How to sing Peking Opera well, the essentials and skills of singing Peking Opera

Follow the recording to learn, listen to Fan sing first, sing along with yourself, sing a few more times, each time you have to compare with what you just sang, pay attention to the details, and the singing method of the ornaments.

What exactly is the profession you ask?

For example: Hua Dan and Tsing Yi use a false voice, and Xiaosheng uses a combination of real and false voices.

Lao Sheng uses a real voice, and the pronunciation resonance part is almost on the forehead, that is, near the door of the head.

I don't know very well.

1. Breath is the driving force.

The breath is the driving force behind the pronunciation. In the process of pronunciation, the breath is exhaled from the lungs through the trachea, and the vocal cords of the larynx and the segmented articulation organs cooperate at the same time, and the breath vibrates the vocal cords of the larynx to make sounds.

1. Exercise: Inhale and loosen the chest cavity and diaphragm.

2. Exhale: Tighten down and maintain three conditions (chest expansion, downward expansion, and waist expansion).

3. Practice monophony: low, medium, high;

4. Bounce sound: use dantian.

with the abdominal cavity; 5. Glide: Relax the respiratory organs from the larynx downwards. The sound slides up from low to high;

6. Blowing: Feel the movement state of the dantian and abdominal cavity.

Second, the oral cavity is a variable resonance cavity.

Often because of the exertion of the place where it should not be exerted. The common problem is that the larynx, tongue, and mouth are overstretched and stiff.

1. Sensation: Communicate with the nasal cavity.

2. Mid and bass: the upper mouth cover is raised forward in an arc shape, and the sound is suspended.

3. Mouth shape: People who bite the word too hard to sing the word "ah" open too much, and the mouthpiece of the word "clothes" is too flat, which affects the resonance and timbre. We can put the ruts of "Yiqi" and "Renchen".

The mouth shape of the character leans toward a circle moderately.

4. Practice: (combined with breathing) "closed accents" such as the sound of clothes and characters, and pay attention to the mouth shape closer to the "round" shape. The word "ah", the mouth should not be opened backwards, and it feels "leaning" forward.

The essentials and techniques of singing Peking Opera are as follows:

1. "Rough breath" refers to the lack of control skills in the use of breath, and the inhaled breath is exhaled, which causes the sound to be superficial and unreal.

"Weak qi" means that the breath is insufficient, and the sound produced is thin and weak. "Turbidity" means that the breath is turbid and uneven, and the sound produced is sluggish and muddy. "Qi dispersion" means that the breath is completely exhausted, and the resulting sound will naturally be exhausted.

The slow board is difficult to tighten, the allegro is difficult to stabilize, and the loose board is difficult to accurate.

Note: Speak well of the essentials of Adagio, Allegro, and Loose Boards. Adagio is prone to procrastination, so be careful to sing tightly; Allegro is prone to the problem of grabbing the board, so pay attention to singing steadily; Loose boards are prone to laxity, so pay attention to singing more accurately.

2. Reading should be like singing Singing should be like reading.

The recitation on the stage of opera is different from daily speech, it has a special tone, and the actor's words on the stage must read its ** melody, that is, the so-called "reading is like singing".

Language is the basis of singing, and when an actor sings on stage, he should pay attention to the coherence of language and the expression of tone while paying attention to the beauty of the melody sung, that is, the so-called "singing should be like reading".

These two sentences actually emphasize the **** of reading and the language of singing.

3. Clear speech, heavy words, moving rhyme, intoxicating sound.

The singing of Chinese opera pays attention to "clear words and true feelings". The so-called "love truth" includes four aspects:

1. That is, the art of singing is not to rhyme for the sake of rhyme, but to express feelings through voice.

2. Before the actor acts, the shape (action) and appearance (expression) should play a supporting role.

3. After the cavity, the "shape" and "appearance" are retracted, and in the slight wave of expression, there seems to be a trace of sound waves in the tone.

4. When singing has a long passage, it is necessary to fill the gap with emotion.

Fourth, the so-called "clear words", that is, when singing, the actor should clarify the position and focus of the words in the mouth from the technique, as well as correctly grasp the changes in different mouth shapes and pronunciation parts, and then send the words clearly to the audience's ears.