What are the specific information of the representatives of the Fauvists?

Fauvism is a school of fine art that emerged in France in the early 20th century, also known as Fauvism. In 1905, a number of works of a unique style were exhibited at the Dodan Gallery in Paris, among which a statuette by the sculptor Marc elicited the exclamation of the art critic Louis Vauxelle: "Donatello among the beasts!"

This is where the name Fauvism comes from. Since then, some artists have used this slogan to carry out new artistic explorations. They make extensive use of rough themes and strong colors to vent their intense feelings.

Regardless of volume, objects, and light and shade, pure monochrome is used instead of perspective. Important painters are: Matisse, Van Dongen, Marche, Delang, Rouault, Flamenck, Dufé, etc.

Although the Fauvist painters had their unanimity in their artistic point of view, they placed more emphasis on the originality of the artistic style. They did not make any common declarations, but held several exhibitions together. Therefore, it has also been argued that Fauvism could not be called an art school in a narrow sense, but more clearly marked a transitional stage towards modern art initiated by Van Gogh, Gauguin, and Cézanne.

Fauvism's fruitful artistic activity lasted only about three years, due to the gradual variation of their personal styles. And slowly deviated from the style of Fauvism, and explored their own paths. Here only Matisse remained on the established path, maintaining the glory of Fauvism until the end of his life.

Matisse made him famous as the most important exponent and founder of Fauvism. Matisse (1869-1954) was born into a wealthy grain merchant family in Carter Cambrege, northern France. From 1887 to 1888 he studied law in Paris and then worked as a clerk in a law firm in St. Quentin.

The following year, he began to learn to paint due to his illness. In 1892 he returned to Paris and entered the School of Fine Arts, where he studied under Moreau. In the process of Matisse's artistic formation, Impressionism had a great inspiration for him.

Matisse's paintings are simple and intense, the pictures are full of decoration, and the artistic impact is very strong. His successful exploration in the summer of 1905 marked the birth of Fauvism. At this time, he began to paint in contrasting solid colors, with vivid effects and decorative interest.

His works in this issue include "Koliul, Open Window", "The Joy of Life" and "The Shower and the Turtle".

Dance" Matisse FranceIn Matisse's works throughout his life, he was interested in neither still lifes nor landscapes, but people. His "Painter and Model", "Indian Pose", "Woman in Blue", "Dance" and so on are all excellent figure paintings.

As a representative of Fauvism, Matisse's artistic achievements are mainly reflected in the study of a decorative sense of form. In the words of Nicholas Vatkin, his art has three characteristics: First, it expresses the full personality of the artist

second, it is full of the artist's lifelong hard work; The third is that his works can make the viewer feel a sense of tranquility in their hearts, so as to obtain a sense of beauty.

Fauvism. It is a school of art that emerged in France in the early 20th century, also known as Fauvism. In 1905, a number of works of a unique style were exhibited at the Galerie Dodan in Paris, among which a statuette by the sculptor Marc caused the exclamation of the art critic Louis, Vauxelle:

Donatello among the beasts.

This is where the name Fauvism comes from. Since then, some artists have used this slogan to carry out new artistic explorations.

Fauvism is characterized by the use of bright and heavy colors, a more straightforward and rough way to create a picture with strong contrasts, it pursues expressionism, which is a painting trend that has been popular in France since 1898.

Fauvist painting is the pursuit of expressionism, subjectivity is more intense, it is completely different from the traditional painting method, the use of flat painting composition, no need to imitate nature, and the artistic conception is relatively simple, the means are relatively simplified. In fact, this new trend of painting has been popular in France since 1898, and many representative painters have appeared, and their representative works are very famous painters such as Derain and Matisse.

Fauvism is characterized by its wild use of color and strong visual impact, often giving a sense of unreasonableness.

Fauvism is a term derived from the critic Louis Wothelle, who ironically referred to the fierce, violent colors used by these painters. Fauvist painters used similar means, concentrating on various ends. He wanted to use strong colors squeezed directly from the paint tubes, rather than depicting objects in nature.

This is not only to evoke retinal vibrations and to strengthen and grip rising romantic or mystical themes, but more importantly, to establish a new standard of painting that is completely different from this.

Representative of Fauvism.

Henri Matisse.

His works are exaggerated in shape, mostly using simple line drawings and combinations of color blocks to form a decorative painting style, and the pursuit of decoration and a sense of form is the essence of Matisse's art. He was also an accomplished sculptor, one of the pioneers of modernist sculpture, whose sculptures pursued a simple, sturdy style.

Maurice de Vlamanque.

French painter, representative of Fauvism, called old. A self-proclaimed rebel against tradition, he once threatened to destroy art academies with cobalt blue and vermilion. He likes to use strong contrasting colors in his paintings, believing that the colors themselves have a strong appeal.

Fauvist painters were keen to use bright and heavy colors, often using pigments extruded directly from the paint tube, with straightforward and rough brushwork, to create a strong picture effect, fully showing the expressionist tendency to pursue emotional expression. Fauvist painters made extensive use of rough subject matter and strong coloring to celebrate the intense expression of temperament, relying on structural principles, ignoring volume, objects and light and shade, and replacing perspective with pure monochrome.

The representative figures are: Matisse, Fritz, Vlamanque, Derain, etc.

The bright and heavy colors of the brush, often using the pigment extruded directly from the paint tube, and the straightforward and rough brushwork to create a strong picture effect, fully showing the expressionist tendency to pursue emotional expression.

Representative figures: Matisse, Flamenck.