A brief description of the various possibilities for modern innovation in traditional Chinese painti

The most important thing is a calligraphy and painting with a Buddhist theme.

Chinese painting attaches great importance to the expression of lines and uses lines to shape images. The so-called "bone method" refers to the skeleton of the body; The so-called "brush" is to express the objects in the picture through specific lines. The line is the result of the selection and selection of an objective object, and it is also said that the line is the "root of the object".

Chinese painting shapes the body, whether it is fine brushwork or ink painting, whether it is a figure painting or a landscape painting of flowers and birds, all of which are expressed by lines. Whether the lines accurately express the image, whether there is power, whether there is a sense of rhythm in **, all depend on the use of the pen.

The history of the development of Chinese painting is like an endless river. From the trickle to the rolling Yangtze River, the water is diverted when it encounters a mountain, the waves are slapped when it encounters a boulder, and a whirlpool is born when it encounters a depression. The evolution of the history of Chinese painting is also full of similar landscapes.

All the people and events in the history of evolution that cause the diversion, turn, and fluctuation of rivers are key points and milestones in cultural history that cannot be bypassed.

The characteristics of artistic conception include many contents in Chinese painting. The subject matter of a painting, the framing and composition, the accurate and expressive modeling, the arrangement and description of the plot, and the management of the picture must all be learned from the "meaning". Wang Wei said

Painting landscapes is intended to be written first". Chinese ink is very particular. Used on rice paper, the layers are varied, the streamer is moist, fresh and attractive.

Zhang Yanxuan said: "The bones are similar, and they are all artistic conceptions. "Someone said:

Painting is heart-oriented, and belongs to the brush". In short, "meaning" can be said to be the soul of a painting.

It is prescribed by the artistic spirit of Chinese painting. The artistic spirit of Chinese painting is to express emotions through objects, and to express subjective emotions through objects. He and Western realistic painting are two different painting systems, with a series of different artistic characteristics.

I have made a comparison in the article "Light and Qi in Chinese and Western Paintings", but there is no distinction between high and lowThe artistic spirit, aesthetic orientation, modeling concept, time and space concept, means of expression and philosophical aesthetic ideas of Chinese and Western paintings are different. But in the final analysis, they all lead to the performance of people and human nature, and it can be said that the goal is the same.

A lot of modern elements have been added, and the more prominent characteristics of Chinese painting are inheritance, nationality, national spirit, and poetry, because there are many paintings, which can allow everyone to understand the poetry from the painting, and can also enrich people's imagination.

Special attention is paid to the sense of line, can be used to do a series of shaping, the subject matter is relatively wide, pay attention to the conception, the artistic embodiment is very in place, and the artistic expression is very strong.

It is very interesting, the language is expressed in painting, the core is very prominent, and it embodies a spirit and pursuit, and the colors are very rich and diverse.

Absorb the West and pay attention to realism. Writer Yang Daxia Yang Ke revealed.

Compared with traditional painting, what kind of breakthrough has been made in modern painting in brush and ink techniques?

In modern painting, the artistic characteristics and techniques of brush and ink techniques are becoming more and more perfect. The artistic characteristics and basic techniques of Chinese painting can be summarized as follows"It can be roughly divided into figures, landscapes, boundary paintings, flowers, melons and fruits, feasts, feathered animals, insects and fish, and other painting materials; There are techniques such as fine brushwork, freehand, outlining color, ink and wash, etc., and the color can be divided into golden, large and small green, boneless, splashing this auspicious shouting color, light color, light silk and so on. Mainly using lines and ink color changes in the forest, with hook, slight, point, dyeing, thick, light, dry, wet, yang, directional, back, void, sparse, dense and blank space and other expressions, to depict the image and business location, framing layout, wide field of vision, not limited to focus perspective.

There are murals, barriers, scrolls, albums, fan paintings and other format forms, supplemented by traditional framing techniques.

Dear will be happy to answer for you. The integration of Chinese calligraphy and painting into porcelain is an innovation in the combination of traditional Chinese culture and arts and crafts, which is mainly reflected in the following aspects: 1

Handmade: Combining Chinese calligraphy and painting with porcelain first requires hand-making. Porcelain is a traditional craft, while calligraphy and painting need to be done by hand.

When combining the two, it needs to be finely handmade to achieve the unity of beauty and practicality. 2.Design Innovation:

The integration of Chinese painting and calligraphy into porcelain requires innovation in design. Designers need to integrate calligraphy and painting with the shape and texture of porcelain through painting techniques according to different themes and uses, so as to produce new aesthetics and visual effects. 3.

Process innovation: porcelain production needs to be completed through high-temperature firing and other technological processes, and when integrating Chinese calligraphy and painting into porcelain, it is necessary to adjust and change the porcelain production and decoration links to ensure that the combination of calligraphy and painting and porcelain reaches perfection. 4.

Cultural inheritance: Chinese calligraphy, painting and porcelain making are both important parts of traditional Chinese culture, and the combination of the two through air dust can contribute to the development and promotion of traditional culture. These innovations have contributed to the integration of Chinese calligraphy and painting into the artistic creation of porcelain, which has greatly promoted the development of porcelain production.