretentious manner: "Your Majesty is the parent of the people, but you can buy it at a higher price, how can you reduce the price and pay cheaply?"
He also considered that he might refute his statement of "buying expensive at a higher price" on the basis that buying lamps was useless, and that he did not mean to advocate "buying expensively", so he pointed out that if "you know that it is useless, why bother?" If you don't like it, don't buy it."
Dripping with joy and sorrow, the emperor has no room for prevarication. Even better, he didn't stop there, and further pointed out: "What is stored in the internal treasury, but not the people's power?
Therefore, not only should the price not be lowered, but even the price increase is not right; Not only is it wrong to buy lights, but even "tours, gardens, feasts, gifts, etc." should also be "thrifty". Make the meaning of the article deeper, broader and more realistic. Su Shi's other famous essay "Teaching War Defense" is also the text in "An Wanmin" of "Farewell".
From putting forward arguments, listing arguments, and drawing conclusions, this article has clear levels and rigorous arguments, which can represent the characteristics of Su Shi's essay. The article first pointed out that "the troubles of today's people" lie in "knowing safety but not danger, and being able to escape but not working". And it is pointed out:
This affliction is not seen now, but will be seen in another day. If you don't do it now, there will be some incurable people in the future. The argument is quite clear.
Once the argument is clear, the argument is listed and demonstrated. After full argumentation, he pointed out that "there is an inherent accident in the world", that is, war is inevitable. An analysis of the inevitability of war is very incisive.
Today, the country is so enshrined in the west and the north that there are millions of people in the year. Those who give are limited, but those who ask are insatiable. This is bound to be a battle.
Fighters are inevitable. If you don't lose it to me, you lose it to the other; If it is not from the west, it is from the north. The unknowable, there is a slow, far and near, and it is inevitable to do so.
The world is not exempt from the use of soldiers, and the use of them is not gradual, so that the people are in peace and quiet, once they are born and die, they will be troubled, and there will be accidents. "Write here, about "raw.
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The style characteristics of Su Shi's prose: colorful artistic style.
He drew extensively from the works of his predecessors, the most important of which are the grandeur of Mencius and the Warring States Period, the rich associations of Zhuangzi, and the natural and unbridled style of writing. Su Shi is indeed extremely expressive, and there are almost no objective things or inner thoughts that cannot be expressed in his writings.
Su Wen's style changes freely with the different objects of expression, as natural and smooth as flowing water. Han Yu's ancient texts relied on eloquence, layout, momentum and other means to achieve momentum, while Su Wen relied on the way of swaying wishful thoughts and surging thoughts to achieve the same goal. Su Wen is imposing, but the language is easy and natural, which is one of the characteristics of Song Wen that is different from Tang Wen.
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1. Adhere to the theme of realism.
Su Shi is a person who cares about the people and is interested in helping the people through the world, he has a needle and sarcastic attitude towards all kinds of unreasonable phenomena in social reality, and has always taken criticism of reality as an important theme of poetry in his poetry creation. He was involved in government affairs, and was repeatedly belittled, and had the opportunity to contact the lower classes, and often wrote about the people's sufferings that he had heard and witnessed into his poems.
Second, the content is rich and has extremely high aesthetic value.
Su Shi's poems are unique in terms of rich content, wide range of themes, diverse forms, and profound feelings. In his later years, he wrote more than 100 poems and Tao poems, which are quite distinctive.
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The highest achievement is actually Su Shi, and he is one of the eight masters of the Tang and Song dynasties. In ancient times, he was also a household name. Literary achievement is also high.
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The highest prose achievement of the Northern Song Dynasty is the book of thanksgiving to the people, which is very well written and can be called the highest achievement.
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The highest achievement is "Red Cliff Fu", and he is also a very powerful poet, he and his father and brother are known as Sansu.
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Su Shi's essays "Red Cliff Fu" and "Later Red Cliff Fu" reached his highest literary achievement, and were selected as middle school Chinese textbooks, from which he experienced the liberation of the author's spirit.
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Su Shi does not have prose of the highest achievement.
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Former Chibi Fu. It can be said to be a divine product.
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Su Shi's style of words can be roughly divided into three categories:
1. Bold style.
This is the ideal style that Su Shi deliberately pursued. He integrates the words with abundant, passionate and even slightly sad feelings, and writes about human beings with generous and heroic images and broad and majestic scenes;
2. Kuangda style.
This is the style of words that best represents Su Shi's thoughts and character characteristics, expressing the poet's desire to live in seclusion, avoid troubled times, and look forward to peace.
3. Graceful style.
The number of Su Shi's euphemistic words accounts for an absolute majority of the total number of words, and these words are pure and deep in feeling, healthy and lofty in style, and they are also a kind of inheritance and development of traditional euphemistic words.
Adversity is also an opportunity for growth. Wise man, not a single setback is wasted. Su Shi reread "Zhuangzi" and thought about people's spiritual pursuits. >>>More
I like Su Dongpo's the most, because I think his poems are neither as thoughtful as the graceful school, but also more refined than the bold school.
The theory of truth and reality is one of the traditional aesthetic concepts in ancient China, and is widely used in the creation and commentary of literature, painting, calligraphy, and even garden art. Literary artists throughout the ages have attached great importance to the use of the method of fiction and reality. Jin Shengxi of the Qing Dynasty believed that "it is necessary to know that the text is in the subtlety, and there is truth in pure fiction, and there is fiction in reality." >>>More
(1) Comprehensive.
Chinese opera is a highly integrated national art. This synthesis is reflected not only in its integration of various artistic disciplines (such as dance, acrobatics, etc.), but also in its exquisite and profound performing arts. A variety of different artistic factors are closely integrated with the performing arts, and the full function of the opera is realized through the performances of the actors. >>>More
"Writing Under the Lamp" is a companion piece to "Late Spring Chatter", from the essay collection "Grave". >>>More