The problem of painting and calligraphy appreciation, the basic knowledge of calligraphy and paintin

The basic knowledge of calligraphy and painting appreciation is as follows:

1. Life paper: It is the paper of the heart of the flower, whether the heart of the painting is paper or silk, there is a layer of paper. If the paper of the heart is removed, the heart of the painting will be reduced and there is no life, so it is called "life paper".

2. Two layers: The paper that is removed from the peel is sometimes filled with a little evenness, that is, it can be called the real painter, called the "second layer", also called the "soul", because it is the second layer of the painting heart, and it is the soul of the life paper painting. It is also called "bastard", which means to confuse the real with the false.

When acquiring paintings and calligraphy, it is possible to encounter such a situation, which should be paid special attention.

3. Handicap: It is to leave a one-point wide gap between the four sides of the painting heart and the framed edge. It's called "handicaping".

4. Back: It is the entire mounting paper behind the frame.

6. Poetry Hall: It is the upper end of the straight painting heart, and a piece of paper is hung on the square called "Poetry Hall". First, because the heart of the instrument is short, it is more decent after being set off; The second is to praise the painting of poems, so it is called "Poetry Hall", and some people also call it "Jade Pond".

7. Painting rod: It is a log rod for scroll painting, the thinner upper end of the painting is called the "sky pole", and the lower end is thicker called the "ground rod".

8. Shaft head: It is the shaft head pressed at both ends of the ground rod, and the shaft head is mostly made of mahogany, red sandalwood, horn and ivory products, and the shaft head not only increases the beauty of the painting shaft, but also expands flexibly.

9. Tripping: There are two silk or silk on both sides of the ground pole behind the frame, such as gourd or cloud head style on the side of the box called "trip". It is designed to protect the painting rod from falling.

10. Wrap the head: It is to frame a piece of silk or Burmese silk behind the first sleeve mounted paper on the painting. After the roll is completed, it can wrap the head of the painting scroll, so it is called "the head of the package".

11. Draw a sign: There is a piece of paper on the top of the head of the bag called "draw a sign". It is the name of the writer and the content of the drawing, as well as the name, year, and month of the collector.

12. Coil: It is the copper nose nailed on the painted heavenly rod, and it is used to tie wire A so that it can be hung.

13. Cable tie: It is a silk belt tied in the middle of silk A, which is used to tie the painting shaft.

14. Swallow belt: It is the upper end of the frame worker, and there are two symmetrical straight belts called "swallow belts".

Summary. Calligraphy is the art of line imagery, and there are four elements of "form". If you appreciate the "four elements", you will enter the first realm.

Calligraphy is the art of line imagery, and there are four elements of "form". If you appreciate the "four elements", you will enter the first realm.

Clause. Second, appreciating calligraphy is different from writing. Calligraphy should pay attention to "law", and "legality" can be "quality". There are four "laws". If you reward the "Four Laws", you will enter the second realm.

Books are like this, such as their learning, such as their talents, and such as their aspirations. In short, it is just like his people" (Liu Xizai). The purpose of calligraphy is to "send affection".

The most realm of calligraphy art is the abstract embodiment and expression of the human spirit and human temperament. Appreciating calligraphy is not only to see the profundity of skills, the exquisiteness of dot paintings and chapters, but also to see the author's spirit, mind and temperament. Therefore, the highest level of appreciation of calligraphy is to "dialogue and exchange" with calligraphers through calligraphy works.

To appreciate this realm, it is necessary for the appreciator to "see wisdom" and "see nature", and understand the "law", "artistic conception" and "temperament" of calligraphy.

Can you sum it up.

It is very difficult to judge the quality of calligraphy, and the subjective factors of the reviewer often play a decisive role. First of all, the hobbies are different, and the ups and downs have their own advantages. Some people like to be slender and beautiful, and some people like to be thick and rough; Some people prefer upright and calm regular scripts, and some people prefer vivid and smooth grass.

Secondly, there are shades of literary and artistic accomplishment, and there are levels of aesthetic taste. Some people pursue realism, some people pursue freehand; Some people advocate tradition, while others advocate innovation. ­

How to evaluate it in the big picture.

Calligraphy is judged from all sides.

There is no big picture.

Summary. Appreciating the quality of a calligraphy work you can appreciate from the following 5 aspects, the first is to use the pen, calligraphy as a unique traditional art, mainly to see the use of the pen to write lines and glyphs, calligraphy is through the use of the pen line, with the hardness of the pen to express this materialized means to achieve the font to create artistic conception; The second is a successful calligraphy on the font structure, penmanship and calligraphy are important parts, is the basis for the identification of good or bad calligraphy, according to the ranking series of fonts to write calligraphy words, only to return to the beauty, make people look comfortable. The third is the chapter:

It is an important component and means of expression of calligraphy works. Chapters, brushwork, and knots together constitute the three elements of calligraphy art. This is an important sign that calligraphy as an art form is different from everyday writing.

The fourth is the unity of "form" and "god", which is the essence of the art of calligraphy, so in the process of calligraphy creation. The fifth is rhyme: to use the change of the knot to express the dynamic beauty and achieve the beautiful effect of the font.

Appreciating the quality of a calligraphy work you can appreciate from the following 5 aspects, the first is to use the pen, calligraphy as a unique traditional art, mainly to see the use of the pen to write lines and glyphs, calligraphy is through the use of the pen line, with the hardness of the pen to express this materialized means to achieve the font to create artistic conception; The second is a successful calligraphy on the font structure, penmanship and calligraphy are important parts, is the basis for the identification of good or bad calligraphy, according to the ranking series of fonts to write calligraphy words, only to return to the beauty, make people look comfortable. The third is the chapter method: it is an important constituent factor and means of expression of calligraphy works.

Chapters, brushwork, and knots together constitute the three elements of calligraphy art. This is an important sign that calligraphy as an art form is different from everyday writing. The fourth is the unity of "form" and "god", which is the essence of the art of calligraphy, so in the process of calligraphy creation.

The fifth is rhyme: to use the change of the knot to express the dynamic beauty and achieve the beautiful effect of the font.

Hope the above is helpful to you.

If you are satisfied with the above answers, you can give a thumbs up!

Let's talk about how to appreciate calligraphy works as follows:

Calligraphy appreciation can be said to be benevolent, wise people see early wisdom, different people will have different evaluations of the same calligraphy work. But there are some basic rules to follow when appreciating calligraphy. Calligraphy is mainly divided into seal, li, Kai, line, grass and other five major calligraphy, each kind of calligraphy has its own penmanship characteristics, knotting rules, chapter style, etc., some works are two or more styles of calligraphy style reference combination.

Look at the rules from afar. See whether the chapter of the whole work conforms to the chapter layout of the book, whether the momentum between the characters and the lines is continuous, whether the qi and veins are connected, and whether the sections are distinct.

Take a closer look at the penmanship. The pen is expensive to change due to the body, the middle and side forwards are exchanged, whether the pen is strong, and whether the lines have a sense of strength, three-dimensionality, and rhythm. Starting from appreciating a single word, the slow observation is slowly extended to the overall work, and then reduced to a single word, forming a complete appreciation process.

Taste the connotation. Appreciating calligraphy is not only about the skills of penmanship and chapters, but also about the spirit and temperament of the author, as well as cultural accomplishment. At the same time, understand the author's creative background and creative environment, correctly understand the author's creative intention, and grasp the mood of the work.

He Shaoji's book was originally started by Yan. In addition to Yan Ti Kaishu, he worked hard to fight for the seat post, repeatedly copying, benefited a lot, and his early style was all from this post.

Dear, glad to answer for you. Consistent, the method of identifying ancient calligraphy and painting and modern painting and calligraphy should be consistent. Chinese painting and calligraphy in the market is currently divided into two major sections:

Ancient Chinese calligraphy and painting, filial piety, modern Chinese calligraphy and painting. Although this division is not very rigorous, it is ultimately based on the historical category (the Opium War of 1840), and it is convenient and feasible in the specific operation process. Whether it is ancient calligraphy and painting or modern calligraphy and painting, it is all traditional Chinese culture, which has a long history and has been passed down from generation to generation.

Its principle is the same, its law is the same, and it is the relationship between the source and the flow. Therefore, there is no essential difference in the appraisal method, and it is necessary to find the key points from the direct basis of the appraisal of calligraphy and painting, and then combine the indirect basis to make a comprehensive judgment if necessary. However, due to the limitations of Wu Zheng's various arguments and praises, it is not difficult for everyone to imagine that the calligraphy and painting appraisal industry has long encountered a situation in which the "ecological environment" of ancient calligraphy and painting is very different from that of modern calligraphy and painting, and thus caused differences in the overall ideas and operation methods of appraisal work in a passive situation.

I am glad to answer for you, the identification principles of modern calligraphy and painting and ancient calligraphy and painting are inconsistent. Ancient calligraphy and painting pay attention to the combination of poetry, calligraphy, painting and printing, and pay attention to pen and ink work. Modern painting and calligraphy are mostly exploratory academic schools, which are greatly influenced by Western paintings such as sketch colors.

Objectively, the ancient paintings and calligraphy have been created for a long time, the preservation of works has a large difference in quality, the visibility of famous works is less, and there are many disturbances in forgeries and ghostwritten works, which makes it difficult to clarify the standards in the hearts of appraisers. Therefore, it is often necessary to use indirect appraisal basis to make comprehensive judgments. All the works of painters in the Ming and Qing dynasties with relatively high visibility can basically solve the problem as long as they act on the principle of Lushen appraisal work.

The identification of modern paintings and calligraphy is more arduous and complex than that of ancient times, because the times are similar and the same, the atmosphere of the times and personal style are easier for pseudo-authors to grasp and reflect. Prints are getting better and better, so there are more fake templates. <>