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Camel Xiangzi has created many characters with distinct personalities and lifelike characters, Xiangzi and Tiger Niu are the two most dazzling. Shoko is a farmer who went to the city after the countryside went bankrupt. He looked at everything in the city with the honest eyes of an honest peasant, and used his strategySeek the concept of personal fortune to save money to buy a car, in order to improve their own survival situation.

He desperately sold his labor force and grabbed business like a "hungry beast"; Life is extremely frugal, even starving, and is unmoved in front of the urban world of flowers。In Xiangzi, the character, temperament, and psychology of the peasants are portrayed very accurately and realistically.

A large number of detailed and moving psychological descriptionsThis is an important means for the author to portray Shoko. The special life experience has made Xiangzi develop a simple and honest personality, and the author is aimed at this characteristic of the protagonistFlexibly use a variety of psychological depiction techniques, or inner monologue, or third-person narration, or through the description of scenery, or through the eyes of others, to portray characters in three dimensions and multi-dimensional.

It can be recognized from "Camel Xiangzi".Shoko's taciturn is a reflection of his repressed and lonely social status. He is industrious, simple, and kind, and he doesn't even have the cunning of Ah QHe was just a farmer pulling a foreign cart in the city of Beijing. At the same time, like all small producers, he is narrow-minded, and cares little about anything other than the struggle to change his personal circumstances, not even a buddy.

From this, we can recognize that this is a subjective aspect of the tragedy that caused Shoko.

The extensive use of metaphor is one of the characteristics of Lao She's literary language, and his metaphor is used wellWonderfully used and has its own style. For example, he compares Shoko, who is newly married to Tiger Girl, to a rabbit in a cage: "He can't remember cryingHe couldn't think of laughing, his big hands and feet moved in the small but warm room, like a rabbit in a small cage, his eyes were red and he looked outside, looking inside, there were empty legs that could fly, and he couldn't run out!

> this is a very vivid and accurate expression of Shoko's desire to workI want to pull a foreign car and run to live with my own hands and feet, but I am firmly chained to my home by the tiger girl, and I can't be free of eagerness, anxiety, and frustration. To describe the quality of Shoko,The author even uses a peculiar metaphor to describe it: "It was as if he could be a good ghost even in hell."

Describe Shoko in a society that is like a spider web, he is a little worm or something, and he can't break through the gluttony of large and small spiders. Sometimes "he had no himself, only struggling through her teeth, like a mouse caught by a cat." Sometimes it's like "a cricket that has lost its thigh, and wants to crawl with its calf".

Sometimes he feels that "a man is nothing at all but a bird." If you go to collect food yourself, fall into the net, and eat other people's grain and rice, you have to be honest in the cage, crying to others, and you can be sold at any time."

After reading this, I found all of Lao She's ** and wrote a general feeling after reading. I don't remember how I felt when I read it. I just remember being a little glad I wasn't in that era.

At that time, an ordinary duty and hard-working laborer was turned into a puddle of mud. When Shoko begins to walk into the brothel and towards the big smoke house, it is not only a time when his ideals are shattered, but also a microcosm of thousands of workers who want to change the status quo through hard work and thrift. What's the point of my efforts if they're worthless?

Hope is used to dash. "I witnessed the truth of this sentence in Shoko. When I read this, I was still in school, and now I have entered the society and become a laborer.

For me, Shoko's situation is a mirror, and his end is the sadness of the times. All of this prompted me to adjust my mindset in time when faced with a bad situation in life. Sometimes the power of the work is really great.

This book describes the living conditions of the toiling masses in society at that time, and it is still very realistic, and Shoko, as a representative of the toiling masses, lived a very miserable life.

Camel Xiangzi is a clue to the unknown whereabouts of Xiangzi, a charioteer in Beiping, revealing the picture of the low-level poor people in Beijing living in the abyss of misery under the dark rule of warlords.

It was written very realistically, and it also made me understand the current situation of contemporary society and feel the helplessness of people in that era.

Lao She was born into a poor family in Beijing, and although he lived in the era of the New Culture Movement, he did not directly participate in the New Culture Movement, or even participated in the May Fourth Movement, and always took a bystander attitude. And he tries to use creative methods to explore the source of modern civilization. Because he lived in Beijing and was an authentic person who was nurtured by Beijing culture, he also hoped that through the description of Beijing's traditional local customs, he could reflect the obvious but not easy to detect national problems in China at that time, as well as the criticism of backward culture.

What Camel Xiangzi wants to express is actually the image of the typical urban poor represented by Xiangzi, although these people live in the city, they are still "local" Chinese, still burdened with backward traditions and feudal ideas. It is in this dramatic and exaggerated way that Mr. Lao She attempts to reveal the pathological spirit of the real Chinese represented by these characters, so as to practice his criticism of the negative and backward side of Beijing culture and even traditional culture.

Because Lao She was born in a poor citizen family, he has been in contact with the lower class people since he was a child, and has a deep understanding of the living conditions and psychology of the working people, all of which provided materials for Lao She's creation of "Camel Xiangzi". The background world of "Camel Xiangzi" is the dark, deformed, and unbalanced old Chinese society, where the people live in poverty, and Xiangzi is only a representative of the vast number of toiling people. Although they have a certain freedom, they have to run for a living, and poverty deprives them of the pitiful freedom they have.

In 1936, a friend of Lao She's from Shandong University talked about his experience and experience of hiring a coachman: a coachman bought a "foreign car" and sold it soon after, and so on and so forth, and finally suffered poverty. At that time, Lao She felt that the subject could be written as a **.

I am a post-70s generation, and I read this article in the early years, and Mr. Lao She described the life of the low-level people with some feelings. People who have not experienced suffering, hunger, or descent cannot imagine why the decisions made by people at that time were the result. There aren't so many whys, not so many how it should be, not so many conspiracy theories.

After experiencing struggle, disillusionment, and helplessness, he could not see the hope of life and was decadent, broken and broken. People are poor and short-minded, horses are thin and long-haired, and their conscience is lost in difficulties. The greed of human nature, white selfishness has been expressed, there is no way to be a good person, you can't be a bad person, the poor in the old society will be duckweed, if he lives now, he is a young man who works hard and does his duty.

Think about the past, look at the present, do it and cherish it.

About Lao She's work, in fact, I will have a lot of questions, because I don't know what Xiangzi died because of it, and Xiangzi's wife was separated because of something, I don't know why, even if I read it three or four times, I haven't figured it out, so these are all places I have doubts.

After reading Lao She's book "Camel Xiangzi", I feel that there are many things that can be learned by me, but there are also many things that I can't understand, such as Lao Xiangzi, there are many characters in the portrayal and names are very old, and I can't understand why I take it this way, and there are some things I haven't heard.

About Lao She's "Camel Xiangzi", my biggest question is this box, why does it appear in this city, because I think a simple person like him is not suitable for living in this environment, why does she have to go to the city, obviously the countryside is also very good.

About Lao She's camel Xiangzi, in fact, I have a lot of questions, because when I read this camel Xiangzi, I was still very young, probably in junior high school, at that time I didn't quite understand why Xiangzi and Tiger Niu had that kind of emotion, and Tiger Girl, although he may mean a little bit, is different from others, but it is also so good to Xiangzi, why is this?

I think Liu Siye is the kind of person who climbed up from the bottom of society. Experienced a lot of winds and waves. It is also socially experienced. Won't make the decision to drive Tiger Niu and Shoko away.

Such a good writer writes about the bitterness of the world and the difficult life of the people at the bottom, and also exposes the bad habits of the Chinese people. Can Shoko finally understand? Can today's taxi drivers understand?

I haven't understood that the tiger girl has a difficult birth, why didn't Shoko sell the car and let the tiger girl go to the hospital? The doctor sees 10 yuan to deliver 20 yuan, how can Xiangzi car be sold for 50 yuan, right? Although the medical conditions were poor at that time, there were still conditions for caesarean section in a big city like Beijing, right?

"Camel Xiangzi" is one of Lao She's important masterpieces, which truly reflects the tragic fate of the urban poor in old China. The story thread is single, and the narrative revolves around Shoko's struggle and depravity, with touching plot twists and turns, and the language is smooth and natural. The tragic ending of this appearance illustrates that in the dark old era, individual hard work will eventually be destroyed under the pressure of society.

This work depicts the dark picture of Chinese society in the twenties and thirties, exposing the criminal semi-colonial and semi-feudal social system. In addition, through the analysis of the process of spiritual destruction, Lao She further expressed his concern about the catastrophe brought about by the sick urban civilization to human nature. In addition, the author also adopts the technique of contrast and contrast, and pays attention to the psychological description of the scenery and characters.

The birth of "Camel Xiangzi" marks the maturity of Lao She's language style, and is known as "China's best long story on the eve of the Anti-Japanese War". In 1945, an English translation of the book was published in the United States and became a viral phenomenon.

After reading "Camel Xiangzi", my mood is mixed, Xiangzi was hopeful for his future at the beginning, hoping to buy his own car in the New Year's Hall, and live a good life of his own by relying on his hard work, so he worked hard, but he met where he escaped to the deserter, detective, witch doctor ......robbed him, looted him, bullied him, and in the end, his hopes were disillusioned, and he also fell from an aspiring young man to the scum of society, which is embarrassing.

People, One Less" is also an article that makes people feel uneasy. The first time a woman stretched out her hand to beg, she was shy and uneasy, but when she met her again, she was already begging for the nth time, the woman smiled smoothly and tiredly, showing her dirty yellow teeth, and no longer hesitated when she stretched out her hand to ask for money, and there was no shyness at all, and the author sighed in shock: "People, there is one less!"

After reading "Camel Xiangzi", I have a strong feeling that there is one less person! That Shoko, who has a dream, is eaten by a dark society!

Mr. Lu Xun's ** "Diary of a Madman" uses "cannibalism" to whip the darkness of society, reading "Camel Xiangzi", I feel that watching the good young Xiangzi being devoured alive is simply witnessing a tragic execution, uncomfortable! However, just like "Man, One Less", Shoko's hope, struggle, and depravity, its own problems cannot be ignored. The writer Mr. Lao She also made a corresponding analysis through his wonderful words.

After reading this famous book, students will definitely be able to discover that a happy life is not innate, and a beautiful society needs people to build. If we don't forget that kind of history, we can move forward with a heavy load!

The 1983 movie is different from the original.

1. At the beginning, Xiangzi escaped from the rebellion, brought back three camels, met an old man who raised camels, asked the old man for water to drink, and carried water for him to go home.

2. Liu Siye and the coachmen gamble in the parking lot, which is an increase.

3, Liu Siye accepted Xiangzi as his godson on the day of his birthday.

4, Xiangzi met Xiaofuzi on the road on a rainy day and took her home in a car. Xiaofuzi helped Xiangzi sew the canopy and wipe the car.

5. When Xiaofuzi took her two younger brothers to kneel down and plead with Hu Niu, begging her to let her live, Hu Niu not only apologized, but also gave Xiao Fuzi a bag of flour that Xiangzi had just bought home.

6, Liu Siye hid far away in a small teahouse on the day of their wedding and did not show up.

Camel Shoko's art is characterized by a compact structure and strict brushwork. The work takes Xiangzi's three ups and downs as the development clue, and the love entanglement between him and Hu Niu as the center, and the two are intertwined, which is slightly intricate in simplicity, and extends the brushstrokes to the life of different classes and families through the relationship between Xiangzi and the people around him.

Characteristics of the art of Camel ShokoXiangzi's personality is silent and tenacious and even wooden, and the psychological ode to the description of the calendar complements Xiangzi's personality that is not good at words, writing psychology with action situations, writing psychology from the language aspect, through the author's direct analysis, showing the changes in Xiangzi's psychology, observing Xiangzi's psychology through the eyes of others, and setting off the psychology with the help of the changes in the scenery in Xiangzi's eyes.

The vivid and prominent Beijing flavor, the description of Beijing's customs, folklore, geographical features, natural scenery, Xiangzi and the various characters around it are not placed in the lower class society of Beiping that Lao She is familiar with, the explanation of the folk customs of the tiger girl preparing for the wedding, the description of the scene of the scenery of Beiping to the detailed description of Xiangzi's cart route, all make the ** reveal the unique local color of Beiping.