Regarding the personal information of the following poets, the poets known as the history of poetry

The history of poetry refers to Du Fu, a famous realist poet of the Tang Dynasty.

Du Fu, whose name is beautiful, calls himself Shaoling Ye Lao, and Du Fu and Li Bai are collectively called "Li Du". Du Fu was called the "Saint of Poetry" by later generations, and his poems were called "History of Poetry".

Du Fu is a generation of great poets born in the culture of the Tang Dynasty, but his life as an adult was spent in the political turmoil of society from prosperity to decline.

The great changes in society and the ups and downs of personal destiny have contributed to him, history has linked his personal destiny with the destiny of the country, making it possible for him to comprehensively and profoundly reflect the course of history, and his realistic, rational and steady personality has enabled him to profoundly grasp the essence of society.

Du Fu's literary achievements

Qian Qianyi compiled the "Collection of Notes on Du Gongbu". Yang Lun said: "Since the Six Dynasties, the Yuefu problem rate has mostly simulated plagiarism, and Chen Chen is the most disgusting.

Zimei came out and was alone with what she felt at that time, returning to Zen to sympathize with the country's difficulties, and hurting the people and the poor, setting up questions at will, and getting rid of the trappings of her predecessors.

Poetic status. In Du Fu's middle age, because of his depressed poetic style, he worried about the country and the people, Du Fu's poems were called "poetry history". His poems are known for their ancient style and rhythmic poems, and his styles are diverse, and the four characters of "depression and frustration" accurately summarize the style of his own works, and the main style is depression.

Du Fu lived in the historical period of the Tang Dynasty from prosperity to decline, his Liang poems mostly involve social turmoil, political darkness, and people's suffering, his poems reflect the social contradictions and people's sufferings at that time, and his poems record the historical changes of the Tang Dynasty from prosperity to decline, expressing the lofty Confucian spirit of benevolence and a strong sense of distress, so it is known as "poetry history".

The poet known as the "history of poetry" is: Du Fu, a poet in the Tang Dynasty.

Du Fu's influence in classical Chinese poetry is very far-reaching, and he is called the "poet saint" by later generations; His poems reflect the social contradictions and people's sufferings at that time, record the great historical changes of the Tang Dynasty from prosperity to decline, and express the lofty Confucian spirit of benevolence and a strong sense of sorrow, so it is known as the "history of poetry".

Du Xiaoqifu, the word is beautiful, self-named Shaoling Ye Lao, and Li Bai is called "Li Du", Du Fu is often called "Lao Du"; Later generations called it Du Shiji, Du Gong Department, also known as Du Shaoling, Du Caotang. Du Fu wrote more than 1,500 poems in his lifetime, many of which are famous poems that have been praised through the ages, such as "Three Officials" and "Three Farewells"; Among them, the "three officials of hail" are "Stone Trench Officials", "Xin'an Officials" and "Tongguan Officials"; The "three farewells" are "Farewell to the Newlyweds", "Farewell to the Homeless" and "Farewell to the Elderly".

Du Fu's literary characteristics

In terms of language, Du Fu's poems are generally considered to have the characteristics of "gloom", and the language and text structure are full of changes, emphasizing the refining of words and sentences. The word "depressed" was first seen in the Southern Dynasties, "the body is depressed and meditative, the sun and the moon are beautiful", and later Du Fu wrote the words "depressed and frustrated" to accurately summarize the language of his own works, "As for the depression and frustration, he is agile at any time, and the disciples of Yang Xiong and Mei Gao can be trampled and reached."

Further research on Du Shi found that the formation of his poetic style was closely related to the Confucianism he adhered to. At the same time, Du Fu was at the end of the prosperous period, and he was ambitious when he was young, "he would be at the top of the mountain, and he could see the mountains at a glance".

The above content refers to Encyclopedia-Du Fu.

During the Warring States period of Qu Yuan, he was a poet and politician of the Chu State, and his representative works include Lisao Nine Songs. Wait.

Reading books has a feeling, part two.

Last night, the spring water by the riverside was born, and the Mengchong giant ship was light.

It has always been a waste of power, and this day is free.

Translations. Last night the spring water on the riverside rose sharply, and the huge warship was as light as a feather. In the past, it could not be pushed by much effort, but today it can move freely in the middle of the water.

Exegesis. 1. Canal: It, the third-person pronoun, here refers to the water of Fangtang.

2. That's right: How could it be. 3. That:

Tong "which", what does it mean. 4. Clear as promised: so clear.

5. Such as: so, so. 6. Qing:

Clear. 7. For: because.

8. The source of living water: the metaphor of knowledge is constantly updated and developed, so as to continue to accumulate, only in the study of life continue to learn, apply and explore, in order to make themselves forever advanced and vigorous, just like the source of water. 9. "Ship":

The name of a very aggressive warship in ancient times, here it refers to a large ship. A hair-light: as light as a feather.

10. Always: Originally, it referred to before the spring water. Pushing Force:

It refers to the difficulty of sailing in shallow water, and it needs to be pushed and pulled. 11. Midstream: the center of the river.

This poem uses figurative metaphors. It uses rafting as an example to allow readers to experience the truth related to learning. "Last night, the riverside was born in spring, and the giant ship was light", and the "Meng Chong" in it is also written as "艨艟".

Because of the heavy rain "last night", the "spring water by the river", thousands of streams, rolling and surging, merging into the river, so the "Mengchong Giant Ship", which was originally stranded, floated up like a feather. "It has always been in vain to push the force, and the middle of the day is free", saying that in the past, the boat was shallow and the people pushed the boat hard, but it was also in vain, and at this time the spring water rose sharply, but the giant ship was floating freely in the current. The objective meaning of highlighting the importance of spring water in the poem is to emphasize the flourishing of artistic inspiration, which is enough to make artistic creation smooth and free; It can also be understood that creating art requires basic kung fu at home, and practice makes perfect, and it can be controlled freely.

This poem is likely to have been written by the author after pondering a certain problem and suddenly having an experience after studying.

Poetry Bone--Chen Ziang Shijie--Wang Bo Poetry Maniac -- He Zhizhang Poet Son of Heaven Seven Absolute Holy Hands -- Wang Changling Shixian -- Li Bai Shisheng (or Poetry History) -- Du Fu Poetry Prisoner -- Meng Jiao Shinu Da Companion -- Jia Island Shihao -- Liu Yuxi Poetry Buddha -- Wang Weishan Fanghe Poetry Demon -- Bai Juyi Poetry Ghost -- Li He Poetry God or Pai -- Su Shi.

Wu Chang is the poet who left the most poems by ancient poets in China.

a.Du fu. b.Lu.

c.Bai Juyi.

d.Tao Yuanming.

Correct Answer: Lost in socks: Land Tour.