The Position and Influence of Yi an Ti in the History of Words 30

An Yi's explanation.

1).Ease and laziness. "Chinese Jin Language VIII":

The "martingale" martingale is also famous, respectful of residence, not daring to be easy, respectful and benevolent, and good at politics. Wei Zhao noted: "Yi, Jane."

Don't dare to be self-assured and be brief. ” 2).Calm and stable ; Tranquility and peace.

New Tang Dynasty Book, Zhuo Xing Biography, Yuan Dexiu": "Yingshi's breathing is broken and he is regained, and it is not easy to be safe for a moment. "Jian Mingshi Lu Xun "Tomb · Moro Poetic Sayings:

Its stormy time, especially temporary ambush of the image, can not be eternal calamity, such as Adam's hometown. ”

The word decomposition of the word 安 is explained 安 ā calm, stable : to settle down. Peace.

Peacefulness. Safe. Leisure.

Settle down. Settle the country. Calm, calm (mostly refers to the mood):

An Min . Console. Appease.

Feeling satisfied with life and work: peace of mind. An Zhi Ruosu (when encountering an unsmooth situation or abnormal phenomenon, treat it as usual, easy to explain, easy ì effortless, as opposed to "difficult":

Easy. Easy to deal with (easy to deal with). Apt.

Harmony: Ease (a attitude of humility and kindness; b refers to plain language). Change :

Change hands. Alternate. Changeable.

Exchange: Transaction. **。

Slow: Expensive goods are easy to trade. Grass and trees:

Yi Tomb (Except for the Treatment.

1. Write lyrics in easy-to-understand literary language and in a clear and fluent tone.

The most prominent feature of Yi'an is to enter the rhythm of ordinary speech, and there is no word in the lyrics that are not harmonious, and it can "turn the vulgar into elegant".

For example, in "A Cut of Plums", "the flowers float by themselves, and the water flows by themselves." Only then did he frown, but he was on his heart. "Able to combine vulgar words into extremely clear and fresh words, and create an unusual artistic conception with ordinary language.

One of the distinctive features of "Easy Body" is the good use of simple colloquialisms, which are clear and fresh and ingenious.

2. "Yi'an Ti" integrates the deep sorrow and great pain of the rise and fall of the family and country, and at the same time does not lose the true color of euphemism, with a poignant and pathetic style.

For example, "Spring Festival Gala" "I am only afraid of the Shuangxi boat, I can't carry it, and I have a lot of sorrows." Li Qingzhao's later words are more of this kind of sad works, and the mood enters the poignant and sad way, and develops traditional euphemisms. The combination of the pain of family and country and the sorrow of life experience is the special style of "Yi'an Body", which is sad and heartbreaking.

Sanwang noisy "Yi'an Ti" is suave and husbandly, such as "Proud of the Fisherman".

"Yi'an Ti" is different from the general euphemism, which is gentle and vigorous.

Extended information: Li Lichen Qingzhao is a member of the Song Ci Wanyue faction. Her words are unique in Soho, Liu Customs, and Zhou Law, graceful but not soft, delicate and thoughtful, full of true feelings, fresh and natural language, flowing like beads, and beautiful tone, so it is famous for a while, and it is called "Yi'an Body".

Li Qingzhao. Li Qingzhao (March 13, 1084 - 1155), known as Yi'anju Shushu, was a native of Zhangqiu, Qizhou (now northwest of Zhangqiu, Jinan, Shandong), and lived in Jinan. A female lyricist in the Song Dynasty, a representative of the graceful faction, is known as "the first talented woman in the ages".

Li Qingzhao was born in a scholarly family, and his early life was prosperous, and his father Li Gefei was very rich in books. When she was a child, she laid a literary foundation in a good family environment, and after she got married, she and her husband Zhao Mingcheng devoted themselves to the collection and sorting of calligraphy, painting, gold and stone. When the Jin soldiers entered the Central Plains, they lived in the south and were lonely.

The lyrics are mostly written about his leisurely life in the early stage, and lamenting his life experience in the later stage, and the mood is sentimental. In art, he makes good use of white drawing techniques, finds his own way, and the language is clear and beautiful. On the socks lead cracked words emphasize the harmony, advocate elegance, put forward the word "other family" theory, and oppose the method of composing poetry and writing.

Noh poems, not much remains, some of the chapters are time-sensitive, and the words are generous, which is different from its style of words.

Since Li Qingzhao is a female lyricist, her Yi'an body naturally has not been able to get rid of the spirit of the boudoir, but this must not be regarded as the same "boudoir words". Shen Zengzhi's "Trivia of the Mushroom Pavilion" said, "Yi An is suave and has a husband's temperament, and he is the Su and Xin in the boudoir, not Qin and Liu." This evaluation points out the special temperament hidden in Li Qingzhao's boudoir style.

Li Yi'an's suave and husbandly spirit can be seen from her many words and deeds. Her poem "Wujiang" "Born as a hero, death is also a ghost." So far, I think of Xiang Yu and refuse to cross Jiangdong", the idea of worrying about the country, the ambition of recovery, and not going down to Lu You's "Poetry and Anger", showing his strong character.

In the lyrics, the lyricist places himself in the vast space through the magical and magnificent imagination, regardless of the "long road" and "sunset", and under the impetus of the 90,000-mile wind, he makes an overseas trip. It reflects Li Qingzhao's dissatisfaction with the status quo and his desire to break the dull and narrow living space. Although there is no direct rhetoric in the poem "Wujiang", we can feel the sassy and heroic spirit of Li Yi'an, Liang Qichao said, "This is absolutely similar to the Su and Xin factions" ("Selected Words of the Art Museum" Volume B).

Yi'an is a man with its unique delicate and delicate writing of boudoir words, and is unique in the Song Dynasty Ciyuan, self-named family, and has its special contribution to the development of the two Song Dynasty words. Its language is easy to understand, and the rhythm is clear and fluent; Her later lyrics are deeply marked by the distinctive imprint of the times, coupled with the perfect unity with her personal artistic originality, so that the traditional style of words has been enriched and transformed, and has deeply influenced future generations of lyricists.

Li Qingzhao's works are good at grasping the subtle changes in women's moods, layer by layer, and they are also excellent in the history of words. Li Qingzhao's words are called "Yi'an Ti", and they are constantly emulated and learned by future generations.

During the Northern Song Dynasty, Li Qingzhao showed a broad ideological realm and life field that surpassed the average woman in feudal society in a few poems.

Li Qingzhao is a famous female lyricist at the turn of the Northern and Southern Song Dynasty in China, and she is also a female writer with a special status in the history of ancient Chinese literature. Over the years, the artistic achievements of his lyrics have been fully affirmed by Zen. Li Qingzhao integrates the tender beauty of women, the ideal beauty of poets and the masculine beauty of character, forming his own unique artistic personality

Graceful and straight, soft and rigid. That is, the predecessors said that "Li Yi'an's words are lead-free powder" and "can get rid of the boudoir gas". Her "Yi'an Ti" words have had a profound impact on the development of classical poetry in China, and she is promoted as the "Graceful Sect".

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