Art criticism of Ning Hao s works, what works does Ning Hao have

Ning Hao's works include: "Crazy Alien", "My Motherland and Me", "I Am Not the God of Medicine", "Crazy Racing", "No Man's Land", "Embroidered Spring Knife: Shura Battlefield", "Miracle", "Heart Flower Road", "Lao Pao'er" and so on.

Ning Hao, born on September 9, 1977 in Taiyuan City, Shanxi Province, is a director and screenwriter in Chinese mainland, and graduated from the Department of Art Branch and Hu of Beijing Normal University and the Department of Photography of Beijing Film Academy. In 2001, Ning Hao won the Best Director Award at the Beijing University Student Film Festival for his student film "Thursday, Wednesday" Liang Hui.

Director Ning Hao's works include: "Weekly Survey with Four Days, Wednesday".

Synopsis: This is not a story about Thursday or Wednesday, his existence is just the role of a title, just like "Crazy Stone", the crazy people are not the stones. There is also a hint that the week is divided into seven days, and the protagonist of the story may appear on that day, carrying out a certain activity.

The boy is working on the wall with his own mind, perhaps thinking that this will confirm that he has the potential to be an abstract artist. He picked up a drawing and put his gum on the wall, but it was at this moment that someone stopped the boy's imitation from continuing, and he began to chase after him, and he began to run; The picture cuts to the girl's part, she drew in class, the one that the boy picked up, because she was too obsessed with it and was found and confiscated by the teacher, she chose to leave the classroom and go outside, and began to admire her picture book.

Sometimes I have to admire the director's ability to tell the story, and those clever directors always put the ability to tell the story very low, and reveal it to you without easy time, so that you can understand it. Ning Hao was born with this talent.

Most of the movies directed by Ning Hao have a common theme, except for "Green Meadow", all of them are talking about one thing, that is, desire. In his opinion, "We are a generation living after the reform and opening up, and the biggest change in this generation is that we don't talk about ideals, beliefs, or political demands, and the driving force of the whole is personal desire and social desire." ”

Ning Hao's grasp of the narrative is unhurried and eloquent, and with the abrupt end of the ending, people leisurely give birth to a sense of melancholy: the progress of the times, the struggle of the characters, the alienation of morality, and the decline of faith ......Not really. Ning Hao is a person who has feelings about his life experience from time to time, and all kinds of encounters in life will be accumulated bit by bit in his experience world to create creative materials, once the inspiration flashes, he creates a living person on the screen, rather than a face-painted conceptual derivative.