Huang Binhong s calligraphy and painting appraisal auction how much is a square foot of Runge

Summary. Hello, the result has been queried for you.

Hello, the result has been queried for you.

Huang Binhong's landscape paintings are generally 50,000 yuan.

It's not a square foot.

Dear, I hope I can help you, it is not easy to answer the question, if it helps you, please make an evaluation of me, I wish you a happy life!

Is this genuine?

I can't judge this, so you can show it to the connoisseur.

Judicial auction.

Well. The judicial auction can't be a fake painting.

Generally not.

Thank you. Then please give me a thumbs up.

30 more than 60 large sizes.

24 inches.

Huang Binhong (January 27, 1865 - March 25, 1955), originally from She County, Huizhou (now Huangshan City), Anhui Province, was born in Jinhua, Zhejiang, and grew up in his hometown of Tanzhu Bidu Village, She County. His calligraphy"Zhong Ding"The skill is deeper. His painting style is lush and gorgeous, and the artistic conception is profound.

Occasional flowers, birds, grasses and insects are also strange. The following is my calligraphy work of Huang Binhong for you, I hope it will be useful to you!

Appreciation of Huang Binhong's calligraphy works

Huang Binhong's calligraphy works**1

Huang Binhong's calligraphy works**2

Huang Binhong's calligraphy works**3

Huang Binhong's calligraphy work**4

Huang Binhong's profile

Huang Binhong (1865-1955) was born in Tandu Village, Xixiang, She County, Anhui Province, and was born in Jinhua, Zhejiang. The original name was Mao, and later changed its name to quality, the word Pucun, the middle-aged changed the word Binhong, and did not sign to Xiang, and in his later years, he signed Hongsuo, Huangshan Shanzhongren, etc. In his early years, he was excited by current affairs, participated in the League, the Southern Society, the Society for the Preservation of Chinese Culture, etc., and later devoted himself to academics, deeply studying the history and theory of painting.

He has worked as a compilation in the National Quintessence Journal, Shenzhou Times, Commercial Press, etc., and is the main editor of Shenzhou Guoguang Society. He has successively served as a professor at Xinhua Art School, Beiping Art School, East China Branch of ** Academy of Fine Arts, and member of the National Committee of the Chinese People's Political Consultative Conference. He is a great master in the history of modern Chinese art.

Regimental Ranks. He is the author of "Tao Xi Text Evidence", "Introduction to Ancient Seals", "Ancient Arguments", "Interpretation of Ancient Characters", "Micro Ancient Paintings", "Honglu Painting Talks", "Theory of Ancient Famous Paintings", "The Origin of Huangshan Painters", "The Essence of Painting", "Binhong Caotang Seal", "Painting Edition", "Binhong Miscellaneous Works", "Binhong Poems and Grass", etc.

On March 25, 1955, he died at 3:30 a.m. due to ineffective treatment for stomach cancer, at the age of 90.

In the modern Chinese art world, Huang Binhong is a very important painter. His black, dense, thick and heavy painting style and rich brushwork contain the great spirit of the Chinese nation's unremitting self-improvement and virtue, as well as the aesthetic orientation of natural beauty. For decades, Huang Binhong's paintings have been widely concerned by the art world, and have gradually released tremendous energy, influencing the Chinese painting scene today.

For Huang Binhong, calligraphy has a unique practical significance, and it is the "source of living water" for his brushwork and painting methods. Huang Binhong's fundamental emphasis on calligraphy and practical operation for literati freehand painting has accompanied him almost throughout his life. No one has taken the initiative to apply the principles of calligraphy to painting like Huang Binhong, and has achieved such a high level of real-world results.

It can be said that Huang Binhong's painting is a pavilion based on calligraphy, and its stability and height are related to calligraphy.

Another peak of traditional literati landscape painting, the comprehensive transcendence of the four monks and four kings, elevated Chinese landscape painting to a new realm of rich luxury. Pay attention to the round, flat, stay, heavy, change, and use ink to pay attention to dry, wet, thick, light, broken, splashed, and stay. The picture has both form and spirit, and it is fascinating.

Very good! It's a pity I don't have any of them.

Huang Binhong (January 27, 1865 - March 25, 1955), originally from She County, Huizhou (now Huangshan City), Anhui Province, was born in Jinhua, Zhejiang, and grew up in Tandu Village, She County, his hometown. Famous painter and scholar in modern times. [1]

He is good at painting landscapes and is a grandmaster of landscape painting. When he was six years old, he copied the Shen Tingrui (Cliff) landscape book in his family's collection, and learned flowers and birds from Zheng Shan, Chen Chongguang, etc. In the early years, under the influence of the "Xin'an School", he was characterized by dry brushwork and light ink, sparse and elegant, and was "Bai Binhong"; After the age of eighty, it is characterized by dense and heavy black, translucent in black, and is "Black Binhong".

In the history of modern painting in China, there is a saying of "Southern Huang and Northern Qi", "Northern Qi" refers to Qi Baishi, a great master of flower and bird painting who lives in Beijing, and "Southern Huang" refers to Huang Binhong, a master of landscape painting in Zhejiang. Huang Binhong was born in Jinhua, Zhejiang, and died in . Famous and qualitative, the word is simple, good at landscapes, flowers and pay attention to sketching, but he became famous relatively late.

After the age of the year, his painting style gradually tended to be realistic, and after the age of the year, he really formed the familiar "black, dense, thick and heavy" style of painting. Huang Binhong's landscape paintings in his later years, the mountains and rivers he painted were deep, magnificent, and shocking, and this remarkable feature also made Chinese landscape painting rise to a supreme realm. Because of Huang Binhong's outstanding contributions to the history of art, on his birthday, he was awarded the title of "Outstanding Painter of the Chinese People" by the state.

His work "Autumn Forest Picture" scroll, coloring on paper. Vertical centimeters, horizontal centimeters. Now in the collection of Tianjin People's Fine Arts Publishing House.

In this picture, you can see the overlapping mountains, the sparse forests, and the clouds and mist. The vista is a hillside, with ancient pines and a few bungalows, scattered in front and back. There is a four-corner pavilion behind the garden, and one person sits in the pavilion.

The mountainside is full of trees, the branches are slanted, and the mountains rise and stand alone. On the left side is a vast lake, and there are two sailboats sailing downwind between the two mountains, lining the water with the mountains and baking the mountains with water, so that the mountains and rivers have a close relationship with each other's beauty. Although this picture is steep in mountains, winding mountain roads, and dense forests, there are many layers, but the picture is still beautiful and beautiful, and the interest is vivid.

The idea is strange in the plain, the quality is taken from the near, and the potential is taken from afar, not falling off the ordinary, the pen and ink are dry and moist, there are virtual and real, complex but not chaotic. This is inseparable from the painter's long-term artistic practice, which has made his painting art reach a state of perfection. This painting can also fully reflect his artistic style of "strong peaks and mountains, lush vegetation and trees".

Huang Binhong is a master of Chinese painting in the 20th century. Before the age of 50, he galloped through hundreds of schools, tracing the Tang Dynasty and the Song Dynasty. After that, the full tour to see, nine on the Yellow Mountain, five on the Jiuhua, four on Mount Tai, and then climb the five mountains, the wild goose, the Bashu tour, the footprint of half the world.

The post-70s generation has become a generation of famous craftsmen. His paintings, on the basis of deep study of tradition, refinement and macro, condensed and sublimated, and then fused into his own artistic personality. Compared with other giants of the 20th century, Huang Binhong is more educated and full of literati temperament.

In addition to the creation of landscape paintings, he has made outstanding contributions in the fields of epigraphy, art history, poetics, philology, and the collation and publication of ancient books.

Huang Binhong believes that painting should not focus on appearance, and should not focus on the beauty of appearance, but should strive for internal enrichment and pursue "inner beauty". He also said: "The highest level of Chinese painting art is to have brush and ink.

Huang Binhong systematically sorted out and summarized the experience of his predecessors in the use of pen and ink, and summed up the theory of "five strokes and seven inks" in his later years - "five strokes" are "flat, staying, round, heavy, and changing", and "seven inks" are "thick ink, light ink, broken ink, stained ink, splashed ink, scorched ink, and stay ink". In this way, with the pen as the bone and the ink gathered, the image of "rich and rich" can be presented.

Huang Binhong is a master of modern landscape painting. He is revered for all because of his profound education and unique artistic creations.

Huang Binhong is a painter who learns early and matures late. From the age of 6 to the age of 6, he has been diligent and persevering, and has been like a day for decades. It is not only early learning, but also learning old.

His so-called"Late ripening", when after the age of 75, his"cooked", not only in terms of skills, but also in his cultivation. There are real mountains and rivers in his heart, which is reflected in his magical transformation.